Portrait of a Girl, 20th Century Signed Pastel - Original Frame
View Similar Items
Marie LaurencinPortrait of a Girl, 20th Century Signed Pastel - Original Frame
About the Item
- Creator:Marie Laurencin (1883-1956, French)
- Dimensions:Height: 18 in (45.72 cm)Width: 15 in (38.1 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU5245768681
Marie Laurencin
Around 1905 Georges Braque took Marie Laurencin to the Bateau Lavoir, Picasso's famously run-down studio on Rue Ravignan. Laurencin and Braque had both studied at the Académie Humbert. Laurencin originally aimed to paint on porcelain but Braque had the full measure of his colleague's talent and persuaded her to broaden her horizons.
On Rue Ravignan Laurencin found herself in an environment where she could thrive, where painting and literature mingled freely in a state, Picasso said, of permanent cross-fertilization, and at a moment when Fauvism was about to be supplanted by Cubism. Soon Guillaume Apollinaire was devoting to her an important chapter in his The Cubist Painters: Aesthetic Meditations (Peintres Cubistes: Méditations Esthétiques). Married to a German baron she fled France during World War I and lived in Spain, where she met Picabia among others, to return to Paris in 1920.
Laurencin's first canvases are sharper in tone than her later work. From her Ravignan period she left some paintings of real quality which also record the Bateau Lavoir dwellers, famously Picasso and Fernande Olivier, his mistress. Laurencin would enlarge on this composition by grouping together Picasso, Olivier (who wrote Picasso and His Friends [Picasso et ses Amis]), the poet Marguerite Gillot, the poet Maurice Chevrier, Guillaume Apollinaire and André Salmon. The Pont Mirabeau, dear to Apollinaire, can be seen in the background. During her time at Ravignan she also produced burin engravings and woodcuts inspired by fables and romantic street songs.
Laurencin had found her style. She became a painter of doe-like girls, merging realism and fantasy like some poets of her generation. Some see Eugène Carrière's influence in her early works, yet her palette shows much more distinct shading. Laurencin created this unique palette, rich in colors chosen for their softness, the full range of which she explored, deftly and firmly stressing tonalities. Famous among her works are the following: Guitar, Child with Violin, Princess, Sirens, Portrait of Jeannot, Portrait of René Dalize, Portrait of Marcel Jouhandeau and Portrait of André Salmon. She also illustrated many books: Marie Laurencin's Fan (L'Éventail de Marie Laurencin), a collection of poems written for her by writer friends, The Attempt at Love (La Tentative Amoureuse) and The Poems of André Walter (Les Poésies d'André Walter) by André Gide, books by Jacques de Lacretelle, André Salmon, Paul Morand, Louise Faure-Favier and Alice in Wonderland by Lewis Carroll.
Laurencin also pioneered new approaches to theatre set designing, memorably so in the Cocteau and Milhaud collaboration Does (Les Biches) for the Ballets Russes in 1924, and What Do Girls Dream Of? (À Quoi Rêvent les Jeunes Filles?) for the Comédie Française in 1928, even providing themes for the ballet.
She exhibited for the first time in 1907 at the Salon des Indépendants in Paris. In 1912 she showed her work with Robert Delaunay at the Galerie Barbazanges and contributed to the decoration of the Cubist house for the Salon d'Automne. In 1937 at the Petit Palais, Laurencin provided an exemplary sample of her work, including Portrait (1904), Portrait of a Young Woman in a Pink and Black Hat, two canvases executed in 1908 and 1909 and both entitled Guillaume Apollinaire and his Friends (referring to the Picasso circle), Flowers, Two Sisters, Marie Laurencin in Blue (1936), Game of Badminton, Flower Pot, Blue Angel (1929), Young Girls with a Mandolin, Portrait of Madame C.P., Artist and Model, Portrait of Anne-Françoise Mare and Pot and Lemons. In 2002 she featured in the exhibition “Women of Montparnasse” (Elles de Montparnasse) at the Musée du Montparnasse in Paris, chronicling the emancipation of female artists between the wars. In 1994 the Fondation Pierre Gianadda in Martigny presented a retrospective of her work.
Find original Marie Laurencin prints, drawings and watercolor paintings on 1stDibs.
(Biography provided by Leighton Fine Art Ltd.)
- Self-Portrait - Royal Academy Founding Member, 18th CenturyBy Francis HaymanLocated in London, GBFrancis Hayman RA 1708–1776 Self-Portrait Oil on oak panel Image size: 8 x 6¼ inches Contemporary gilt frame This newly discovered work is the earliest known self portrait by Francis Hayman, dated to the mid to late 1720’s. The small scale of the portrait gives it a strong sense of intimacy. Whereas clients would often dress themselves in their best clothes for a sitting, Hayman has portrayed himself in informal attire, with his shirt unbuttoned and a wig cap. Born in 1708 to a respectable Devonshire family, his training began at the tender age of ten under the tutelage of the historical painter Robert Brown, who was probably an uncle. By the 1730’s he is known to have been engaged in painting scenery for the popular theatres on Goodman’s Fields and Drury Lane. He established a studio on St Martin’s Lane, and demonstrated his versatility as one of the most important painters of his time in portraits, illustration and history painting. Indeed, he was one of the first English painters deemed to have the skill and proficiency to rival that of the foreign masters, such as Holbein and Kneller, who were brought in by the court to make up for the perceived shortcomings of the native artists. Led by William Hogarth, Hayman and other artists began to create a new movement in the English art world. Thomas Gainsborough was one of his pupils, whom he is said to have introduced to the more lascivious and debauched underbelly of London life. After mostly making his living as an illustrator, in the 1740’s Hayman was commissioned by the proprietor of the Vauxhall Pleasure Gardens, Jonathan Tyers, to produce a series of four large celebratory canvases depicting British victories from the Seven Years War. His association with Tyers continued, and over the next ten years he produced a number of large decorative paintings...Category
18th Century Old Masters Portrait Paintings
MaterialsOil Pastel, Oak
- Head StudyLocated in London, GBJoseph-Auguste Rousselin French 1841 - 1916 Head Study Oil on board, signed with initials and signed verso Image size: 12 x 11 inches This head study provides an unbelievably moving portrait of an androgynous sitter. Employing incredible technique, the artist has achieved the highly finished porcelain skin, thoughtful eyes and pink lips of the sitter with incredible softness. The unfinished quality of the background make the composition of the work particularly satisfying to the modern eye. Loosely sketched dashes and brushy swoops outline the model's head. The mix of finished and more expressive elements reveals the artist's brilliant eye, technique and personality. Artistically, Rousselin does not seem to be influenced by the friendships that he forged with the Impressionists but rather he has remained rather faithful to the academic technique of William Bouguereau, whose studio he also used to frequent. This study is certainly comparable to the work by Bouguereau, specifically his graceful portraits of women. Bouguereau championed the traditional academic style and his methods were taught to him by a pupil of Ingres. Similar academic inspiration is apparent in this work, from the conscious posing of the subject to the evenly laid colours. Indeed, alike the work of Bouguereau this follows the same classical approach to composition, form and subject matter. The Artist Born in Paris in 1841, Rousselin grew up to be a French painter and art collector. From a young age he studied in the workshops of Charles Gleyre and Thomas Couture, here he met the young impressionist generation. His studio peers included Auguste Renoir, Alfred Sisley and Édouard Manet, with whom he forged strong bonds of friendship. It was at his invitation that his two friends Renoir and Sisley exhibited at the Salon of the Society of Friends of the Arts in Pau, a region where Rousselin had family ties. Manet invited him to his family home in Boulogne-sur-Mer where he had him pose in the summer of 1868 for 'Le Déjeuner dans l'Atelie'. Rousselin can be seen in the background of the painting as the man with the cigar, wearing a grey hat...Category
Mid-19th Century Romantic Portrait Paintings
MaterialsOil
- The Distraction, Late 19th Century Oil Painting, OrientalistLocated in London, GBWalter Charles Horsley 1855 – 1921 The Distraction Oil on canvas, signed lower left Image size: 25 x 20 1/2 inches (63.5 x 52 cm) Orientalist ha...Category
Late 19th Century Portrait Paintings
MaterialsOil, Canvas
- UnaLocated in London, GBRichard Waller 1811 - 1882 Una Oil on canvas, signed lower right and dated 1879 Image size: 23 1/2 x 19 1/2 inches (59.5 x 49.5 cm) Original frame Una is one of the main characters in the first book of Edmund Spenser...Category
19th Century Victorian Portrait Paintings
MaterialsOil, Canvas
$6,911 - Portrait of a Lady in a Black BonnetBy Arthur Ambrose McEvoyLocated in London, GBOil on canvas Image size: 30 3/4 x 26 1/8 inches (78 x 66.5 cm) Gilt frame Provenance Collection of David Sellin, Washington, D.C. Sellin was an American art historian, curator, edu...Category
Early 20th Century Portrait Paintings
MaterialsOil, Canvas
- Portrait of Miss Tonks, Signed and dated 19th Century OilLocated in London, GBOil on canvas, signed and dated lower right 1882 Image size: 36 x 29 inches (92 x 74 cm) Gilt Watts frame LITERATURE The Life and Work of Frank Holl, Ada ...Category
19th Century Victorian Portrait Paintings
MaterialsOil, Canvas
- Graceful Portrait of the Countess Carrobio Pastel on Canvas 1910 circaBy Carl FroschlLocated in Rome, ITGraceful Portrait of the Countess Carrobio with elegant white dress. Pastel on Canvas with finely carved gilt wood frame. Signed CFroschl . Carl Forsche 1848- 1934 . Austrian Painte...Category
Early 20th Century Art Nouveau Figurative Paintings
MaterialsPastel
- Graceful Portrait of the Countess Carrobio Pastel on Canvas 1910 circaBy Carl FroschlLocated in Rome, ITGraceful Portrait of the Countess Carrobio with elegant white dress. Pastel on Canvas with finely carved gilt wood frame. Signed CFroschl . Carl Forsche 1848- 1934 . Austrian Painter...Category
Early 20th Century Art Nouveau Figurative Paintings
MaterialsPastel
- Graceful Portrait of the Countess Carrobio Pastel on Canvas 1910 circaBy Carl FroschlLocated in Rome, ITGraceful Portrait of the Countess Carrobio with elegant white dress. Pastel on Canvas with finely carved gilt wood frame. Signed CFroschl . Carl Forsche 1848- 1934 . Austrian Painte...Category
Early 20th Century Art Nouveau Figurative Paintings
MaterialsPastel
- French Art, Rococo, Portrait Queen Marie Antoinette France, Oval, Circle VivienLocated in Greven, DEFrench School, Portrait of Queen Marie Antoinette of France, Pastel /oil Pastel on Paper, Rococo, 18th Century. The Pastel is made in the style...Category
18th Century Rococo Portrait Drawings and Watercolors
MaterialsPaper, Pastel, Oil
- Torre VelascaLocated in Milano, MIUrbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents the famous Velasca Tower in Milan. This artwork was exhibited during the Daniela Gullotta...Category
2010s Contemporary Portrait Paintings
MaterialsSandstone
- PantheonLocated in Milano, MIUrbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents the famous Velasca Tower in Milan. This artwork was exhibited during the Daniela Gullotta...Category
2010s Contemporary Portrait Paintings
MaterialsSandstone
