David Sipko

Big shoes to fill, Painting, Oil on Canvas

2018

The reflections are what stands out in this painting. The colours are classical portrayed and would nderful in a traditional home. The sides of the slim canvas have been painted and ...

This still life painting showcases the beauty and harmony of the Lladro porcelain figure, the lily flowers and the orange. The combination of the bright hues and intricate details cr...

There is a special, even magical moment, as I stand before the white canvas, virgin, before the beginning of a new painting, at this moment, before any first color or headline, the i...

Olive oil in a white container with tomato and bell pepper and garlic :: Painting :: Realism :: This piece comes with an official certificate of authe...

Original Oil Painting on Cotton Canvas by Carlos Bruscianelli This artwork was made with traditional painting techniques Varnished artwork :: Painting :: Realism :: This piece com...

Original Oil Painting on Cotton Canvas by Carlos Bruscianelli. Varnished work (glossy varnish). Black Gallery Frame :: Painting :: Realism :: This piece comes with an official certi...

Chani Cohen Zada Afterbirth , 2018 oil on canvas 100 x 100 cm 39 x 39 in Exhibited: 'Between Holy and Mundane', Lewinski College, Tel Aviv. Israel 11.1-...

a beautiful still life painting of an apple on a white table cloth by the artist Eric Forstmann

oil on panel

Oil on canvas, signed and dated 2018. French handmade Delf wooden frame, dark bronze patina with gold leaf. Unframed size: 19.7 inches high x 24.02 inches wide. Framed size: 28 inches high x 32.3 inches wide x 1.25 inches deep. Sold framed. Stefaan was gifted this skull by a friend, whose carpenter father found many years ago in a false ceiling. The skull sat in his workshop and was eventually named “Gilda”. The composition is unusual in its stark simplicity that speaks to the inevitable death we all face. Fascinating without being morbid, the arrangement is simple yet bold. Note the extraordinary brushwork detailed in the shroud, as well as the intricacies of the skull. The slash of cobalt blue in the background provides an ethereal quality. The title is adapted from Shakespeare’s Hamlet and is the artist’s inside joke on the character “Guildenstern” vs “Gilda”. Part of the title can be seen in the lower right quadrant of the painting. Compared to “Vanitas”, painted in 2000, the artist’s evolution in form and execution is most evident in this 2018 work. This painting is available for viewing at The Elemental Garden...

Oil on panel, signed and dated 2008. French handmade wooden Delf frame, black raised panel with gold leaf. Unframed size: 18.25 inches high x 15.25 inches wide. Framed size: 25.63 in...

Oil on canvas, signed and dated 2010. French handmade wooden Delf frame, pale cream patina with silver leaf inset and medallions. Unframed size: 27.5 inches high x 25.75 inches wide....