Kee Wu Wah

Garden Flowers

GYORGY RUZICSKAY (1896-1993) Very well known Hungarian Artist. His works widely represented in the multiple galleries and private collections. “FLEURS”, c. 1960s 19” x 28.5”...

"Female Nude in a Studio" circa 1910. 19 X 13 1/2 inches, oil on wood panel. Etched signature lower right. Well listed Hungarian artist. Spent his student years under the guidance o...

Nina Mirkovich b. 1951 well established Houston artist. "And When The Music Subsides" Measures: 24 X 30 inches, acrylic on canvas, signed. Overall size is 31 X 37 inches.

Francois Gall ( 1912-1987) François Gall was a Hungarian-born French painter best known for his Impressionistic style. Primarily focused on the figure, his brushy oil paintings are largely inspired by the Impressionist masters, Edgar Degas in particular. Gall often painted women engrossed in traditionally feminine activities—ballet, fixing their hair, sewing—rendered in loose, expressive marks and bright pastel colors. In addition to his figurative work, the artist also captured the French landscape, most notably the beach. In A Day at the Beach (c. 1948), loosely sketches bathers frolic under striped umbrellas in a picturesque rendering of French summer vacation. Born in 1912 in Transylvania, Romania, Gall received his formal training at the Royal Academy of Fine Arts Workshop Coromaldi in Rome, Italy. He would later settle in Paris in 1936, where he befriended prominent artists of the day—including Pablo Picasso—and became a naturalized French citizen in 1942. As his work grew in esteem, Gall was granted the Francis Smith...

Soviet/Russian painter. “Landscape with haystacks” 1984. Oil on artist’s board. Signed and dated on lower right. 13” H x 19’ W, overall size is 20” H x 26” W. Condition is exc...

Francois Gall (1912-1987). French artist. "Nude in Interior," circa 1970. Measures: 18 X 15 inches, oil on canvas, signed and inscribed

Pair of very decorative Italian Still-life paintings of flowers with vases and classical figures . 18th century, oil on canvas, with original gilt-wood frames. This pair is an exce...

Provenance: Selma Herringman, New York, ca. 1955-2013; thence by descent to: Private Collection, New York, 2013-2020 This seventeenth century Spanish still-life of a laden table, known as a bodegón, stands out for its dramatic lighting and for the detailed description of each object. The artist’s confident use of chiaroscuro enables the sliced-open squash in the left foreground to appear as if emerging out of the darkness and projecting towards the viewer. The light source emanates from the upper left, illuminating the array, and its strength is made apparent by the reflections on the pitcher, pot, and the fruit in the basket. Visible brush strokes accentuate the vegetables’ rough surfaces and delicate interiors. Although the painter of this striking work remains unknown, it is a characteristic example of the pioneering Spanish still-lifes of the baroque period, which brought inanimate objects alive on canvas. In our painting, the knife and the large yellow squash boldly protrude off the table. Balancing objects on the edge of a table was a clever way for still-life painters to emphasize the three-dimensionality of the objects depicted, as well a way to lend a sense of drama to an otherwise static image. The knife here teeters on the edge, appearing as if it might fall off the table and out of the painting at any moment. The shape and consistency of the squash at left is brilliantly conveyed through the light brush strokes that define the vegetable’s fleshy and feathery interior. The smaller gourds—gathered together in a pile—are shrouded partly in darkness and stand out for their rugged, bumpy exterior. The stoneware has a brassy glaze, and the earthy tones of the vessels are carefully modulated by their interaction with the light and shadow that falls across them. The artist has cleverly arranged the still-life in a V-shaped composition, with a triangular slice of cheese standing upright, serving as its pinnacle. Independent still-lifes only became an important pictorial genre in the first years of the seventeenth century. In Italy, and particularly through the revolutionary works of Caravaggio, painted objects became carriers of meaning, and their depiction and arrangement the province of serious artistic scrutiny. Caravaggio famously asserted that it was equally difficult to paint a still-life as it was to paint figures, and the elevation of this new art form would have profound consequences to the present day. In Spain Juan Sanchez Cotan...

- ANNA CATERINA GILLI or GILLI Anna Caterina Turin 1729- 1751 Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi, working in a simil...

This pair of excellent Italian still life oil on canvas with flowers and fruit with classical ruins on the background and colored drapes create harmony of the composition. Notable ...

Pair of very decorative Italian Still-life paintings of flowers with vases and classical figures . 18th century, oil on canvas, with original gilt-wood frames. This pair is an exce...

This pair of excellent Italian still life oil on canvas with flowers and fruit with classical ruins on the background and colored drapes create harmony of the composition. Notable ...