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Style: Modern
Period: 1990s
Old Man: Contemporary Figurative Painting
Located in Brecon, Powys
Sympathetic portrayal of old age, really very pretty work by this British artist.
oil and gold leaf on arches paper, cracked varnish finish. Matted and very good condition
Category
Modern 1990s Portrait Paintings
Materials
Oil
The tramp and his daughter oil on board painting modernism art
Located in Barcelona, Barcelona
Oil measures 70x50 cm.
Frame measures 83x63 cm.
Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert
Roca has won...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Board
Mag 1999, canvas, oil, 74.2x80.3 cm
By Igor Maikov
Located in Riga, LV
Mag 1999, canvas, oil, 74.2x80.3 cm
"Mag" is an intriguing artwork created in 1999 by Igor Maikov. It is a large oil painting on canvas, measuring 74.2x80.3 cm. The painting depicts a portrait of an old lady set...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Oil
'Toreador', California, Post Impressionist Oil, Santa Monica College
Located in Santa Cruz, CA
Signed lower left, 'Goetz' for Jack Goetz (American, born 1919); additionally signed, verso, dated 1998, titled 'Toreador', with artist information.
A dramatic figural study of a proud, young toreador shown seated, wearing an embroidered vest and gazing directly towards the viewer.
Goetz has painted and exhibited with success for many years and continues to paint at the age of 104.
Speaking of himself, the artist says:
"I studied arts and languages at Santa Monica College, taking classes in oil and watercolor painting, sculpture, ceramics, art history and music. At the same time, I studied with master painter Sergei Bongart. Because he taught many people in the movie business, I had fun meeting and painting with people...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Oil
vagabonds oil on board painting modernism art
Located in Barcelona, Barcelona
Oil measures 70x50 cm.
Frame measures 83x63 cm.
Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert
Roca has won...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Board
accordionist with pipe oil on board painting modernism art
Located in Barcelona, Barcelona
Albert Roca (1945) - accordionist with pipe oil on board painting
Medidas óleo 47x34 cm.
Medidas marco 62x48 cm.
Painter of landscapes and figures, in who...
Category
Modern 1990s Portrait Paintings
Materials
Board, Oil
tramps and accordion oil on board painting modernism art
Located in Barcelona, Barcelona
Oil measures 70x50 cm.
Frame measures 83x63 cm.
Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert
Roca has won...
Category
Modern 1990s Portrait Paintings
Materials
Board, Oil
traveling musicians oil on board painting modernism art
Located in Barcelona, Barcelona
Oil measures 70x50 cm.
Frame measures 83x63 cm.
Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert
Roca has won...
Category
Modern 1990s Portrait Paintings
Materials
Board, Oil
Sailor playing the accordion oil on board painting
Located in Barcelona, Barcelona
Albert Roca (1945) - Sailor playing the accordion oil on board painting
Medidas óleo 62x46 cm.
Medidas marco 73x57 cm.
Painter of landscapes and figures, ...
Category
Modern 1990s Portrait Paintings
Materials
Board, Oil
Huge Spanish/ French Modernist Oil Painting Elegant Couple in Tender Embrace
Located in Cirencester, Gloucestershire
The Embrace
by Maria Tort Xirau (Catalan, 1924-2018)
signed lower corner
dated 1991
oil painting on canvas, framed
canvas: 42 x 29.5 inches
framed: 4...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Oil
Musicians and dog oil on board painting
Located in Barcelona, Barcelona
Albert Roca (1945) - Musicians - Oil on panel
Oil measures 50x70 cm.
Frame measures 53x73 cm.
Painter of landscapes and figures, in whose characterization...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Board
Huge Spanish/ French Oil Painting Girl Seated in Chair
Located in Cirencester, Gloucestershire
Portrait of a Lady in a Chair
by Maria Tort Xirau (Catalan, 1924-2018)
signed lower corner
dated 1991
oil painting on canvas, framed
canvas: 47 x 37....
Category
Modern 1990s Portrait Paintings
Materials
Oil, Canvas
"Two Friends Against Blue" Abstract Monotone Figurative Portrait Painting
Located in Houston, TX
Modern abstract figurative portrait painting by Houston, TX artist David Adickes. The work features two men figures side by side against a blue background....
Category
Modern 1990s Portrait Paintings
Materials
Acrylic
My granny Polli
Located in Genève, GE
Work on canvas
Wooden flush frame
103 x 63 x 3.5 cm
Category
Modern 1990s Portrait Paintings
Materials
Oil
Huge Spanish/ French Oil Painting Elegant Couple Courting in Grand Interior
Located in Cirencester, Gloucestershire
The Courtship
by Maria Tort Xirau (Catalan, 1924-2018)
signed lower corner
dated 1991
oil painting on canvas, framed
canvas: 42 x 29.5 inches
framed: 48 x 36 inches
Very good condition.
Provenance: from the artists estate, France
Maria Tort Xirau ( Figueres , 26 May 1924 – 6 June 2018) was a painter and photographic and cinematographic editor from Emporda. She developed a long professional career in leading photographic studios, in films for The Walt Disney Company and also in advertising claims for companies such as Educa Borràs . The second half of her life was dedicated to painting, exercising a luminous, varied and nostalgic chromatic style in the techniques of oil and watercolor and with exhibitions of her work in Barcelona and Figueres. The Biographical Dictionary of Art Empordà defined Tort Xirau's work as "a painting that is characterized by the strength of the strokes, the vividness and brightness of the chromatic range and exudes mastery of the photographic technique. A mixture of nostalgia and tenderness is evident.".
Tort Xirau's paintings were exhibited in the two towns where she spent her life: in 1992 she exhibited his work at the Caixa de Figueres Exhibition Hall. Two years later, she did it at Sala Conex in Barcelona and in 2007 and 2013 the Consortium of Sant Ferran Castle and the Figueres Town Council organized tribute exhibitions. In 2013, she ceded to the council of the city of Figueres her work Mercat de la plaça de l'Ajuntament , watercolored on paper around 1991, which is exhibited in the rest room of the building.
On June 6, 2018, she died in Figueres at the age of 94, receiving the apostolic blessing . Two years after her death, part of her paintings were included in the exhibition Paint, create, live. Women artists in the Alt...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Oil
"Two Men and Girl in Yellow" Modern Abstract Figurative Group Portrait Painting
Located in Houston, TX
Modern abstract figurative portrait painting by Houston, TX artist David Adickes. The work features a two men in suits with a young girl wearing yellow posing with birds and a blank ...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Acrylic
BLONDE WITH ART DECO NECKLACE
Located in Los Angeles, CA
Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate.
Max Turner
1925 - 2019
Max Lamar Turner Painter, Sculptor, Teacher and Author.
Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II.
There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California.
Painter, Sculptor, Teacher and Author:
Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events.
Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class.
During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas.
Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it.
Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios.
Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90.
Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin.
In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces".
In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression.
Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018.
Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after.
When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Canvas
Who am I to be your secret lover? Figurative large format Landscape with figures
By Igor Fomin
Located in Segovia, ES
Who am I to be your secret lover? Figurative large format Landscape with figures in fairy-tale setting.
Acrylic on canvas.
Author: Igor Fomin.
Measurements in centimeters: 195 x 195 cm. / In inches: 76.77 x 76.77"
In this painting, Igor Fomin not only tells us the story of a couple who keep their love secret, he also tells us about that beautiful old place, a witness to their love affairs, and those neighbors, who should not find out and who make their lives. An entire city, with a splendid aqueduct in the background, through whose arches the view is lost. The set is endowed with a magnificent color and a complex structure, full of planes to stop at all those characters that fill the author's pictorial and literary imaginary.
From the tow...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Acrylic
'Portrait of a Young Man', Dennis the Menace, Walt Disney, Figural Oil
Located in Santa Cruz, CA
Signed center right, 'Ketcham' for Hank Ketcham (American, 1920-2001) and dated 1990.
Hank Ketcham, the creator of Dennis the Menace, was born in Seattle...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Oil
Girl Shepherd & Shepherd II
Located in Istanbul, 34
The two works are for sale together. Together they are more meaningful. The two figures are side by side, looking at each other. Each work is 92X73 cm. If it is desired to be exhibited together, the frame of one is slightly larger than the other. However, the canvas dimensions are exactly the same size. If desired, the frame can be changed. The work is oil on canvas. The artist does not use white paint on white areas. That is the nature of the artist. More information is right below.
Ömer Kaleşi...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Canvas
Small Dark Grey Abstract Expressionist Figurative Portrait Painting
By Dick Wray
Located in Houston, TX
Small dark grey abstract expressionist painting of a figure's face by Dick Wray. The painting is currently unframed.
Artist Biography: Dick Wray, a native Houstonian, born in Heigh...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Mixed Media, Oil
Lady with the Lamp, Dry Pastel on Paper by Prokash Karmakar “In Stock”
Located in Kolkata, West Bengal
Prakash Karmakar - Untitled - 29 x 20 inches ( unframed size )
Dry Pastel on Paper , 1999
Prakash Karmakar was the most senior artist of Bengal . He was instrumental in the Bengal...
Category
Modern 1990s Portrait Paintings
Materials
Pastel, Canvas
Lady with the Lamp, Dry Pastel on Paper by Prokash Karmakar “In Stock”
Located in Kolkata, West Bengal
Prakash Karmakar - Untitled - 29 x 20 inches ( unframed size )
Dry Pastel on Paper , 1999
Prakash Karmakar was the most senior artist of Bengal . He was instrumental in the Bengal...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Pastel
LADY WITH PICK FAN
Located in Los Angeles, CA
Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate.
Max Turner
1925 - 2019
Max Lamar Turner Painter, Sculptor, Teacher and Author.
Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II.
There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California.
Painter, Sculptor, Teacher and Author:
Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events.
Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class.
During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas.
Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it.
Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios.
Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90.
Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin.
In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces".
In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression.
Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018.
Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after.
When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Canvas
MR. KING'S FAMILY (MANET & WHISTLER)
Located in New York, NY
portrait painted in acrylic on canvas.
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Acrylic
Durga 97, Mixed Media on Board, Red, Yellow, Green by Indian Artist "In Stock"
By Sunil Das
Located in Kolkata, West Bengal
Sunil Das - Durga 97 - 10 x 8 inches (unframed size)
Durga the Third Eye.
Mixed Media on Board
Inclusive of shipment in ready to hang form.
In Indian Mythology the Goddess Durga h...
Category
Modern 1990s Portrait Paintings
Materials
Mixed Media, Board, Acrylic
"One Man, Two Ladies with Guitar" Abstract Figurative Portrait Painting
Located in Houston, TX
Modern abstract figurative portrait painting by Houston, TX artist David Adickes. The work features two men figures (one of them holding a guitar) and a wo...
Category
Modern 1990s Portrait Paintings
Materials
Oil
"Sophisticated Ladies" Colorful Modern Abstract Figurative Portrait Painting
Located in Houston, TX
Modern abstract figurative portrait painting by Houston, TX artist David Adickes. The work features a central pair of well dressed female figures in 1920s flapper inspired outfits set...
Category
Modern 1990s Portrait Paintings
Materials
Oil
Portrait of a Woman, Large Oil Painting, Ahn Duong
By Anh Duong
Located in Surfside, FL
Anh Duong (born October 25, 1960) is an American artist, actress, and model. She is known for her self-portraits, which she has compared to a visual diary, as well as portraits of significant art collectors and influencers.
Duong was born in Bordeaux, France, to a Spanish mother and a Vietnamese father. Duong studied architecture at the École des Beaux-Arts in Paris, France. Having aspired to be a ballerina from an early age, she decided to pursue classical dance. Duong studied with the Franchetti Academy of Classical Dance and Tessa Beaumont until she embarked on a modeling career—being photographed for Vogue, among other publications.
In 1988, Duong moved to New York City and began a career as an artist and an actress.
While she was a ballet dancer in Paris, Duong was discovered by photographer David...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Cotton Canvas
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Vintage Mid-Century Modern Figurative Portrait Framed Oil Painting - Lone
Located in Bristol, GB
LONE
Oil on Board
Size: 52 x 44.5 cm (including frame)
A very well done mid-century modernist portrait composition, executed in oil onto board.
A single seated figure sits alone, l...
Category
Modern 1990s Portrait Paintings
Materials
Board, Oil
H 20.48 in W 17.52 in
1947 Expressionist Oil Painting Flute Player Musician Boris Deutsch WPA Artist
Located in Surfside, FL
Boris Deutsch (American Lithuanian Russian, 1892-1978)
"The Flute Player," 1947
Oil paint on canvas,
Hand signed and dated upper left,
Provenance: gallery label (Pasadena Art Museu...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Oil
The Fisherman
Located in London, GB
'The Fisherman', oil on canvas, French School (circa 1950s). A delightfully colourful depiction of a young fisherman admiring his considerable catch, a l...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Oil
Portrait of Young Girl - Oil on Canvas by Pietro Alimonti - 1969
Located in Roma, IT
Portrait of Young Girl is an artwork realized by Pietro Alimonti, 1969.
Oil on Canvas.
49 x 39 cm ; 88 x 68 cm.
Handsigned in the lower left margin.
Good conditions!
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Oil
H 19.3 in W 15.36 in D 0.79 in
20th Century Portrait of Young Lady Reading a Book large oil painting
Located in Cirencester, Gloucestershire
Lady Reading
by Jacob Markiel (Polish 1911-2008) *See notes below
oil on board, unframed
board: 29 x 24 inches
provenance: the artists estate, south of France
condition: very good an...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Oil
Oil Painting by Well Known Cartoonist and Illustrator Upper East Side, Manhattan
By Sandy Huffaker
Located in Surfside, FL
An Upper East Side of Manhattan New York city scene of bald guy reading newspaper on bench with East River and tugboat in background.
The 1970s were the “glory days,” Huffaker says, for himself and a stable of talented illustrators whose work routinely found itself on the covers of the nation’s premier newsmagazines and in the pages of The New York Times. For the better part of that decade, Huffaker was among an elite breed of commercial artists—his hero and fellow Southerner Jack Davis, the legendary Mad Magazine illustrator, among them—working during a remarkable period when art directors routinely turned to illustration to give comic relief to the country’s deeply serious and dark problems. From civil rights and the women’s movement to Vietnam and Watergate, the gas crisis and inflation to the rise of Jimmy Carter, Huffaker mined a deep well of material ripe for his brand of visual wit and caustic satire. He sent his portfolio to children's book illustrator Maurice Sendak, the legendary “Where The Wild Things Are” illustrator to gauge his prospects, and when Sendak replied, “C’mon up, you’ll do all right,”
SELECT HONORS:
2 Page-One Awards (from the New York Newspaper Guild), for work in Fortune Magazine and Sports Illustrated.
Nominated 3 times for Cartoonist-of-the-Year by the National Cartoonists Society (illustration category).
Desi Award of Excellence (Graphic Design Magazine).
20 Award of Merit citations from the Society of Illustrators.
One-man show, Society of Illustrators.
Illustrators 22 - annual national exhibition for the Society of Illustrators.
SELECT MAGAZINE COVERS
Time Magazine (6),
Sports Illustrated (2),
Business Week (12),
Forbes,
Saturday Review,
New York Times Sunday Magazine,
The New Republic,
Family Weekly,
Madison Avenue,
New York Daily News Sunday Magazine (2),
Junior Scholastic,
ACLU,
The Nation , and more
EDUCATION BA, University of Alabama. Attended Pratt Graphic Center and The Art Students League, New York City.
BOOKS WRITTEN AND ILLUSTRATED The Dispensible Man (M. Evans and Co.) and The Bald Book (M. Evans and Co.) BOOKS ILLUSTRATED White Is (Grove Press), The Begatting of a President (Ballantine Books), The Biggest Sneeze (Harper-Collins), H. Phillip Birdsong's ESP (Young Scott Books), Kids Letters to President Reagan (M. Evans), The Worlds Greatest Left-Handers (M. Evans), Does My Room Come Alive at Night (HarperCollins), The Man With Big Ears (HarperCollins), Jake Snake's Race (HarperCollins), and more
POLITICAL CARTOONING Political cartoonist at The News and Obsever in Raleigh, NC and syndicated during the early 70's. Today, syndicated in 750 publications 3-times a week with Cagle Cartoons.
FINE ART SHOWS Allied Artists of America, Salmagundi Club, Phillips Mill Annual (honorable mention), New Hope Shad Festival (grand Prize), Hunter Museum in Chattanooga ( one -man career retrospective), Santa Fe public library (one--man), Rosenfeld Gallery (Philadelphia), Potter...
Category
American Modern 1990s Portrait Paintings
Materials
Canvas, Oil
Seated Woman
Located in London, GB
'Seated Woman', oil on board, by François Diana (circa 1970s). This work of sumptuous colour and sensuous subject matter elicits an immediate response. ...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Board
Three Christian Theme Paintings - Oil on canvas - Early 20th century
Located in Roma, IT
Peru, colonial style, Early 20th century
Oil on canvas, 47,5 x 38 cm (wooden frame)
Provenance: Italian private collection.
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Oil
H 18.71 in W 14.97 in D 1.19 in
"Modernist Portrait, Boy Seated " Mid Century Oil Painting on Board
Located in New York, NY
A strong modernist oil painting depicted in the 1950's of a Boy seated with a bowl of fruits. Comes displayed in a distressed wood frame, signed lower left illegibly.
Art measures 1...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Board
H 23 in W 21 in D 2 in
Marc, Portrait in Landscape, Contemporary Oil on Linen Board
Located in Cotignac, FR
A contemporary oil on linen board portrait of Marc, part of a series of portraits: 'Portrait in Landscape' by the Dutch artist Bernadette 'Berna' Van Baarsen. The painting is signed ...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Linen, Board
H 21.5 in W 21.5 in D 0.75 in
Previously Available Items
violinist oil on board painting modernism art
Located in Barcelona, Barcelona
Albert Roca (1945) - violinist oil on board painting
Medidas óleo 47x34 cm.
Medidas marco 62x48 cm.
Painter of landscapes and figures, in whose characteri...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Board
Huge Spanish/ French Oil Painting Elegant Lady in a Hat
Located in Cirencester, Gloucestershire
Lady in a Hat
by Maria Tort Xirau (Catalan, 1924-2018)
signed lower corner
dated 1990
oil painting on canvas, framed
canvas: 29 x 21 inches
framed: 3...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Oil
Huge Spanish/ French Modernist Oil Painting Two Winged Angels
Located in Cirencester, Gloucestershire
The Two Angels
by Maria Tort Xirau (Catalan, 1924-2018)
signed lower corner
dated 1991
oil painting on canvas, framed
canvas: 45 x 44 inches
framed: ...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Canvas
H 51 in W 49 in D 1 in
Portrait of a Woman, Large Oil Painting, Ahn Duong
By Anh Duong
Located in Surfside, FL
Anh Duong (born October 25, 1960) is an American artist, actress, and model. She is known for her self-portraits, which she has compared to a visual diary, as well as portraits of significant art collectors and influencers.
Duong was born in Bordeaux, France, to a Spanish mother and a Vietnamese father. Duong studied architecture at the École des Beaux-Arts in Paris, France. Having aspired to be a ballerina from an early age, she decided to pursue classical dance. Duong studied with the Franchetti Academy of Classical Dance and Tessa Beaumont until she embarked on a modeling career—being photographed for Vogue, among other publications.
In 1988, Duong moved to New York City and began a career as an artist and an actress.
While she was a ballet dancer in Paris, Duong was discovered by photographer David...
Category
Modern 1990s Portrait Paintings
Materials
Oil, Cotton Canvas
"Templar's Girl" Monochrome 20th Century Modern Portrait Painting on Canvas
Located in New York, NY
A stunning oil painting depicting a portrait of a woman, she is a mysterious and beautiful girl with hands holding hair, red lipstick and blue eyeshadow. We are drawn to the movement and emotion around her as the artist painted her in a modernist way, using manly black and white in a monochrome manner. Signed on top and verso and it comes displayed in a period modernist frame with hanging wire on verso.
Art measures 48 x 48 inches
Frame measures 52 x 52 inches
Zïlon began his artist career as a street artist in the alleyways of Montréal. Nicknamed the “Cocteau of the alleys”, he was a leading figure of the underground punk movement in the 1980s. It was a period of turmoil and artistic experimentation, sustained and characterized by a transmutation of disciplines, and a rejection of society's rules. Zïlon has certainly made his mark in visual arts, but also in music and performance art. For over 30 years, his ability to constantly reinvent himself and his great versatility have made him an artist that transcends boundaries and generations. With over fifty exhibitions to his credit, his work has been seen in several major global cities, including New York, Paris and London.
In addition to his gallery success, Zïlon has also created cartoons, made storyboards for films, created posters for festivals...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Acrylic
H 52 in W 52 in D 1.5 in
LADY IN BLACK DRESS
Located in Los Angeles, CA
Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate.
Max Turner
1925 - 2019
Max Lamar Turner Painter, Sculptor, Teacher and Author.
Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II.
There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California.
Painter, Sculptor, Teacher and Author:
Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events.
Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class.
During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas.
Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it.
Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios.
Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90.
Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin.
In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces".
In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression.
Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018.
Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after.
When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...
Category
American Modern 1990s Portrait Paintings
Materials
Canvas, Oil
Homme - Modernist Oil, Blue Portrait of a Man by Jean-Francois Larrieu
Located in Marlow, Buckinghamshire
A really wonderful and unique oil on canvas by French Modernist painter Jean-Francois Larrieu. The figure of a man is based on a blue background and constructed from buildings.
Sig...
Category
Modern 1990s Portrait Paintings
Materials
Canvas, Oil
Beyond The Scarf
Located in Lake Worth Beach, FL
Beyond the scarf,
A beautiful woman in burgundy hat, painting size without the frame 19.5x23.5 framed 25..5x29.5
Dorit was born in 1952 in Tel Aviv, Israel. Her extraordinary talent brought her to study at the prestigious Wizco France Art School also located in Tel Aviv. There she was the dedicated student of one of Israel's greatest artist, Edwin Salomon. Dorit Levi...
Category
Modern 1990s Portrait Paintings
Materials
Masonite, Oil
Mystery + Fruit
Located in Los Angeles, CA
BILL BREWER
"MYSTERY + FRUIT"
OIL ON PANEL, SIGNED, TITLED
AMERICAN, C.1990
32 X 24 INCHES
Bill Brewer
Born 1955
Bill Brewer has enjoyed a career ...
Category
Modern 1990s Portrait Paintings
Materials
Wood, Oil
"Duke #2" Contemporary Large Portrait Painting
Located in Houston, TX
Wonderful portrait of a man with a golden halo titled "Duke #2" by Patrick Palmer in 1996.
Artist Biography:
Patrick Palmer grew up in California and was interested in art from a y...
Category
Modern 1990s Portrait Paintings
Materials
Acrylic
Portrait of a Woman, Large Oil Painting, Ahn Duong
By Anh Duong
Located in Surfside, FL
Anh Duong (born October 25, 1960) is an American artist, actress, and model. She is known for her self-portraits, which she has compared to a visual diary, as well as portraits of si...
Category
Modern 1990s Portrait Paintings
Materials
Cotton Canvas, Oil
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