Skip to main content

American Realist Still-life Paintings

to
4
1
3
1
4
Overall Height
to
Overall Width
to
55
31
22
13
4
3
1
2
2
1
1
1
1
1
1
1
1
1
1
1
1
12
61
442
1
1
7
3
4
10
8
1
3
1
3
3
1
1
1
Style: American Realist
Period: 1930s
Studio Interior Mid 20th Century American Scene Modern WPA Still Life Realism
Located in New York, NY
Studio Interior Scene Mid 20th Century American Modern WPA Still Life Realism The painting measures 10 x 12 inches. Framed, the work is 13 1/4 x 15 1/...
Category

1930s American Realist Still-life Paintings

Materials

Oil, Board

The Lavender Vase, 1934
Located in West Hollywood, CA
Presenting a rare, early original oil painting, "The Lavender Vase", by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific an...
Category

1930s American Realist Still-life Paintings

Materials

Oil, Acrylic Polymer

Three Bottles
Located in West Hollywood, CA
A very rare and important, early original mixed medai Gouache by American artist Robert McIntosh(1916-2010) Robert McIntosh was extremely prolific and exhibited throughout his lifet...
Category

1930s American Realist Still-life Paintings

Materials

Mixed Media

Cask and Cow
Located in West Hollywood, CA
Presenting an early oil painting by American artist Robert McIntosh. "Cask and Cow", is an early original oil on panel, signed, c.1935, just arrived from the private collection of...
Category

1930s American Realist Still-life Paintings

Materials

Oil

Related Items
Fruit
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --Mooers writes of his work, “My paintings begin with a serious sense of play, both in the staging and the creating of the compositions...
Category

2010s American Realist Still-life Paintings

Materials

Panel, Oil

Fruit
H 17.25 in W 22 in D 1 in
Jim's Steaks -- Original Oil Painting -- Please watch attached video
Located in Boca Raton, FL
Please see accompanying video. We are a 1stdibs Platinum Seller with 100% 5-star reviews. One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Mark Schiff — Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful. Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...
Category

Early 2000s American Realist Still-life Paintings

Materials

Canvas, Oil

An American Still Life of an Apple, Pear and Grapes circa 1880s
Located in SANTA FE, NM
An American Still Life of an Apple, Pear and Grapes Oil on canvas on board Signed illegibly circa late 1800s 9 3/4 x 5 7/8 (16 x 12 3/4 frame) inches This is an example of late 19...
Category

Late 19th Century American Realist Still-life Paintings

Materials

Canvas, Oil, Board

Magnolia after the Rain Realism 24 x 36 Oil Canvas Floral Painting
Located in Houston, TX
Magnolia After the Rain is 24 x 36 oil on canvas . Gallery Wrapped Susan is a native Houstonian. She is passionate about oil painting, specializing in large scale florals. She was inspired to start painting florals when she began photographing flowers on her daily walks. Susan is an early childhood educator and teaches at a private school in Houston. She is a member of the Lassaulx studio in Houston, Texas. Susan graduated from HCC with honors with a degree in Fine Arts. She studied at the Glassell School of the Museum of Fine Arts, Houston. Susan Meeks...
Category

2010s American Realist Still-life Paintings

Materials

Oil, Canvas

Still Life American Scene Social Realism 20th Century Woodstock Modern Dudensing
Located in New York, NY
Still Life American Scene Social Realism 20th Century Woodstock Modern Dudensing Konrad Cramer (1888 – 1963) "Black Glass Bowl and Napkin" 16 ½ x 14 inches Oil on Board Singed lower...
Category

1920s American Realist Still-life Paintings

Materials

Board, Oil

A White Rose Realism Oil on Canvas Gallery Wrapped Floral 20" x 20"
Located in Houston, TX
White Rose by Susan Meeks was just painted in 2024 as part of her floral collection. White Roses is gallery wrapped so there is no need for a frame. White roses symbolize loyalty, ...
Category

2010s American Realist Still-life Paintings

Materials

Oil, Canvas

Antique American Oil Painting Still Life of Hanging Fruit and Grapes
Located in Buffalo, NY
Antique American still life oil painting of hanging fruit and grapes. Oil on board. Framed
Category

Late 19th Century American Realist Still-life Paintings

Materials

Board, Oil

"Pitcher & Peaches" - Still Life - American Realist Painting - fruit
Located in Atlanta, GA
"Pitcher & Peaches" is a still life painting featuring hues of orange, yellow, tan and green. Sarah Lamb is inspired by the work of John Singer Sargent, Wayne Thiebaud and Emil Carlsen. This piece is framed 14 by 14 inches. Sarah Lamb is a talented and dynamic realist painter. With classical skill—and through transparency, depth and texture—she captures the minute details of everyday objects in her dramatic still lifes and luscious landscapes. She makes us love the familiar and see beauty in the mundane. Born in Petersburg, VA, with a passion for art and an appreciation for the past, Sarah spent a semester at the Studio Art Center International in Florence, Italy before graduating from Brenau Women’s College with a BS degree in Studio Art in 1993. Following a summer workshop in Santa Fe, NM with renowned classical painter Jacob Collins, she spent two years painting at The Ecole Albert Defois in the Loire Valley with classical realist artist Ted Seth Jacobs...
Category

2010s American Realist Still-life Paintings

Materials

Oil, Canvas

Magenta Magnolia Realism 36 x 36 Oil Canvas Gallery Wrapped Floral Painting
Located in Houston, TX
Susan is a native Houstonian. She is passionate about oil painting, specializing in large scale florals. She was inspired to start painting florals when she began photographing flowers on her daily walks. Susan is an early childhood educator and teaches at a private school in Houston. She is a member of the Lassaulx studio in Houston, Texas. Susan graduated from HCC with honors with a degree in Fine Arts. She studied at the Glassell School of the Museum of Fine Arts, Houston. Susan Meeks...
Category

2010s American Realist Still-life Paintings

Materials

Oil, Canvas

William Hubacek 'Cactus Plants' Still Life, Oil Painting
Located in San Rafael, CA
William Hubacek (American 1871-1958) Cactus Plants Oil on canvas Signed and dated lower left: 'Wm. Hubacek 1946' 18.75in H x 15.5in L With a gilt frame: ...
Category

Mid-20th Century American Realist Still-life Paintings

Materials

Canvas, Oil

Coffee, Fireworks, and Amphetamines
Located in Sag Harbor, NY
"Coffee, Fireworks, and Amphetamines" is an oil painting of the titled items, a to-go coffee cup is the focal point, a few red firecrackers resemble miniature dynamite sticks. Pills scattered about the tabletop in capsules and tablet forms. A single match with a red tip rests along the table's edge, ready to ignite a spark. A diagonal shadow dissects the composition. A hole in the wall can be found on the upper right. Painting dimensions: 11 x 14 inches Framed dimensions: 13.5 x 16.5 inches Matthew Weigle...
Category

21st Century and Contemporary American Realist Still-life Paintings

Materials

Oil, Linen, Panel

Still life Chinese Ball
Located in Burlingame, CA
Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...
Category

21st Century and Contemporary American Realist Still-life Paintings

Materials

Canvas, Oil

Previously Available Items
1930s Floral Still-Life with Daisies and Cut Crystal Vase
Located in Soquel, CA
Elegant, intricately detailed still-life with daisies in a cut crystal vase contrasting sharply from a dark background by S. Howe (American, 20th Century), c.1930's. Signed lower ed...
Category

1930s American Realist Still-life Paintings

Materials

Oil, Masonite

Still Life Oil Painting of Toys Signed By Lillian Gertrude Smith dated 1932
Located in Hallowell, ME
Still Life Oil Painting of Toys by Lillian Gertrude Smith, American dated 1932 20" x 16" oil on canvas, signed lower left, Smith was a artist living in Massachusetts. This charming still life of stuffed toys retains the original frame. Lillian Gertrude Smith (Rockwood), known affectionately as “Miss Lillian,” lived in Auld Lang Syne on Broadway in ’Sconset during the summers from 1909 to 1930. Like Jane Brewster Reid, Smith (Rockwood) delighted in painting the houses, lanes, and beaches of ’Sconset, though she did not limit herself exclusively to the picturesque village on the eastern end of the island. Her typical July and August advertisements offer an “Exhibition of Paintings/ by Lillian Gertrude Rockwood/ ‘Auld Lang Syne’ Studio/ Broadway/ ’Sconset.” The artist resided in Franklin, Massachusetts during the remainder of the year. ~ The Nantucket Art...
Category

1930s American Realist Still-life Paintings

Materials

Oil

Magic Realism Still Life
By Virginia Cuthbert
Located in Buffalo, NY
An original modern oil on canvas Magic Realist painting by American female regionalist Virginia Cuthbert. Virginia Cuthbert was born in 1908 in West Newton, Pennsylvania. She was a magic realist or surrealist artist painting moody pictures of people in architectural settings. There are also American Scene or Regionalist aspects to her work in the 1930s. Among many covers painted for Fortune Magazine, the June, 1951 issue depicts a powerful image, both realistic and symbolic, of an aluminum production plant with a foreground filled with red pipes converging to a black building sending smoke to a darkly expressive sky. In January, 1956 her cover painting of the White House was sent to President Dwight D. Eisenhower for his Gettysburg farm. Cuthbert received her B.F.A. degree in 1930 from Syracuse University. Aided by an August Hazard fellowship for European study, Cuthbert worked with Colin Gill in London, attending Chelsea Polytechnical Institute there, and had her work critiqued by Augustus John, the famous British portrait painter. Cuthbert also studied in Paris at the Academie de la Grande Chaumiere, and in Florence, Italy with Felice Carena. Before leaving for Europe, Cuthbert had studied during the summer of 1930 at the Provincetown Art Colony in Massachusetts with Charles Hawthorne. Upon her return to America, she continued her studies in New York City with former Ash Can School painter George Luks in 1932; pursuing graduate level studies in Pittsburgh at the University of Pittsburgh in art history in 1933-1934; and at the Carnegie Institute of Technology with Alexander Kostellow in painting in1934-1935. She and her husband, Philip C. Elliott, were professors for many years in the art department at the University of Buffalo, from the early 1950s until they retired in 1969. She established the Philip C. and Virginia Cuthbert Elliott Painting Scholarship at the University. Interestingly, she had met her husband-to-be the second day she was in Paris. They would marry in 1935. In 1954, Cuthbert was awarded a grant from the American Academy and Institute of Arts and Letters. She was also a newspaper art critic in 1954-1955 for the Buffalo Courier-Express, and in 1955-1956 for the Buffalo Evening News. Her work is in the collections of the Albright Knox Gallery, University of Buffalo and State University of New York, all in Buffalo, New York. From 1933 to 1992, Cuthbert exhibited her work in sixty-five group shows. Her one-person exhibitions include: Syracuse University, 1930; Carnegie Institute Museum of Art, 1938; Syracuse Museum of Fine Arts and Butler Art Institute, Youngstown, Ohio, 1939; Contemporary Arts, New York City, 1945, 1949 and 1953; American Academy and Institute of Arts and Letters, New York City, 1954; Frank Rehn Gallery, New York City, 1958 and 1966; and a retrospective exhibition at the Nina Freudenheim Gallery in Buffalo, New York in 1990. She would also exhibit at the Whitney Museum of American Art in New York City. Virginia Cuthbert died in Kenmore, a suburb of Buffalo, New York in 2001. She was 92 years old. Source: Jules and Nancy Heller...
Category

1930s American Realist Still-life Paintings

Materials

Canvas, Oil

American Realist still-life paintings for sale on 1stDibs.

Find a wide variety of authentic American Realist still-life paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add still-life paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, green, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Willard Dixon, Brooks Anderson, John Morfis, and Rachel Personett. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Realist still-life paintings, so small editions measuring 3 inches across are also available. Prices for still-life paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $145 and tops out at $185,000, while the average work sells for $3,800.

Recently Viewed

View All