Peter Orlando

Pears & Blue Apothecary Bottle - Large Mid 20th Century French Naïf Oil Painting

c.1950

This beautiful oil on canvas still life by Dutch artist Eduard Peter Moleveld depicts fruits, a tankard and open book on a table. A whole and half sliced orange sit within a Delft b...

A beautiful large signed and dated 1940 modern British oil on canvas by Patricia Fell-Clark, the painter and novelist known for introducing the Beatles to Ravi Shankar. The work dep...

A very beautiful large French impressionist oil on canvas still life depicting a plant and brass kettle, probably in a kitchen. The work is very well painted and atmospheric on a gen...

A beautiful early 20th century English impressionist oil on canvas still life depicting yellow flowers in a blue vase. The work is presented in a lovely shabby antique...

A beautiful 1950's French expressionist oil on canvas depicting flowers and fruits in a window by Philippe Marie René Picard. Bright and colourful still life on a good scale. Signed lower right. Artist: Philippe Marie René Picard (French, 1915-1997) Title: Flowers & Fruits in a Window Medium: Oil on canvas Size: 21 x 32 inches (54 x 82 cm) Philippe Marie René Picard was born in the small village of Neuvy-le-Roi in France. His parents were Albert Picard and Marie Lehoux; he had a total of six siblings. After studying at the Lycée Descartes in Tours, he entered the studio of the artist François Sicard. He was then accepted to the École supérieure des beaux-arts de Tours from 1932 to 1934, where he was a pupil of Maurice Mathurin. In 1935, he entered the School of Fine Arts in Paris, then in 1936-1938 the studio of Fernand Sabatté, and finally Charles-François-Prosper Guérin studio. Phillippe Marie exhibited at the Salon des Indépendants 1945, where the city of Paris bought the first painting. He then exhibited regularly at the Salon des Indépendants until 1989. In 1946 when this painting was created, he exhibited for the first time in Stockholm. At the end of the same year, he was noticed by Youki Desnos and exhibit at the Fontan gallery in Paris. In 1947 and 1948, he participated in a group exhibition at the Marquié Gallery in New York under the title: School of Paris - Paintings with Eugène Boudin , Jean-Baptiste Corot , Braque , Andre Lhote , Élisée Maclet , Camille Pissarro and Henri Rousseau. He travelled to Sweden from October to November 1949. It will be his only trip abroad. Subsequently, he made several important exhibitions in Sweden. He continues to exhibit in Sweden, Germany, Switzerland, Venezuela, Lebanon, Spain...

A beautiful naïf oil on canvas still life depicting spring blossom in a wedgwood vase by Thraki Rossidou Jones of Cyprus. Signed and dated 1985 lower right above the rug. Thraki Ros...

Provenance: Selma Herringman, New York, ca. 1955-2013; thence by descent to: Private Collection, New York, 2013-2020 This seventeenth century Spanish still-life of a laden table, known as a bodegón, stands out for its dramatic lighting and for the detailed description of each object. The artist’s confident use of chiaroscuro enables the sliced-open squash in the left foreground to appear as if emerging out of the darkness and projecting towards the viewer. The light source emanates from the upper left, illuminating the array, and its strength is made apparent by the reflections on the pitcher, pot, and the fruit in the basket. Visible brush strokes accentuate the vegetables’ rough surfaces and delicate interiors. Although the painter of this striking work remains unknown, it is a characteristic example of the pioneering Spanish still-lifes of the baroque period, which brought inanimate objects alive on canvas. In our painting, the knife and the large yellow squash boldly protrude off the table. Balancing objects on the edge of a table was a clever way for still-life painters to emphasize the three-dimensionality of the objects depicted, as well a way to lend a sense of drama to an otherwise static image. The knife here teeters on the edge, appearing as if it might fall off the table and out of the painting at any moment. The shape and consistency of the squash at left is brilliantly conveyed through the light brush strokes that define the vegetable’s fleshy and feathery interior. The smaller gourds—gathered together in a pile—are shrouded partly in darkness and stand out for their rugged, bumpy exterior. The stoneware has a brassy glaze, and the earthy tones of the vessels are carefully modulated by their interaction with the light and shadow that falls across them. The artist has cleverly arranged the still-life in a V-shaped composition, with a triangular slice of cheese standing upright, serving as its pinnacle. Independent still-lifes only became an important pictorial genre in the first years of the seventeenth century. In Italy, and particularly through the revolutionary works of Caravaggio, painted objects became carriers of meaning, and their depiction and arrangement the province of serious artistic scrutiny. Caravaggio famously asserted that it was equally difficult to paint a still-life as it was to paint figures, and the elevation of this new art form would have profound consequences to the present day. In Spain Juan Sanchez Cotan...

Strange Tracey are proud to be the exclusive agent for Fran Mora in the United Kingdom. Born in Huelva in the south of Spain in 1979, Mora studied at the School of Fine Arts in Sev...

Oil on canvas painting by Jill Davenport (American, 20th Century) still life titled "Banjo Player" from the Attic series. Signed and dated on bottom lef...

Early substantial, expressionist abstract still life by Lee Lippman (American 1926-2020). Bursting with color and movement titled "Still life with onions" ...

LaValley is an American artist born in New York in 1858. His style is realism and most of his paintings were either landscapes or still lifes. This perticular painting is an exclent ...

Flowers in A Basket by Jean-Baptiste Monnoyer. A Still Life of flowers in a basket including jasmine, honeysuckle, dahlias, parrot tulips, delphiniums and white carnations.