Kris Wenschuh

Shadows

2020

"Where Home May Be II" is part of Kris Wenschuh's HOME series: a pandemic-era reflection of what home means to the artist.

"Cocktail Jars" is a painting by Billy Solitario. The piece is 16 inches tall, 16 inches wide, and 2.5 inches in depth. It is not framed. "Cocktail Jars" is oil on panel and is hung ...

"Donuts on Pink" is a painting in the 2022 show Comfort Food: Still Life Paintings by Benjamin J. Shamback. The piece is 18 inches high and 12 inches wide. With the included frame, "...

"Turkey Sandwich with Apples" is a painting in the 2022 show Comfort Food: Still Life Paintings by Benjamin J. Shamback. The piece is 18 inches high and 12 inches wide. With the incl...

"Donuts and Bansai" is a painting in the 2022 show Comfort Food: Still Life Paintings by Benjamin J. Shamback. The piece is 18 inches high and 11 inches wide. With the included frame...

"Day Lilies with Day Lily Painting" is a painting in the 2022 show Comfort Food: Still Life Paintings by Benjamin J. Shamback. The piece is 24 inches high and...

Peter Lyons’s still lifes self-consciously participate in the tradition of religious icons, which embody a measure of the divinity they depict. The painted...

Rachel Bess Rotting Apple, Supine, 2015 oil on panel 6" x 8" unframed 9.25" x 11.25" framed Rachel Bess is known for her precise and theatrical oil paintings...

Rachel Bess Rotting Apple, Prone, 2015 oil on panel 6" x 8" unframed 9.25" x 11.25" framed Rachel Bess is known for her precise and theatrical oil paint...

Michael Tole is a figurative painter currently living in Tempe, AZ with his wife and daughters. A Texas native, most of his 20 year long career was spent in Dallas. After relocating to Tempe, his work experienced a significant shift from photo-based paintings of retail interiors to fantastical figurative inventions based on pop culture imagery he has encountered via his two daughters’ taste in music videos, and his proximity to Southern California and it’s particular brand of Disney-esque hedonism. Mr. Tole’s career includes shows in New York, Los Angeles, San Francisco, Dallas, and Miami. His work has been reviewed in Art Forum International...

Bird's-eye view of an apple 46 x 40 cm (Framed 56 x 50 cm) Oil on wood panel JP Marsman's cheerful and hyper-realistic paintings appeal to the imagination on several levels. Artisan; the work is painted so realistically that everything seems 'touchable'. It seems to be 'there'... Colour; the artist isn't afraid to go wild with color. This gives the still lifes a liveliness that is unique for 'still lifes'. Combinations; the subjects that Jean Paul Marsman...

Rein Pol Cello 93 x 120 cm ( Frame is included 107 x 134 cm) Oil on wood panel, 1987 Looking at Rein Pol's work, it is first and foremost striking that the artist's subjects are very diverse. However, he was mainly known for his paintings 'with trains'. If you look further, you will see that Rein Pol has many sources of inspiration about which he can tell 'stories in paint'. On the website of the Classical Academy in Groningen there is a beautiful teacher portrait of Rein Pol, the first part of this text comes from that site: The fact that Rein Pol made paintings with trains in them gave him the stigma of being a train painter. The 'Blue Angel' is just one of many, often autobiographical, subjects in his paintings. This also applies to nature, landscape, persons and objects from his immediate environment, in which transience is an underlying theme. “As a child I was always drawing. The profession of art teacher appealed to me. It never occurred to me that I could become a painter.' At the Minerva Academy, teachers such as Ger Siks and Matthijs Röling impressed him. Their influence is still noticeable in his paintings: the atmospheric of Röling and the alienating of Siks. After the academy Rein briefly taught at a secondary school. "Not an unqualified success! So when I was asked to come and teach at Minerva, I seized the opportunity with both hands. I have learned a lot myself from teaching academy students.' A violin on fire, a train soaring to heaven, Romance at its best! The passion is in the details, the feathers of a dead bird, the drops on a misty mirror. And that passion is what Romanticism is all about. Rein Pol has been working professionally as a painter since 1976. He always has a keen eye for the expressiveness of the apparently insignificant detail. Every theme that Pol paints is depicted in a clear, harmonious composition with great attention to light, texture, spatial and color effects. The paintings are not intended as an exact copy of the reality around us, but as a representation of our own reality! Hans van Seventer previously wrote: “The subjects of Rein Pol's paintings move between the ordinary and the absurd. He paints musical instruments as well as a bottle containing the fetus of a pig. Sometimes the smell of manure rises from his landscapes, then again a Groningen bum toils along the steep banks of a Norwegian fjord. His self-portraits form a collection in themselves: in the mirror of the bathroom, in a glass display case surrounded by 'gohst of the past', or simply with a jar of pickles as a sign of his dignity”. With his work Pol is counted among the Northern Figuratives. Rein Pol exhibits a lot in the Netherlands. Abroad he exhibited in Germany, Norway, Poland, Switzerland and Indonesia. With the so-called Zwiggelte Group in France, the United States, Canada and Australia. Much of the painter's work is included in private collections. His paintings are also in the possession of, among others, the Drents Museum in Assen, the Smallingerland Museum in Drachten, the Free University of Amsterdam, the ING Collection and the Philips Collection...