Georges Darel

Mackerels

1935

Work on canvas Molded frame in wood and gilded plaster 47 x 59.5 x 4.5 cm

Work on canvas Beige wooden frame 32 x 37 x 4 cm

Work on canvas Golden wooden frame 55.5 x 65.5 x 3.5 cm

Work on cardboard Brown wooden frame 55 x 47.5 x 4.5 cm

Work on wood Pink wooden frame 56 x 41 x 1 cm

Work on wood Golden wooden frame 76.5 x 62 x 5.5 cm

Pair of very decorative Italian Still-life paintings of flowers with vases and classical figures . 18th century, oil on canvas, with original gilt-wood frames. This pair is an exce...

- ANNA CATERINA GILLI or GILLI Anna Caterina Turin 1729- 1751 Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi, working in a simil...

Pair of very decorative Italian Still-life paintings of flowers with vases and classical figures . 18th century, oil on canvas, with original gilt-wood frames. This pair is an exce...

This pair of excellent Italian still life oil on canvas with flowers and fruit with classical ruins on the background and colored drapes create harmony of the composition. Notable ...

Oil on panel, signed and dated 2018. Classic French black wooden frame with gold leaf. Unframed size: 19.69 inches high x 19.69 inches wide. Framed size: 25.2 inches high x 25.2 inches wide x 1.25 inches deep. Sold framed. Inspired by the modest works of the French painter, Chardin, this classic composition focuses on the simple, zen-like qualities of the gustatory delights of Stefaan’s locale, where bread and cheeses are freshly made and sold at his favorite outdoor market. Interposed with a large knife and antique glass wine bottle...

Oil on panel, signed and dated 2000. Unframed size: 15.7 inches high x 23.6 inches wide x 0.25 inches deep. Sold unframed. Reverse side with older, faded Eyckmans' painting and artist's label. Created in 2000, and much inspired by the Old Masters, this painting combines many “vanitas” symbols—reminders that change and death are inevitable. The skull, aging books, extinguished candle, fallen cup, and stopped watch are beautifully composed in close-up, utilizing a minimum of negative space. One can see the fuzzy and unrecognizable reflection of the painter, quite rare for him, in the silver incense holder. Note the complex composition, the strong use of chiaroscuro, and the masterful depiction of the human skull, the threads of the unravelling books, and the smoke of the candle. Please note that the last photo is of the reverse side of the painting, indicating that the panel was reused. Unlike Stefaan’s other works, this painting is sold unframed. This painting is available for viewing at The Elemental Garden...