Abstract Geometric Paintings

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created combine a variety of vivid colors in the foreground with subtle background tones, painted on a variety of shapes, mimicking the effect of pieces of marble or granite on a flat surface. Natalia Roman was born in 1984 in Girona, Spain. She has exhibited in galleries across Europe and her colorful, abstract paintings are part of private collections all over the world. Details: Title: Pink Architecture...

b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

Colorful abstract geometric painting by Hungarian artist Béla Birkás. Green toned abstract painting with yellow, blue, and red accents forming various random shapes. Signed by artist...

Colorful abstract geometric painting by Hungarian artist Béla Birkás. Blue toned abstract painting with purple, yellow, and pink accents forming various random shapes. Signed by arti...

Acrylic painting on canvas, 2020. Titled, dated and signed on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height 25.31 in ( 64,3 cm ), Width 25...

Clouds in a room (Abstract Expressionism painting) Oil on canvas. Unframed. Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Colorful abstraction by Nicolas Dubreuille : "Ref 327" Nicolas Dubreuille is a multi-faceted abstract artist who likes to multiply mediums - sculpture, painting, drawing, photograph...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Abstract Painting. Geometric style. Oils on canvas. About the Artist: I work in a style I call Geometric Surrealism, abstracting physical ...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created c...

Acrylic painting on canvas, 2021. Titled, dated and signed on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height: 29.13 in ( 74 cm ), Width: 25...

Abstract painting. Geometric style. Acrylic & Satin Varnish on Canvas. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

Murray Hantman (1904-1999). Industrial Composition, c.1948-50. Oil on canvas measures 18 x 24 inches, 19 x 25 inches in original simple wood strip frame. Signed lower right. Excellent condition with no conservation. Exhibition label affixed en verso. Provenance: estate of Murray Hantman. This piece was included in the exhibition Murray Hantman: From Image to Abstraction, Portland Museum of Art, 2005. Anonymous lender. Biography: Shaped by his life experiences and a commitment to the practice of making art, the work of Murray Hantman represents a career of personal exploration and aesthetic refinement that took him from New York, to Los Angeles, back to New York and eventually to the serene, yet dramatic, coast of Maine where he worked as part of the artists’ colony on Monhegan Island. Born in Pennsylvania in 1904, Hantman’s family moved many times to follow his father’s business opportunities, eventually settling in New York. A childhood of economic instability and dislocation formed Hantman’s early years, making him independent and self-reliant from a very early age. Hantman’s father owned movie theatres and photography studios and, recognizing his son’s artistic ability, employed him to print and hand-color photographs as a child. When he was eleven and living in Michigan, a public school teacher arranged for Hantman to receive a scholarship to the Detroit Museum of Art School where after a year he was awarded another scholarship to study at the Detroit School of Design. He studied in Detroit for a year until his family abruptly moved to Alabama, interrupting his artistic and academic studies until the family moved to New York at the end of the first World War. As a young man, Hantman supported himself by working many different jobs in New York and New Jersey. Steady work with his brother at the Hartford and New Haven Railroad office in New York City finally allowed Hantman to pursue his artistic studies in a formal way. In 1928, he enrolled in the Art Students League and became part of a social circle of artists and activists. While at the Art Students League, Hantman worked with faculty members Boardman Robinson and Thomas Hart Benton on two mural projects. During the years around the Great Depression, Hantman worked in Los Angeles with a group of artists known as the Bloc of Painters. Recruited through an advertisement to attend a course on fresco painting, the Bloc group was headed by Mexican muralist David Alfaro Siqueiros who had recently been exiled from Mexico for political activism. Through his work with Siqueiros, Hantman became motivated by social and political issues and their creative expression. In 1934, Hantman returned to New York and found the community of artists there equally engaged in social justice issues. While enrolling at the newly-formed Artists’ Union to advocate for the labor rights of creative workers, Hantman met sculptor Jo Levy who would become his wife. Like many artists at the time, Hantman found work through the Federal Art Project as a member of the Easel Painting Division which strove to create “works of art for the public which have a definite social value to the community”. (1) Along with the work he exhibited as a member of the WPA group, Hantman’s personal work from this period was in the style of Social Realism he learned from Siqueiros. Hantman and his wife, Jo Levy, believed in creating art for the public good. Their Artists’ Union friends and colleagues from the Federal Art Project formed the nucleus of their social circle and would become the community of artists who worked together during summers on Monhegan Island off the coast of Maine. In 1945, Hantman had his first solo painting show at Marquie Gallery in New York, and visits Monhegan Island for the first time. The following summer, he and Levy spend the summer in Maine, and would continue to do so for the next thirty years. The landscapes and seascapes of Maine would become a central subject in his work after 1946. The dramatic coastline of Monhegan Island had been inspiration for other New York artists before Hantman, including George Bellows and Rockwell Kent. As Hantman matured as an artist he began to reject academic narrative in his work, moving towards a more expressionistic and abstract style. During this shift into abstraction, nature remained central to his work and the seascape and Maine light provided continual inspiration. In the late 1940s, Hantman begins to reduce the landscape into elemental forms of color and shape. As he pursues this mode of painting his work moves further into abstraction, juxtaposing large blocks of saturated color to convey the drama of sea and sky. Always a student and teacher, Hantman distilled the ideologies of Abstract Expressionism and synthesized its concepts into his own work. Throughout the 1950s, he experimented with Action Painting, color, form and expression. By the late 1950s, Hantman’s mature style had developed into abstract works of pure color masses in simple geometric forms. His mastery of color and form continued into his late work, always reflecting the beauty of the natural world around him. Dedicated to the idea of exploration in his art, Hantman made hundreds of small color and form studies that hint at the large-scale works that would follow in the late 1960s and beyond. Hantman’s work from the ‘70s and ‘80s shows even more intensity of color and distillation of composition. The landscape of the Maine coast remained his muse throughout, the stark lines suggesting the flat plane of sea and horizon line beyond. Hantman and Jo Levy lived in New York and summered on Monhegan Island until 1975, followed by summers in Owls Head and New Harbor...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Vivid abstract with green and grey patterned triangular shapes with heavy impasto texture by Tara McDonald (American, 20th Century). Signed "Tara ...

Plaines & Mines, d'Ombré 7 is part of my most recent and current ongoing series. I created it using a convergence of techniques including airbrush on wood. This series explores the a...

My first works are digital, in that aspect each decision can be rethought and changed as many times as necessary. Unlike my previous works, this was the first time that I was faced with a blank paper...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

This large abstract statement painting by Sofie Swann is made with acrylic paint and gesso on canvas. Marrying organic and geometric qualities, this painti...

Interior by Rosie Shorrock [2021] original Acrylic on Panel Image size: H:24 cm x W:30 cm Complete Size of Unframed Work: H:24 cm x W:30 cm x D:3.5cm Sold Unframed Please note that ...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

Colorful abstraction by Nicolas Dubreuille : "Ref 597" Nicolas Dubreuille is a multi-faceted abstract artist who likes to multiply mediums - sculpture, painting, drawing, photograph...

"Cascadia 6" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Colorful abstraction by Nicolas Dubreuille : "Ref 595" Nicolas Dubreuille is a multi-faceted abstract artist who likes to multiply mediums - sculpture, painting, drawing, photograph...

Cut-Up Canvas I.7 (Abstract Painting) Acrylic on canvas. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often ...

sbc 144 (Abstract painting) Acrylic on linen - Unframed This acrylic painting on linen is one of 8 medium-scale paintings that Cantrick produced for her 2012 series based on the pr...

"The seismology of cantilevered hearts, Cascadia 7" explores a singular and cohesive orchestration of aerosol painting, pyrography and sanding techniques on wood. The artist engages ...

Acrylic painting on canvas, 2021. Titled, dated and signed on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height 33.15 in ( 84,2 cm ), Width 25.2 in ( 64 cm ), Depth 1.38 in ( 3,5 cm ) Claudia Fauth was born 1962 in Berlin. Lives and works as a singer, songwriter, visual and acoustic artist. Worked many years as an art dealer. Realizes extensive art projects around the world including the natural environment and make the unknown experienceable. She understands herself as a Quantum Philosopher. She is known for her abstract works, she often works with elements of sacred geometry. Her works are in public collections in Austria, Belgium, Canada, England, Germany, Italy, France, Japan, Mexico, Switzerland, Poland, Spain and the US. Selection of exhibitions: ° 2014 Von der Avantgarde zur Moderne, Berlin The Original Miami Beach Antique...

Acrylic painting on canvas, 2021. Signed, titled and dated on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height 29.21 in ( 74,2 cm ), Width 25.2 in ( 64 cm ), Depth 1.34 in ( 3,4 cm ) Claudia Fauth was born 1962 in Berlin. Lives and works as a singer, songwriter, visual and acoustic artist. Worked many years as an art dealer. Realizes extensive art projects around the world including the natural environment and make the unknown experienceable. She understands herself as a Quantum Philosopher. She is known for her abstract works, she often works with elements of sacred geometry. Her works are in public collections in Austria, Belgium, Canada, England, Germany, Italy, France, Japan, Mexico, Switzerland, Poland, Spain and the US. Selection of exhibitions: ° 2014 Von der Avantgarde zur Moderne, Berlin The Original Miami Beach Antique...

Acrylic painting on canvas, 2021. Titled, dated and signed on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height: 21.46 in ( 54,5 cm ), Width: ...

Life in Nature Canvas measures 31.5 X 39.5 (I believe this is oil it might also be acrylic.) Hand signed recto and signed and titled verso. Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the School of Sculpture and Ceramics in Mendoza, he studied under the Italian-Argentinean sculptor Libero Badii whom he credits with putting him on the right path. “He taught me principals, not only related to sculpture, but human and philosophic principals. Shemi also carefully studied the work of such masters as Picasso, Caravaggio, Frank Stella and Matisse. “From each one of these great artists I learned something from observing them,” he says. In 1961, at the age of 20, Shemi immigrated to Israel and joined Kibbutz Carmia of which he was a member for twenty years. There he worked in agriculture and also as a sculptor working with wood and clay. Several of his large-scale fiberglass and polyester projects are situated in public buildings. He was a student of German-Israeli sculptor Rudi Lehmann, a pioneer of the artistic movement known as “Canaanism.” Canaanite art was an effort to create a direct relationship with the land, bypassing historic Jewish connotations—hence the land’s primordial name is used. Canaanite works, with an emphasis on the inter-action of simple shapes, bear a deliberate resemblance to the sculpture and ritual art of early civilizations of the Middle East prior to Judaism, always with an eye to the fusion of man and the land itself. Though sculpture dominated his early years as an artist, in the mid ’70s Shemi developed the idea of the “soft painting” medium. Beginning with a color drawing done to scale, Shemi layers onto the drawing irregularly shaped pieces of variously textured and colored fabrics. Using a threadless 9,000-needle sewing machine, the fabrics are meshed to one another and to the background, resulting in vibrant carpet tapestry compositions infused with exuberant color and explosive movement. These are neither aubusson nor pile but more of a felt wall hanging...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Acrylic painting on canvas, 2021. Signed, titled and dated on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height 33.15 in ( 84,2 cm ), Width 25.24 in ( 64,1 cm ), Depth 1.38 in ( 3,5 cm ) Claudia Fauth was born 1962 in Berlin. Lives and works as a singer, songwriter, visual and acoustic artist. Worked many years as an art dealer. Realizes extensive art projects around the world including the natural environment and make the unknown experienceable. She understands herself as a Quantum Philosopher. She is known for her abstract works, she often works with elements of sacred geometry. Her works are in public collections in Austria, Belgium, Canada, England, Germany, Italy, France, Japan, Mexico, Switzerland, Poland, Spain and the US. Selection of exhibitions: ° 2014 Von der Avantgarde zur Moderne, Berlin The Original Miami Beach Antique...

"Rift Valley, Sonde 2" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with textural topography. Various techniq...

This large-scale original painting by Sofie Swann is made with acrylic paint on canvas. A square format, it features dark shapes, each composed of two parts, that emerge from either side of the canvas and nearly meet in the middle, leaving a somewhat jagged space white space between them. Small and mid-sized, colorful outlines of perfect circles fill the dark shapes. The piece is titled, "Coup de Foudre...

"in City and in Forest 29" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, graffiti and blur derived from the pictorial works of artists Jack Whitten...

"House of Peacock Ore" (2020) is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a square shaped piece and measures 30 inc...

This large-scale original painting by Sofie Swann is predominantly a deep, near-black color with long, thin triangles that emerge into the composition from every side. The dark shape...

Cut-Up Canvas II.6 (Abstract Painting) Acrylic on canvas. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing ...

Melting Pot (Abstract painting) Pigmented cement on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the co...

Cut-Up Canvas I.4 (Abstract Painting) Acrylic on canvas - Unframed Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often ...

"Untitled 7" is a watercolor on paper by contemporary Russian artist Dmitry Samygin. Minimalist and geometric drawings.

Acrylic painting on canvas, 2021. Titled, dated and signed on the back. Ready to hang. The artwork comes directly from the artist's studio. Dimensions: Height 31.5 in ( 113,2 cm ), W...

Abstract painting. Geometric style. Acrylic & Satin Varnish on Canvas. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman...

At a time when Abstract Expressionism was raging, realist painterJohn Atherton nods his head to the movement with a semi-abstract work. Meticulously rendered and carefully thought o...

Heidi Archer – Noir et rouge is an original oil and acrylic abstract painting with charcoal on canvas board. Inspired by the boats, equipment and ropes in around our local harbour a...