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Elaine Kazimierczuk
Elaine Kazimierczuk, Paul’s Hedgerow Bouquet II, Original Painting,

2020

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    Located in Deddington, GB
    Christo Sharpe Hot garden Original oil painting on canvas Size: H 46cm x W 61cm x D 2cms Sold Unframed (Please note that in situ images are purely an indication of how a piece may lo...
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  • Judith North, The Conviction of Things Not Seen #3, Original Abstract Art
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    The Conviction of Things Not Seen #3 by Judith North [2021] Original Oil on canvas Image size: H:80 cm x W:80 cm Complete Size of Unframed Work: H:80 cm x...
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  • Calmer Skies, James Bonstow, Contemporary Landscape Painting, Bright Art, Blue
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    Located in Deddington, GB
    James Bonstow Calmer Skies Original Landscape Painting Oil Paint on Canvas Canvas Size: H 110cm x W 110cm x D 4cm Sold Unframed Please note that in situ images are purely an indicati...
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  • The Conviction of Things Not Seen #1, Modern Style Abstract Painting
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  • Disguise, Large Scale Abstract Art, Contemporary Still-Life Oil Painting
    Located in Deddington, GB
    Original abstract oil painting on canvas, textural layers with hidden history, white space, journey in marks. Inspired by balance. Kelly Washbourne, contemporary painter, available ...
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  • Adele Riley, Forever Yours, Contemporary Floral Art, Original Affordable Art
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    Located in Deddington, GB
    Forever Yours [2121] Original Acrylic and acrylic inks Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:4cm Sold Unfra...
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  • 'Omega II' - Contemporary Geometric Abstraction Pixelation - Skull - Bosch
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    'Omega II' is an abstract pointillist painting featuring hues of tan, ocher, green, brown, pink and black. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard Arkley and Julian Opie. This piece is a part of a special immersive gallery installation, “The Apocalypse Simulacra,” which is a narrative presentation of the twilight of humanity, at the fulcrum of extinction by Atlanta-based artist Robert Hightower. Through stage-set constructions, readymade plastic models and paintings, Hightower investigates the duality of right/wrong, good/bad, eternal/ephemeral in light of the imminent end of the Human Epoch. It depicts the ideological origins of corporate greed and power, the reality of wealth distribution in the “American Dream,” and the socio-economic and environmental impacts of that collective greed. After receiving a BFA in sculpture from the University of Georgia, Hightower moved to New York City and participated in The Bronx Museum of the Art’s AIM Fellowship (Artist In the Marketplace). While in New York, his interests expanded to include art installation and the creation of spaces, and has since designed and built many unique homes, penthouses and restaurants throughout the United States. Hightower has returned home to Atlanta and will be presenting his most comprehensive body of work to date, “The Apocalypse Simulacra,” a unique universe of beauty, dichotomy and uncertainty. ARTIST STATEMENT The 'Apocalypse Simulacra' is a presentation of the twilight of humanity, at the fulcrum of extinction. The climate is the subject. The Simulacra is the Theme. First discussed by Plato, the Simulacra is the search for Truth in Duality. Developing into Post-Modernism with Nietzsche’s: truth=Truth. Now with Bauvillard, the Simulacra has evolved beyond Post-Modernism, into the wholesale confusion of the real/fake, the true/false… between reality and hyper-reality. This crumbling, confusing of the truth (not necessarily the Truth) is our Reality. For over two decades, I have created large format paintings of strip malls, suburban houses and toys. These paintings present singular images flattened-out (almost floating) on color-fields. They create a certain duality - a loving portrait of an inanimate object that would not normally be singled-out for affection. With my latest work, I have added a variety of iconic images: an airplane, a whisky bottle, a woman floating in a pool. The icons are presented in a pixelated or degenerated state. In addition to paintings, I have used adult-size building blocks to create sculptures or three-dimensional paintings. Using a child's toy at an adult-scale gives the building blocks an austere and powerful presence. The building blocks echo the blocks of the pixelated paintings...
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