J Quidy

Mid Century Red Zinnia Floral Still Life

c.1960

Exceptionally realistic still life of a bust of a young fisherman in the style of Claude Buck by Leila Sullivan (American, 1903-1998), who studied with Claude Buck for 5 years and Ma...

Realistic still life of a reflective copper bowl and lemons with a spiraling peeled rind by San Francisco artist Anton Van Dalen (Dutch, b.1927). Signed with the monogram "AV" upper ...

Wonderful rose and amaranth still life in an alcove by Riverda Kapunas (American/Greek, 20th century), 1943. Signed and dated lower right corner. Unframed.

Soft and realistic mid century still life of a basket overflowing with clusters of ripe grapes, beside a copper vessel and a glass of white wine, by Manuel Ventura...

Exquisite floral still life of wild meadow flowers by Anna Westphal (Denmark, 1858-1950). Signed "A. Westphal" and dated "1937" lower right. Presented in...

Vibrant mixed spring bulb flower still life oil painting by an unknown artist. Present in a giltwood frame. Unsigned. Image size, 24"H x 18"L.

LaValley is an American artist born in New York in 1858. His style is realism and most of his paintings were either landscapes or still lifes. This perticular painting is an exclent ...

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...

Surreal hyper realistic trompe l'oeil oil painting by Latin American artist Victor Del Castillo. Peaches, grapes and cherries in rich brilliant colors and incredible detail. Measures...

original oil on canvas painting , hand painted

Luc Vanmaldeghem (Drongen, 1935- ) painted 'Blue Table' in 1997. This large oil on canvas painting is in excellent condition. The signed and numbered monograph is included in the p...

Another in a series of visually arresting still life paintings from Australian artist Louise Feneley. Exquisitely painted elements of the natural world ...