Sebastian Blanck

Ozzy and the Orchid

2023

SEBASTIAN BLANCK Looking Out at the Lake, 2023 Oil on linen 80 x 64 inches 203.2 x 162.6 cm Signed, titled and dated (verso) (MMG#35494) -- SEBASTIAN BLANCK Sebastian Blanck’s o...

SEBASTIAN BLANCK Straight Ahead, 2023 Oil on linen 80 x 64 inches 203.2 x 162.6 cm Signed, titled and dated (verso) (MMG#35495) -- SEBASTIAN BLANCK Sebastian Blanck’s oil portra...

SEBASTIAN BLANCK Sun Hat, 2018 Oil on linen 30 x 24 inches 76.2 x 61 cm Signed, titled and dated (verso) -- SEBASTIAN BLANCK Sebastian Blanck’s oil portraits and landscapes cele...

SEBASTIAN BLANCK Isca (Sun Hat Profile), 2021 Oil on linen 72 x 60 inches 182.9 x 152.4 cm Signed, titled and dated (verso) (MMG#35493) $20,000 -- SEBASTIAN BLANCK Sebastian Blan...

SEBASTIAN BLANCK Isca in Red, 2021 Oil on linen 24 x 20 inches 61 x 50.8 cm Signed, titled, and dated (verso) (MMG#35641) -- SEBASTIAN BLANCK Sebastian Blanck’s oil portraits a...

SEBASTIAN BLANCK Sun Hat Blue Reflection, 2022 Oil on linen 50 x 38 inches 127 x 96.5 cm Signed, titled and dated (verso) (MMG#34856) -- SEBASTIAN ...

This replica of the last self-portrait of Jean-Baptiste Greuze painted in 1804, executed by his daughter Anna at her father's side and recently rediscovered, provides us with a poignant image of the great artist, represented with panache despite the disillusions of life. 1. Jean-Baptiste Greuze Jean-Baptiste Greuze was the sixth child of a roofer from Tournus and retained a certain rusticity in his behaviour from his provincial childhood, beyond his taste for describing picturesque scenes of the countryside. He initially started training with a little-known painter from Lyon, Charles Grandon, before his genius was recognised in Paris where he became a full-time student of the Académie (of Painting) in 1755. He exhibited his work for the first time at the Salon during the summer of 1755, before leaving on a trip to Italy in the company of Louis Gougenot, abbot of Chezal-Benoît. Upon his return to Paris, Greuze became a prolific painter, participating widely in the Salons held between 1759 and 1765, to which he sent no less than 63 paintings: numerous genre scenes (The Marriage Contract, The Beloved Mother), but also portraits of his family circle, of courtiers and art lovers, or of his colleagues. The Academy closed the doors of the Salons to him in 1767 for not having produced his reception piece within six months of his reception, as was the tradition. He worked actively on this painting (Emperor Severus rebukes Caracalla, his son, for trying to assassinate him ) until the summer of 1769, tackling historical and mythological subjects for the first time. Once this was completed, he was then fully admitted to the Academy, but as a genre painter, and not as an historical painter, which had been one of the greatest humiliations of his life. Greuze then refused any participation in events organised by the Academy or its successor, the Academy of Fine Arts until 1800. Abandoning history painting, he gave a new twist to genre scenes, bringing them closer to history painting, as in this pair of canvases which constitutes some of his masterpieces: The Paternal Curse: The Ungrateful Son and The Paternal Curse: The Punished Son . Married in 1759 to Anne-Gabrielle Babuti, the daughter of a Parisian bookseller, his marriage was unhappy and his wife probably frequently unfaithful. The institution of divorce enabled him to record their separation in 1793, keeping his two daughters Anna-Geneviève, born in April 1762, and Louise-Gabrielle, born in May 1764, with him. Little is known about his daughter Anna except that she was herself a painter and lived with her father until his death. It is likely that most of the paintings she produced up to that date were attributed to her father, whose technique she shared to a great extent, making it extremely difficult to establish an autonomous corpus of her paintings. Greuze died in his studio at the Louvre on March 21st 1805. The attention paid to the expressivity of his characters and the emotional charge they convey enabled Jean-Baptiste Greuze to enjoy immense popularity with the eighteenth-century public, and they still constitute Greuze's true modernity. As the artist said, "I dipped my brush in my heart". Greuze was also an exceptional draughtsman and a portraitist of immense talent and exceptional longevity who painted both the Dauphin (the son of Louis XV and father to Louis XVI) and the young Napoleon Bonaparte. 2. Greuze's self-portraits Greuze was very much influenced by Dutch paintings during all his life. While the source of his inspiration for genre scenes can be found in Gerard Dou...

Original Painting Lucia Riccelli, painter and performance artist. Born in Rome, living in Vienna, Zakynthos and Rome. Degreed at Accademia di Belle Arti di Roma in painting and scenography. Studied and performed classical ballet...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is included in numerous private and museum collections, among them the Burchfield-Penney Art Center, the Albright-Knox Art Gallery, the Castellani Art Museum of Niagara University, and the UB Anderson Gallery (all of which are located in Western New York...

Oil on linen Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has d...

Oil on linen

KAMIL LISEK (born in 1980) Studied under the guidance of prof. Maciej Świeszewski at the faculty of painting at the Academy of Fine Arts in Gdansk. He graduated with distinction obta...