Unknown

Untitled (Man with Violin)

Early to Mid 20th Century

Three 9x12 oil portraits from 1949 Artist Unknown. These portraits came together as a set.

John Knowles Hare, American Illustrator, (1884-1947). This painting is believed this an original for a candy box illustration.

Timothee (Tymo) Pierre, "Indian African Face Woman", Signed Abstract/ Figurative Portrait Painting, Acrylic Paint on Cardboard, 13.50 x 10.50, Late 20th ...

David Stern (Germany, b. 1956), "Snow Crash", Oil/ Cotton, 71 x 82, 2016 Keywords: figurative, cabalistic, mysticism, gestural, painting, action, pigments,...

David Stern (Germany, b. 1956), "The Petitioners 1", Oil/ Cotton, 71 x 82, 2016 Keywords: figurative, cabalistic, mysticism, gestural, painting, action,...

David Stern (Germany, b. 1956), "Purple Robe", Oil/ Cotton, 71 x 82, 2016 David Stern was born on February 3, 1956, in Essen, Germany and lives in New Yor...

This evocative oil painting by Girbent depicts a woman in a hotel room, visible in the viewers line of sight and also reflected in the mirror. His interior sings with detail while m...

"Dr. Lecter" is a portrait based on Anthony Hopkin's iconic portrayal of the character in Silence of the Lambs. Dr. Hannibal Lecter, though an absolute monster, had a charming side ...

Oil on canvas Signed in red, u.r. $16,000.00 + framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art movement...

Conjuring the brilliance of late 18th-century costume with infusions of 19th-century modernity, James Jacques Joseph Tissot’s Jeune femme à l’éventail illustrates the remarkable technique for which he was renowned. His delicate portraiture, combined with his fascination with conveying texture, demonstrates why he was one of the most revered artists of the Belle Époque. Grouped with Tissot’s “keepsake pictures” of beautiful women in fashionable dress, this work is noteworthy not only for the fresh face of its sitter but also for the appearance of some of Tissot’s most beloved props. The delicate fan and paisley cashmere shawl, a favorite prop of Tissot’s artistic idol Jean Auguste Dominique Ingres, made frequent appearances in his paintings, as did the exquisite dress the sitter wears. Its identifiable styling can be seen in several of Tissot’s most notable works of the period, including La chéminée and Un déjeuner à la riviere. The playful feel of this painting is grounded by Tissot’s exceptional attention to detail. A master of conjuring an array of textures, Tissot showcased this ability in this composition by juxtaposing many types of fabrics and patterns within one costume. This intricacy, which he carried even to his depiction of the woman’s manicure and jewelry, set him on par with the best artists of his day and contributed to his commercial success. Born in 1836 in the port town of Nantes, Tissot traveled to Paris at the age of 20 in order to join the studios of Hippolyte Flandrin...

‘Regina dei Fiori’ by Frédéric Soulacroix (1858-1933). The painting – which depicts an aristocratic Italian beauty sitting beside a porcelain vase full of peonies – is signed by th...

‘Regina dei Fiori’ by Frédéric Soulacroix (1858-1933). The painting – which depicts an aristocratic Italian beauty sitting beside a porcelain vase full of peonies – is signed by th...