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The Tudor Gentleman - Family Portrait with Coat of Arms

19th century

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  • Fine Dutch Oil Painting Portrait of a Renaissance Lady
    Located in Cirencester, Gloucestershire
    Artist/ School: Dutch School, 20th century, possibly after the earlier work by Hans Holbein Title: Portrait of a Renaissance style lady Medium: oil painting on canvas, unframed. ...
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  • French Oil Painting after 15th Century Renaissance Old Master, Portrait
    Located in Cirencester, Gloucestershire
    Artist/ School: French School, after the earlier Renaissance Title: Portrait of a Cardinal Medium: oil painting on canvas, unframed canvas: ...
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    20th Century Renaissance Figurative Paintings

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  • Lady with the Red Hat Portrait, Original Oil Painting
    Located in Cirencester, Gloucestershire
    Lady with the Red Hat, Impressionist Portrait, Original Oil Painting By European Schooled artist, Mid 20th Century Oil painting on metal, framed Framed size: 10.5 x 8 inches Fabulou...
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    Mid-20th Century Renaissance Portrait Paintings

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    Oil

  • Roman Laurel Wreath, Male Portrait, Original Oil Painting
    Located in Cirencester, Gloucestershire
    Roman Laurel Wreath, Impressionist Portrait, Original Oil Painting By European Schooled artist, Mid 20th Century Oil painting on metal, framed Framed size...
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    Mid-20th Century Renaissance Portrait Paintings

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    Oil

  • Stylised Portrait, Peasant Girl, Impressionist Oil Painting
    Located in Cirencester, Gloucestershire
    Stylised Portrait, Peasant Girl, Impressionist Oil Painting By European Schooled artist, Mid 20th Century Oil painting on metal, framed Framed size: 10.5 ...
    Category

    Mid-20th Century Renaissance Portrait Paintings

    Materials

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  • Renaissance Style Head Profile Portrait of Christ Beautiful Antique Oil Painting
    Located in Cirencester, Gloucestershire
    The Head of Christ 19th Century Dutch School oil on paper laid down on board, unframed size: 7.5 x 6 inches private collection The painting is in overall very good and sound condition
    Category

    19th Century Renaissance Figurative Paintings

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  • Saint Cosmas and Saint Damian
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    These exceptionally rare early Renaissance panels of Saint Cosmas and Saint Damian are an extraordinary new discovery. It is believed, thanks to the research of art historians Marco Tanzi and Andrea de Marchi, that these represent the missing panels from the famed polyptych that was formerly displayed on the altar of the Chapel of San Nicola da Tolentino in the Church of Sant’Agostino in Cremona, Italy. To find two matching early Renaissance panels outside of a museum or church, particularly in such remarkable condition, is an extraordinary rarity. The central and left-sided panels of the original five-part polyptych are currently in the collection of the Museo Civico Ala Ponzone in Cremona. These panels have luckily remained intact, and respectively portray the Madonna and Child Enthroned with Angels and Donor, Saint Nicholas of Tolentino (the chapel’s namesake) and Saint George. While the present panels have since been reduced, that they belong to the Cremonese altarpiece is confirmed by a number of stylistic elements. All five panels contain the same rich decorative arabesque pattern on their stamped gold background, while the figures’ knurled haloes are identical in both their fineness of line and use of perspective. The proportions of the figures coincide perfectly; Saints Cosmas and Damian would have originally also been depicted as full-length figures, fitting into the vertical, Gothic style of the altarpiece. According to the Christian religion, Saint Cosmas and Saint Damian were 3rd century physicians born in Arabia. Little is known about their lives except that they were reputedly twin brothers and that they were martyred in Syria during the persecution of Emperor Diocletian. It was believed that the saints were skilled in healing, and when their medicines failed, their faith and prayers could always perform miracles. Thus, the saints are often depicted with their medical equipment while wearing the traditional medieval doctor’s garb of crimson robes and distinctive round red hats. The saints are similarly depicted in the present panels, though considering the manner in which they have been cut, their medical tools are not immediately evident. The saints were highly popular as patrons of wealthy families during the Gothic and Renaissance eras, particularly the Medici, and thus they occur frequently in art from the era. The twins, for instance, are found in the famed San Marco Altarpiece by Fra Angelico in the San Marco Museum (Florence), as well as in a set of Medici panels crafted by Filippo Lippi...
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