Dyana Hesson

"Santa Barbara Swirl, Symmetrical Aloe"

2017

John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Mayer Productions as a children’s book illustrator. It was a job where he used his artistic abilities although it was not an outlet for a serious painting career. (He has a written and illustrated a book of his own that is awaiting a publisher). John then worked in the field of graphics at Leslie Roy...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, such as the extraordinary and exquisite beauty of everyday things, like fruit on a tree, the majesty of a glorious sunset, or the magical transformation of a flower from a bulb. These are the things that artists remind us about, they point the way...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, such as the extraordinary and exquisite beauty of everyday things, like fruit on a tree, the majesty of a glorious sunset, or the magical transformation of a flower from a bulb. These are the things that artists remind us about, they point the way...

John Schieffer's thoughts on his work: I believe that the most important aspect of my work and my story is the "why" I paint what I do.  I often don't reflect enough on this part of ...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years th...

John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut, with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer M...

Glasses's composition - Salvatore Marinelli Italia 2013 - Oil on canvas cm. 50x60. painting shows a remarkable skill and taste in the arrangement and coloring of his subjects, mainly glasses and mugs, inspired by the well-known Dutch Baroque still life painter Willem Claesz Heda...

FLOWERS - Oil on canvas painting, Francesca Strino, Italy., 2005

Still life - Francesca Strino Italia 2011 - Oil on canvas cm.40x30 Francesca Strino, a Neapolitan painter, creates this delightful oil on canvas with great pictorial realism. The pai...

Joran van der Haar Red vases with Tulips 120 x 120 cm ( framed 130 x 130 cm, frame is included in price) oil on canvas The realistic painted "17th century style' bouquets by Joran van der Haar, are always an eye-catcher in our gallery. The colorful bouquets look natural but have a long history of months of meticulous and layered work. It is sometimes difficult to predict when Joran's work can withstand its own "test of criticism". In addition, the layered work with oil paint sometimes also ensures long drying times. Shortening this is undesirable. In 2014 the artist started experimenting and painting with oil paint, flowers and insects soon turned out to be his preference. Again, this was a source of inspiration. The artist about his work: ‘In the Rijksmuseum and Mauritshuis I found the still lifes of Jan Davidsz. de Heem, Jan van Huysum and Ambrosius Bosschaert...

Joran van der Haar Red vases with Tulips 120 x 120 cm ( framed 130 x 130 cm, frame is included in price) oil on canvas The realistic painted "17th ...

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...