Georges Jeannin

Roses

c.1890

Signed and dated impressionist still life oil on original canvas by French painter Georges Jeannin. The work depicts a bouquet of pink, white and red roses with a paper fan placed in...

Signed still life oil on canvas circa 1930 by French impressionist painter Leon Detroy. The work depicts a bronze vase filled with tulips in an array of autumnal colours, and peonies...

Signed and titled still life oil on canvas circa 1900 by French impressionist painter Marie Duhem. This stunning piece depicts pink and yellow roses in a white ceramic vase with a fan resting beside it. A truly beautiful painting. Signature Signed lower left and titled on original label verso Dimensions: Framed: 25"x29" Unframed: 18"x22" Provenance: The collection of the artist's family Marie Duhem's parents operated a lace factory, so she became familiar with the work of designers and models from an early age. She began her art studies with Adrien Demont...

A wonderful oil on paper laid on canvas circa 1905 by French neo-impressionist painter Theo Van Rysselberghe depicting a climbing rose - the pink of the flowers contrasting against the green and yellow of the leaves. Signature: Signed lower right Dimensions: Framed: 23"x23" Unframed: 17"x17" Provenance: This work is included in the Catalogue Raisonne of Theo van Rysselberghe by Ronald Feltkamp under the reference P-032 Sotheby's, New York, November 5, 1969, lot 83 Christie's, Amsterdam, June 9, 2004, lot 87, Lancz Gallery, Brussels, Private collection, United Kingdom Exhibition: Le Lavandou...

Signed still life oil on canvas by French expressionist and fauvist painter Charles Camoin. The work depicts a bright bouquet of flowers in reds, yellows, blues and pinks in a stoneware vase. Signature: Signed lower right Dimensions: Framed: 36"x28" Unframed: 29"x21" Provenance: Galerie Marcel Bernheim Exhibitied: Paris, Galerie Druet, March 1929, n°23 This work is included in the Archives Camoin and a certificate from Madame Grammont-Camoin is available on request Charles Camoin was the son of a paint manufacturer in Marseilles who died when Charles was six years old. His mother travelled extensively, absenting herself for long periods at a time, and Camoin's studies suffered accordingly. At 16, he enrolled at a commercial college in Marseilles, but also attended courses at the École des Beaux-Arts, where he was awarded a first prize for drawing and composition. In 1896, at the age of 17 (or in 1898 according to other, possibly more reliable sources), Camoin moved to Paris where he was admitted to Gustave Moreau's class at the École des Beaux-Arts, shortly before the latter's death. He soon left on his travels in the company of Albert Marquet - no doubt following Moreau's advice to 'go and paint buses', his recommendation to the two artists to search out their subject matter on the streets and in the cabarets of Paris. During his short time in Moreau's class Camoin made a number of lasting friendships, notably with artists who would go on to pioneer Fauvism: Henry Manguin, Georges Roualt and, in particular, Jean Puy and Henri Matisse, with whom he exchanged letters on a regular basis.In 1900, Camoin did his military service, first in Arles, where he painted compositions inspired by Van Gogh motifs, then in 1902 in Aix, where he frequently met with Cézanne, with whom Camoin maintained a life-long correspondence and whose advice and counsel he cited repeatedly. In 1903, Camoin exhibited for the first time - at the Salon des Artistes Indépendants in Paris. The following year (1905), he met Claude Monet (at Cézanne's instigation and, appropriately perhaps, underneath Giverny's Nympheas); he then held his first solo exhibition at the Berthe Weill Gallery in Paris. In 1905, Camoin exhibited alongside the 'Animals' at that year's Salon d'Automne, although it must be said that he did not share the graphic and chromatic violence of a Matisse or a Derain...

Signed and dated impressionist oil on canvas landscape by French painter, engraver, sculptor and fashion illustrator Bernard Boutet de Monvel. The work depicts a view of the artist's garden in Nemours, France. The house is concealed by two large, bare trees. A path runs through the neatly landscaped flower beds. Signature: Signed & dated 1906 lower left Dimensions: Framed: 27.5"x32.5" Unframed: 21"x26" Provenance: Private French collection Bernard Boutet de Monvel was the son of Louis Boutet de Monvel and first studied under his father. He went on to study under Luc-Olivier Merson and the sculptor Jean Dampt...

oil on canvas

oil on canvas

oil on canvas

Still life with flowers in a vase, signed V. Simonin. Victor Simonin was born in Brussels in 1877. He was educated at the ‘Academie voor schone Kunsten’ in his home town and was a me...

In this piece, we see two colorful bikes set against a bright background. the shadows underneath the bikes give the painting even more depth and makes it feel as if you are standing in front of the scene. Pam Folsom...

Rare, original still life oil painting of a squash by celebrated, twentieth-century California landscape painter, Ronald Shap. Pumpkin on blue cloth. Perfect for fall. 14x10.5 inch c...