Unknown

Con sus caras pintarrajeadas by Marian Dominguez

2014

Birdy by Jacqueline Perez Saleh

鯨魚 Whale by Moumu 矛木

Esta obra pertenece a la Serie Ciudades. Imaginadas y recordadas. Tomé de referencia frases de Girondo y de Borges. Las pinceladas de los cielos se funden con las casitas. Naranjas y...

Shining Through by Seema Mathew

Heavy Mettle by Seema Mathew

Dive Right In by Seema Mathew

Eliyahu Boxer Facets and Faces (triptych), 2023 acrylic and ink on canvas 60 x 150 cm 24 x 59 in Eliyahu was born in the United States and moved to Israel with his family at a ver...

CUTTING ROOM 2018 This piece touches on abstracted themes of mass hysteria, confusion, and the curation of information. Subtly conveyed through fragmented, hand painted verbiage in ...

LE CRÂNE 2020 Paris, France A faint gesture of a skull, ‘le crane,’ lives on a pale pink background, and interacts with other abstract detailing, creating movement and tension. Evan...

TIME, IT TAKES I 2022 Paris, France A graphic and bold abstract painting on linen, with dark blue green ink and white acrylic accents. A single, bold, orange line is situated on the left side of the painting, a commentary on markers of time as an ineffective unit of measurement. Time interpreted not as linear, but an experience outside of numbers and outside of logic. Option to create a pair alongside "Time, It Takes II" (as pictured). Price and size are per painting. Evans Deventer...

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...

Large contemporary semi-abstract painting with a light texture and mostly monochrome black and white colour palette. The nude male figure in rich brown tones is abstracted. Contempo...