Anne Harney

"Wild Bay Oysters" square oil painting of two white oysters with gray background

2023

About the Artist “Spending a lifetime of summers on Martha's Vineyard my work has evolved into natural forms of coastal scenes. My connection to the island developed a deep concern with natural forms life-plants, shells, hills, trees, stones and water. My paintings create a path of self-discovery. Reassembling pieces together from memory and imagination using textures, patterns and transparent layers make the viewer question how far reality can be pushed before it will yield the powerful essence of what is seen.” Anne Harney is a Boston-based painter who received her BFA with Honors in painting from Mass College of Art and Design in 2011. Awards include George Nick...

About the Artist “Spending a lifetime of summers on Martha's Vineyard my work has evolved into natural forms of coastal scenes. My connection to the island developed a deep concern ...

About the Artist “Spending a lifetime of summers on Martha's Vineyard my work has evolved into natural forms of coastal scenes. My connection to the island developed a deep concern with natural forms life-plants, shells, hills, trees, stones and water. My paintings create a path of self-discovery. Reassembling pieces together from memory and imagination using textures, patterns and transparent layers make the viewer question how far reality can be pushed before it will yield the powerful essence of what is seen.” Anne Harney is a Boston-based painter who received her BFA with Honors in painting from Mass College of Art and Design in 2011. Awards include George Nick...

About the Artist “Spending a lifetime of summers on Martha's Vineyard my work has evolved into natural forms of coastal scenes. My connection to the island developed a deep concern with natural forms life-plants, shells, hills, trees, stones and water. My paintings create a path of self-discovery. Reassembling pieces together from memory and imagination using textures, patterns and transparent layers make the viewer question how far reality can be pushed before it will yield the powerful essence of what is seen.” Anne Harney is a Boston-based painter who received her BFA with Honors in painting from Mass College of Art and Design in 2011. Awards include George Nick...

From an incandescent sunset on Long Island Sound to an iconic pop-kitsch ice storage bin at the neighborhood corner store, Rob Brooks offers us a visual journey from the real to surr...

Impressionist style oil painting of a red and a white peony in a clear vase. “I have been creating art on some level for as long as I...

Provenance: Selma Herringman, New York, ca. 1955-2013; thence by descent to: Private Collection, New York, 2013-2020 This seventeenth century Spanish still-life of a laden table, known as a bodegón, stands out for its dramatic lighting and for the detailed description of each object. The artist’s confident use of chiaroscuro enables the sliced-open squash in the left foreground to appear as if emerging out of the darkness and projecting towards the viewer. The light source emanates from the upper left, illuminating the array, and its strength is made apparent by the reflections on the pitcher, pot, and the fruit in the basket. Visible brush strokes accentuate the vegetables’ rough surfaces and delicate interiors. Although the painter of this striking work remains unknown, it is a characteristic example of the pioneering Spanish still-lifes of the baroque period, which brought inanimate objects alive on canvas. In our painting, the knife and the large yellow squash boldly protrude off the table. Balancing objects on the edge of a table was a clever way for still-life painters to emphasize the three-dimensionality of the objects depicted, as well a way to lend a sense of drama to an otherwise static image. The knife here teeters on the edge, appearing as if it might fall off the table and out of the painting at any moment. The shape and consistency of the squash at left is brilliantly conveyed through the light brush strokes that define the vegetable’s fleshy and feathery interior. The smaller gourds—gathered together in a pile—are shrouded partly in darkness and stand out for their rugged, bumpy exterior. The stoneware has a brassy glaze, and the earthy tones of the vessels are carefully modulated by their interaction with the light and shadow that falls across them. The artist has cleverly arranged the still-life in a V-shaped composition, with a triangular slice of cheese standing upright, serving as its pinnacle. Independent still-lifes only became an important pictorial genre in the first years of the seventeenth century. In Italy, and particularly through the revolutionary works of Caravaggio, painted objects became carriers of meaning, and their depiction and arrangement the province of serious artistic scrutiny. Caravaggio famously asserted that it was equally difficult to paint a still-life as it was to paint figures, and the elevation of this new art form would have profound consequences to the present day. In Spain Juan Sanchez Cotan...

Strange Tracey are proud to be the exclusive agent for Fran Mora in the United Kingdom. Born in Huelva in the south of Spain in 1979, Mora studied at the School of Fine Arts in Sev...

Oil on canvas painting by Jill Davenport (American, 20th Century) still life titled "Banjo Player" from the Attic series. Signed and dated on bottom lef...

Early substantial, expressionist abstract still life by Lee Lippman (American 1926-2020). Bursting with color and movement titled "Still life with onions" ...

LaValley is an American artist born in New York in 1858. His style is realism and most of his paintings were either landscapes or still lifes. This perticular painting is an exclent ...

Flowers in A Basket by Jean-Baptiste Monnoyer. A Still Life of flowers in a basket including jasmine, honeysuckle, dahlias, parrot tulips, delphiniums and white carnations.