Graham Harmon

Still Life with Lobster

1970

PHILIP REISMAN "STILL LIFE WITH FROWERS" OIL ON PANEL. SIGNED AMERICAN, C.1935 20 X 16 INCHES Philip Reisman 1904-1992 Philip Reisman was born July 18, 1904 in Warsaw, Poland....

Large watercolor and mixed media work Original frame. “Keith Finch was born in Holyoke, Colorado in 1920 but has lived in Los Angeles, where he attended the elementary grades and h...

Painted in 2012 for the Exhibition entitled "Ecological S.O.S.", at the 1887 Gallery of the Museum of Art and Design, San Jose, Costa Rica. Lorena Villalobos, with more than a hundre...

Documentation Signed Origin Belgium Period 1920-1949 Materials oil on canvas Dimensions W. 25.5 in; H. 31 in; W. 64.77 cm; H. 78.74 cm; Condition Good. Excellent condion Creation Date C. 1930 Description An exquisite still life with masterful use of color. Carved frame measures 38.5 x 33 inches. Fernand Toussaint...

LUCIEN BOULIER "NUDE WITH RED HAIR" OIL ON PANEL, SIGNED FRANCE, C.1930 26 X 20 INCHES Lucien Boulier 1882-1963 Lucian Boulier was born Verdun...

ALFRED MCNAMARA "INTERIOR " OIL ON PANEL, SIGNED TITLED AMERICAN, DATED 1978 30 X 36 INCHES Alfred McNamara (1911 - 1994) Alfred McNamara was born in Tompkinsville, Staten Island and lived most of his life in Staten Island. He was heavily influenced by John Sloane...

Mat Tomezko's latest series of abstract mixed media paintings are constructed from traditional acrylic painting and the incorporation of ash into a hand-mixed paint of his own creation. This piece is part of a body of work that uses evocative materials and imagery of fire, flowers, food, newspapers, asphalt, and ash to illuminate the interconnectedness of destructive and creative forces. "Ash" is a traditional still-life and landscape composition interrupted by broad black geometric chevron lines or "arrows" that divide the composition symmetrically in a geometric balance. This painting is signed and dated on the back. It includes all hanging hardware and is ready to install -- no need for additional framing. Tomezsko is an artist from Philadelphia who creates abstract paintings, public art installations, and community art projects based around participation and everyday visual language. His approach to composition is informed by mid-century formalism and conceptualism. His work was recognized by the 2017 Americans for the Arts Public Art Network Year in Review for outstanding public art. Tomezsko’s work has been exhibited at numerous art spaces regionally and nationally, including the Crane Arts, Woodmere Art Museum, the Center For Emerging Visual Artists (CFEVA), and Wexler Gallery in Philadelphia; Lillstreet Art Center in Chicago, IL; the Delaware Contemporary in Wilmington, DE; and Thomas Hunter Projects in New York, NY. He has created several notable public art projects including "14 Movements: A Symphony in Color and Words," a mile-long temporary mural installed in downtown Philadelphia during the 2016 Democratic National Convention; "Look Long and Look Good," a series of 30 paintings currently installed along Main Street in Manayunk; and "Flowering Axes," a mural in the 5th Street Vehicular Tunnel underneath the Ben Franklin Bridge. His work is in the collection of The Wharton...

“Never taking anything for granted, I am so grateful to be able to paint every day.” Anne Harney is a representational painter beginning her work from observation and concluding wit...

“Never taking anything for granted, I am so grateful to be able to paint every day.” Anne Harney is a representational painter beginning her work from observation and concluding wit...

Artist Commentary: My husband and I love eating oysters. When we travel, we always eat the local oysters and choose one to take with us to remember the experience. I then later paint their portraits. These oysters, as well as some Spanish moss...

Artist Commentary: This humble scene is a few blocks from my home at the boatyard, early in the spring. The mooring balls are all lined up, lines and anchor chains at the ready for t...

Artist Commentary: I love the geometry of mooring balls, stacked boats and anchors and the tangled texture of chains and ropes in boatyards. The shadows of late day delineate them. ...