Charlotte Andry Gibbs

"Still Life with Pears, Knife, and Glass of Water" American Folk Red Oil Paint

"Hot to Trot" Oil on Panel, 6 x 6 inches. Painting of Chocolate Cupcake with Chocolate/Brown Frosting and Red and Orange Sprinkles on a Pa...

""Opposites Attract" Oil on Panel, 6 x 6 inches. Painting of Two Chocolate Cupcakes with White and Chocolate, Cherry on Top, White Ground with Blue Dots. Framed in Silver ( 11 x 11 Inches Framed Size). There are 7 additional cupcake paintings...

"Center of Attention" Oil on Panel, 6 x 6 inches. Painting of Five Cupcakes with White Frosting and Red Sprinkles on a Pale Blue Background. Framed in Silver ( 11 x 11 Inche...

"Four Stacked Cups in Blue," Oil on Canvas, 14 x 11 Inches. .Elegant and whimsical still life composition of cups with multiple patterns in blue and white on a blue and gray ground. ...

"Composition with Two Plates and Six Cups," Oil on Canvas, 24 x 30 Inches. Complex still life in shades of blue and white of two patterned blue/white plates and six cups in many sha...

"Cherry on Top" Oil on Canvas, 6 x 6 inches. Painting of Chocolate Cupcake with White Frosting and Red Cherry on Top of a Pale Blue and Pin...

Blurring the line between mass consumerism and fine art, New York City based artist Jojo Anavim has established his body of work stemming from a background in graphic design and bran...

My work with Fractals takes the literal definition - ‘the self-repeating properties found within a single object of nature’ – and broadens the principles to how nature repeats itself...

While the genre is as old as paint itself, this exhibit of watercolors and oils puts the “life” in still life. If there was any question that flowers could be sexy, Deborah Bigeleise...

Having started my career by painting Rembrandt-like portraits of luminous white roses, I credit my discovery of fractals for transforming my artistic vision, and changing the direction and force of my work. Always working with a single image of a flower, or a component thereof, I have stripped away the mask of the exterior form and magnified the interior thousands of times to depths beyond what is visible to the naked eye. My subject is no longer simply a flower; it is a dynamical system existing in a chaotic universe filled with energy, turbulence, mystery and beauty. Additionally, I have discovered that the system repeats itself through multiple phenomena. This is where I have taken the literal definition of fractals, and put my creative voice to the principles. Though the non-representational work may suggest a natural likeness - a wing, a wave, a shell, or even a human form - my vision invites a fresh dialogue between aesthetics and science. Whether creating evocative representational images or boldly deceptive non-objective work, my focus is always on the choreography of the movement, the organization of the space, the subtlety in the tonal transitions, and the intricacy of the brushwork. Exclusively painting...

My work with Fractals takes the literal definition - ‘the self-repeating properties found within a single object of nature’ – and broadens the principles to how nature repeats itself...

Most of Deborah’s paintings concentrate on a single bloom, large in size, so stunning that they command the view of the audience. With great affection she takes care to capture every detail of their texture and shape. Through the sophistication of her palette, she captures all of the fragility and beauty of her subject. The painterly appearance of her works belies the fact that their buttery-looking surfaces are actually created by layers of opaque paint and transparent washes. She pants in oils because she loves their organic purity, their richness, and the sensual physical qualities of the medium. Focusing on beauty and aesthetics, she uses the glazing techniques developed by the Dutch Master Artists...