Two Mid 18th Century Oil on Canvas Portraits of Gentlemen
1 of 8
UnknownTwo Mid 18th Century Oil on Canvas Portraits of GentlemenMid 18th Century
Mid 18th Century
About the Item
- Creation Year:Mid 18th Century
- Dimensions:Height: 12.01 in (30.5 cm)Width: 9.26 in (23.5 cm)Depth: 0.79 in (2 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:York, GB
- Reference Number:1stDibs: LU79413160233
You May Also Like
- Portrait of a Lady Gardener - Modern British Impressionist Fauvist Oil PaintingBy Paul BeauvaisLocated in Sevenoaks, GBA beautiful post impressionist/fauvist impasto oil on board portrait of a lady gardener resting on a bench, by modern British artist Paul Beauvais. Excellent quality early work by ...Category
Late 20th Century Post-Impressionist Portrait Paintings
MaterialsBoard, Oil
- Early 20th Century Young Girl With Pink Bow PortraitBy Helen Enoch GleiforstLocated in Soquel, CABeautiful portrait of a young girl by listed aritst artist Helen Mae Enoch Gleiforst (American,1903-1997). Signed "Gleiforst" lower left. Unframed. Image, 20"H x 16"W. Gleiforst wa...Category
1930s American Impressionist Portrait Paintings
MaterialsOil, Board
- "Dancer's Dream" Large Original Oil Painting by Robert White, Frameless DisplayLocated in Encino, CA“Dancer's Dream,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of greens, browns, and whites project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for dancers, the ballet, portraits, and color-rich works of art. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...Category
2010s Realist Figurative Paintings
MaterialsOil
- Hispanic Artist - Spanish Culture - Spanish Souvenir mantilla, peineta, giletBy Francis Luis MoraLocated in Miami, FLF. Luis Mora was the first Hispanic member of the National Academy of Design. Spanish Souvenir- mantilla, peineta, by Francis Luis Mora is a painting of beautiful Spanish women in...Category
1920s Impressionist Figurative Paintings
MaterialsOil, Canvas
- Union - A Group of Uniformed Soldiers Standing in an Open Field, Oil on LinenBy William Blake (b. 1991)Located in Chicago, ILA group of uniformed soldiers gather in a grassy field. We see cannons yet must bring our own decisions about what is about to transpire. Painted in the loose style of Winslow Homer, "Union" by William Blake captures a scene in a Civil War Reenactment as the Union Army's Artist Reporter. Portraying Homer as an Artist-reporter, Blake has to be more than merely good draftsmen. He has to be an astute observer, have an instinct for story and drama, the ability to sketch quickly and accurately, and no small amount of daring, as he faces battles first hand. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. Please contact the gallery for framing options. William Blake Union, 2022 oil on linen 24h x 36w in 60.96h x 91.44w cm WIL034 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...Category
2010s Contemporary Figurative Paintings
MaterialsOil, Linen
- A Great Battlefield - A Lone Soldier Sanding in an Open Field, Oil on LinenBy William Blake (b. 1991)Located in Chicago, ILA solitary figure, head bowed, stands in a field in contemplation of what has just taken place or what is about to take place. "A Great Battlefield" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to contemplate the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. A Great Battlefield oil on linen 60h x 35w in 152.40h x 88.90w cm WIL029 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...Category
2010s Contemporary Figurative Paintings
MaterialsOil, Linen