Georgia White

Early 20th Century Hollyhocks Floral Still-Life

c.1915

Vivid mid century still life of glass pitchers and apples by listed artist Jon Blanchette (American, 1908-1987), c.1965. Signed "Jon Blanchette" lower right corner. Letter of Authent...

A dynamic, highly textured impasto mid-century still life of a blue vase with flowers. Unsigned. Displayed in a rustic walnut wood frame. Image,...

A beautiful still life oil painting of a green teapot next to a pear and persimmon on a red table by American Impressionist artist Genevieve Rogers. S...

Still life of flowers in a vase by Shuman (American, mid-20th Century). Signed and dated "Shuman '65" in the lower left corner. Presented in an ornate frame. Image size: 24"H x 18"W

Beautiful mid century still life of grapes with leaves and vines by Henry Jackson (American, 20th Century). Signed "H. Jackson" center right margin. Unfr...

Elegant mid century still-life of pink and white carnations in a blue vase titled "Carnations" by California artist Jean Stimmons (American, 20th Century), 1965. The artist fills the...

Estate signed verso. Painted between the years 1916 and 1926 while living in Santa Barbara, CA. This painting is listed in the Francis Draper Jr. archives. PROVENANCE: The Franci...

Estate signed verso. Painted between the years 1916 and 1926 while living in Santa Barbara, CA. This painting is identified in the Francis Draper Jr. archives as #0-90........... ...

Estate signed verso. Painted between the years 1916 and 1926 while living in Santa Barbara, CA. This painting is identified in the Francis Draper Jr. archives as #0-90........... ...

A fine impressionist still life with flowers in a cut glass vase by contemporary American artist Stephen Motyka (b. 1964). Stephen was born in Rhode Island and started painting and d...

Walter Gay (1856 - 1937) Cardinal Flowers Still Life, June, 1875 Signed lower left; dated on the reverse Oil on board 24 3/4 x 7 1/8 inches Provenance: Private Collection, Brunswick, Maine Born in Hingham, Massachusetts, Walter Gay became a painter who specialized in interiors, particularly those of eighteenth-century French buildings. His style was traditional, and he ignored the influences of modernist paintings he saw while studying in Paris beginning 1876. He remained in Europe the rest of his life. In his compositions, the rooms are nearly always devoid of human presence but suggest that someone has been there. Many of his interiors are museum settings, and although he was not an impressionist, his work often had atmospheric effects. When Gay died in 1937, he was described in The New York Times as the "Dean of American Painters in France," where he and his Matilda moved in 1876. His first paintings there were genre subjects and realistic views of peasant life in Britanny, but he tired of these works, which he called "pot boilers." In the 1890s, he began his signature interiors, mostly rooms in fashionable houses of the Gays and their friends. Reproductions of many of these paintings were published in 1920 by Albert Gallatin, also a painter. The Gays, with a retinue of about twenty servants, loved old houses, and lived in an eighteenth-century apartment on the Left Bank in Paris from January through April and beginning 1904, in a chateau in the countryside at le Breau, near Fontainebleau. There they had 300 acres of grounds to roam. In 1907, they purchased this chateau which became quite a showplace and where they entertained extensively. However, during World War II, when Matilda was living there as a widow, German soldiers occupied the chateau, ruining much of the structure and plotting the destruction of the country the Gays loved...

It's Not Easy Being Green by Lu Haskew Oil Still Life of green fruit in vases 24x16" image size 30x22" framed Shipping price includes the custom packing necessary for safe transport...