Kevin Red Star

Sunset Crane Shield Original Kevin Red Star Crow Indian Native American Painting

2019

"Many Horse Shield" by Kevin Red Star. Original Acrylic painting on Canvas, 48" x 30", 51" x 33" (framed). Crows were known for their exceptionally well-trained horses; each having specific skills i.e. hunting, warring, parade, and working with women and children, or moving camp. Kevin Red Star’s art is honored throughout Native America for its authenticity. It presents a shining vision of centuries-old Crow (Apsaalooka) culture through the eyes of a thoroughly contemporary consciousness. In the world of museums and private collections, he is equally respected for the content of his unique imagery, for his artistic productivity, and for the enduring value of his work. Kevin Red Star grew up on the Crow reservation in southern Montana, a member of a highly creative family. He was known as the go-to artist for all school projects. He was chosen to be in the first group of students at the Institute of American Indian Arts in Santa Fe in the late sixties, when the founders personally visited Native villages and reservations nationwide and recruited the most talented youngsters from each. The school provided a learning environment of tribal tradition, world art history, and current trends. Open studios, well stocked with supplies, encouraged individual experimentation and collaboration. Students mined their ancient customs for content, and then created exciting new forms to provide current relevance. Red Star and some of his friends in their graduating class continued their studies at the San Francisco Art Institute before embarking on their careers. They attracted immediate notice in New York and Paris, as well as established art centers throughout the United States. And they went on to change the face of modern Indian art...

"Three Protector Shield" by Kevin Red Star. It was thought that the Crows' shields had powerful spirits that protected them and allowed them to win so many battles. This warriors' medicine was the horse. Acrylic, Mixed Media on Canvas, 16" x 20", 19" x 23" (framed in a deep floater frame). Kevin Red Star’s art is honored throughout Native America for its authenticity. It presents a shining vision of centuries-old Crow...

"Shows Little on Parade Horse on the Red Road" by Kevin Red Star. He is a Crow Elder that teaches the young ones to parade. Acrylic, Mixed Media on Canvas, 60" x 48", 63" x 51" (framed). Kevin Red Star’s art is honored throughout Native America for its authenticity. It presents a shining vision of centuries-old Crow...

"Fights Well Known" by Kevin Red Star, Acrylic and Mixed Media on Canvas, 40" x 30" unframed, 42" x 32" framed in a modern thin floater. This is a Crow Indian Man with a Blackbird Medicine Shield. Not signed, but Kevin did handwrite the title and caption on the back. Kevin Red Star’s art is honored throughout Native America for its authenticity. It presents a shining vision of centuries-old Crow...

"Small War Party - Study" by Kevin Red Star. These are Scouts that stay fairly close to camp watching over the people. Acrylic, Mixed Media on Canvas, 20" x 16", 23" x 19" (framed in a deep floater). Signed upper right. Comes ready to hang with wire. Kevin Red Star’s art is honored throughout Native America for its authenticity. It presents a shining vision of centuries-old Crow...

I Came to Where the Lone Pilgrim Lay by Michael Ome Untiedt Oil on Canvas, 36" x 48", 43" x 55" (framed), hanging hardware included. From the artist: "In Memory of Tom Horn: This is another of my feeble attempts to break down, to rage against the tyranny of time. I have fought this battle for a half century, yet my limbs grow slower, my hair more moon-bleached. I ponder as I apply brush strokes to the canvas, what thoughts pass through the viewer of this work a hundred years hence, two hundred years later? Will they know what I carry in my heart today? Am I on a great mandala of life, and will I return one day to this same experience, or am I adrift on a great "river" flowing endlessly through the Cosmos, heeding shoal water and seeking shoreline that is forever changing? A dear friend passed this week from the plague scourging our fair land. When and where will I hear his sweet self deprecating laughter again?" Born and raised in rural southeastern Colorado, Michael Ome Untiedt maintains a studio in Denver. Traveling extensively, he is known as a painter of the world who sees with a westerner’s eye. Through the color, brush strokes, and symbolic subject matter of his paintings, he attempts to examine the human predicament and its connections to the landscape and history of the American West. He is driven to portray twenty-first-century psychology on a nineteenth-century saddle! Untiedt has participated in numerous shows including the Western Masters Art Show and Sale, Settler’s West Miniatures Show and Art of the American West...

This small-scale, slightly textured, intimate painting could be a Hanukkah or Christmas gift. Audrey Frank Anastasi is a prolific a visual artist, curator, gallerist, educator, philanthropist, and arts advocate. She works primarily in 2-dimensional mediums: painting, drawing, collage, mixed media, focusing on the human subject. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has exhibited in over 20 solo & 200 group shows. Her original “ref-u-gee” series of forced-migration–themed artwork was shown in a solo exhibition from October, 2022 through January, 2023 at the Brooklyn College library gallery in collaboration with the Valentine Museum of Art (VMoA.) Accompanying the show, a limited-edition monograph with over 180 images of passport sized paintings, four 8 foot tall works on panels, and a foreword by Phyllis Braff. The book was printed in 2023 by SIZ Industria Grafica, Verona, Italy. Additional book and catalog publications include "Stations of the Cross", SPQR press, with an essay by Amir Bey, BREUCKELEN magazine, “Audrey Frank Anastasi” catalog with an essay by renowned feminist art critic Cindy Nemser, and "Collage" with an essay by Giancarlo T. Roma. Born in a predominantly Jewish suburb of Baltimore, Maryland, Audrey was always drawn to art. Her parents had an innate sense of style. Her father's side of the family were immigrant merchants. They owned what was called, in those days, a junior department store. Audrey’s father would arrange creative window displays. And he was a snappy dresser, looking surprisingly elegant in his patterned or pastel sports jackets. Audrey’s mother, on the other hand, came from a more rural upbringing. Although her maternal grandmother was from Eastern Europe, her maternal grandfather was born in the USA. “Mr. Jew Arthur,” as he was referred to by locals, owned a tavern in a predominantly African-American community, Fairfield, Maryland. Not only did he sell spirits, he definitely partook of them, as well. While still a teenager, Audrey’s mother, Rose Gussie, changed her name to Joyce and headed to Atlanta, Georgia, and later to New York City to be a cosmetician and hosiery model. She also had an impeccable sense of style. And in her picture albums, beside the photographs, were pages upon pages of charming ink drawings of stylish ladies. Of her own formative years, Audrey expresses, “I'm forever grateful that when I was a child, my mother indulged me with regular outings to the library where I emerged with armloads of books, and weekly visits to the Baltimore Museum of Art. There I would pass the gorgeous bust of Queen Nefertiti and the scary mummies on the way to my art lessons. There isn't a single moment of my conscious life when I didn't think of myself as an artist.” Audrey also studied with a local artist, “Miss Mary,” who soon asked Audrey to become a teaching assistant, instructing other students how to observe shapes and tonalities, while faithfully drawing charcoal drawings of classical plaster casts...

Earth, air, water, and fire are the center subjects of my art. I live in New York City-it is close to the ocean, and I’ve developed a deep affinity for the sea, which has also evoked sentiments in me for what has across on the other side of the ocean. Majestic mountains in Europe and the U.S. those I’ve seen with spectacular ridgelines or forms are what I want to pay homage to. The sky’s ever-changing atmosphere, fire’s brilliance, and all the energies embodied in nature are the most things that I am in awe of. —- Leigh Wen

Madhu Basu - Magma Series - 25.75 x 21.25 inches (unframed size) Acrylic & Pigment on canvas ( Set of 2 works ) ( UNFRAMED ALL IN DOOR DELIVERED ) Vessels and pots being of...

Madhu Basu - Magma Series - 25.75 x 21.25 inches (unframed size) Acrylic & Pigment on canvas ( Set of 2 works ) ( UNFRAMED ALL IN DOOR DELIVERED ) Vessels and pots being of ...

Madhu Basu - Magma Series - 25.75 x 21.25 inches (unframed size) Acrylic & Pigment on canvas ( Set of 2 works ) ( UNFRAMED ALL IN DOOR DELIVERED ) Vessels and pots being of ...

Madhu Basu - Magma Series - 25.75 x 21.25 inches (unframed size) Acrylic & Pigment on canvas ( Set of 2 works ) ( UNFRAMED ALL IN DOOR DELIVERED ) Vessels and pots being of...