Derek Lynch

City of Angels

2012

'G.R.A.S' no. 4' a series of 4 panels framed together into a single painting. The artist created the work using latex and acrylic on an original Collagraph print mounted to wood. Pro...

G.R.A.S. (3) 2021 Acrylic and latex on collagraph mounted to wood 11 x 10 inches (unframed) Highly detailed realist painting of a beaver with raspberries. *G.R.A.S. An acronym for "Generally Recognized as Safe", a US Food and Drug Administration designation for artificial...

G.R.A.S. (2) 2021 Acrylic and latex on collagraph mounted to wood 11 x 10 inches (unframed) 14 x 13 museum quality frame. An acronym for "Generally Recognized as Safe", a US Food and Drug Administration designation for artificial additives, G.R.A.S (2) tells the story of a surprising natural ingredient: castoreum. A milky substance with a sweet scent found in the castor glands of beavers, castoreum was once used to create artificial vanilla, strawberry and raspberry flavoring until it's own collection process became unsustainable. Today, ethyl methylphenylglycidate, commonly known as strawberry aldehyde, is a chemical compound used in the flavor industry in artificial fruit...

'One to Chew On' 14 x 11 inches, 2019. A wonderful original work of art by artist Myron Stephens, who realistically recreates images of people, animals and mundane objects that are m...

'Game Select' 12 x 12 inches, 2019. A wonderful original work of art by artist Myron Stephens, who realistically recreates images of people, animals and mundane objects that are mast...

In this cinema noir , comic strip series of original oil and acrylic painting on wood panels, Myron Stephens realistically recreates images of people and often mundane objects that a...

Mixed-Media / Stickers / Illustration / Pop and Contemporary Pop / Human Figure / Chess / Comic Books / Video Games / Resin / Drawing / Representations of Everyday Objects / Figurative Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Sticker Painting" is an incredible and unique resin coated pop surrealist painting featuring well over 70 gel pen drawings on sticker paper affixed to a wood panel painted in oil and acrylic paint. Among the illustration images are a panoply of pop culture references from the Eastern, Western, Northern and Southern hemispheres -- birds and other animals, landscapes, UFOs, food items, nineties-era pornography, vehicles, yin yang symbols, skulls, daggers, a Teenage Mutant Ninja Turtle...

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s paintings are autobiographical but carry universal narratives. In the absence of detail there is an opportunity for one’s own memories to develop. An expansive solitude and sense of isolation is met with a universal feeling of what it means to belong. This unique 16 inch square mixed media painting on panel explores our relationship with memory and the natural world. This piece is signed by the artist on the back and is wired and ready to hang. The sides are painted and the artwork does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and international shipping available. This artwork comes with a certificate of authenticity issued by the art gallery. At its core, his practice explores how our relationship with the natural world connects and defines us. Working in mixed media, he endeavors to create familiar meditative spaces that exhibit a personal journey, but simultaneously invite the viewer to insert themselves in the narrative. These paintings partially stem from a fear of memory loss as a result of experiences with Alzheimer’s in his family. Not only does the painting process exercise Gough’s memory, but the paintings themselves act as records of his experience becoming a blend of reality and idealism. They are not painted from photographs; the places are not precisely rendered and the experiences are not accurately told, but they are Gough’s authentic recollection of them. The intent of his work is to create a patchwork map of memories as a guide back to the authenticity of human feeling. REPRESENTATION Artspace Warehouse, Los Angeles, CA SOLO EXHIBITIONS 2023 “Mike Gough...

Mat Tomezko's latest series of abstract mixed media paintings are constructed from traditional acrylic painting and the incorporation of ash into a hand-mixed paint of his own creation. This piece is part of a body of work that uses evocative materials and imagery of fire, flowers, food, newspapers, asphalt, and ash to illuminate the interconnectedness of destructive and creative forces. "Ash" is a traditional still-life and landscape composition interrupted by broad black geometric chevron lines or "arrows" that divide the composition symmetrically in a geometric balance. This painting is signed and dated on the back. It includes all hanging hardware and is ready to install -- no need for additional framing. Tomezsko is an artist from Philadelphia who creates abstract paintings, public art installations, and community art projects based around participation and everyday visual language. His approach to composition is informed by mid-century formalism and conceptualism. His work was recognized by the 2017 Americans for the Arts Public Art Network Year in Review for outstanding public art. Tomezsko’s work has been exhibited at numerous art spaces regionally and nationally, including the Crane Arts, Woodmere Art Museum, the Center For Emerging Visual Artists (CFEVA), and Wexler Gallery in Philadelphia; Lillstreet Art Center in Chicago, IL; the Delaware Contemporary in Wilmington, DE; and Thomas Hunter Projects in New York, NY. He has created several notable public art projects including "14 Movements: A Symphony in Color and Words," a mile-long temporary mural installed in downtown Philadelphia during the 2016 Democratic National Convention; "Look Long and Look Good," a series of 30 paintings currently installed along Main Street in Manayunk; and "Flowering Axes," a mural in the 5th Street Vehicular Tunnel underneath the Ben Franklin Bridge. His work is in the collection of The Wharton...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, ...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

This piece depicts the famous Dom Pérignon Champagne Bottle. Celebrating this iconic brand from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the nostalgia of this sought-after brands to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted stars in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, stands out exceptionally, as the Moët & Chandon logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower left and on verso. Art measures 40 x 30 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans, superheroes, and other icons that were relevant as a child. This idea of icons has been an obsession within his life and has continued into his adult life and throughout his artistic career, but the imagery has been refined over time. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn, Elvis Presley, and many others, before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage feel. Employing concepts rooted in abstract expressionism, Mars has expanded on his body of work in the last years to abstract compositions, finding a balance between chaos and control by precisely cutting the painted vintage newspaper into predetermined patterns with multicolored paint layers of loose and dynamic brushstrokes in order to bridge to the events of the past and anchoring each of his artwork in a particular time of history. Robert Mars taps into the feelings that emanate from his paintings which vacillate between memory and desire. The taste of nostalgia pulls the viewers towards the iconic stars and the consumerist historical subject material of Mars’ works. Mars’ sources are the very core of these dreams. Photographs of stars like Bruce Springsteen, logos of products like Coca-Cola and TIFFANY & CO., and vintage ephemera are layered beautifully with news stories of seminal events; from the death of JFK to the 1969 moonwalk. By capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. Based on traditional quilt patterns from American history, the mix of handcraft, and the meditation of...