1920s Art

Grape Varieties - 'Mrs Pince's Muscat, Royal Muscadine, Chasselas Vibert, Foster's Seedling, Mrs Pearson, Gros Maroc'. Early 20th century fruit chromolithograph, from Horace Wright'...

Head of a Woman (Margaret) conte on wove paper, 1925 Signed and dated lower right Annotated "Margaret" in ink verso A portrait of Margaret Cassidy Manship ( d. 2012), daughter in law...

Alfred Fontville De Breanski (1877–1957) “English Cottage Garden”, circa 1920 Oil on canvas Signed lower right This richly coloured and romantic vision of rural England by Alfred F...

The Nomads by Orovida Pissarro (1893-1968) Etching and aquatint, final state 21/42 27 x 41 cm (10 ⁵/₈ x 16 ¹/₈ inches) Signed, Orovida, and dated 1925 Orovida was a gifted printmake...

Susi Singer-Schinnerl (Austrian-American, 1891-1965) Man with Two Dogs, c. 1925 Ceramic Manufactured by the Wiener Werkstätte, model number 682 Stamped on bottom 13 x 5.5 x 4 inches...

Henri Matisse Jeune Hindoue 1929 Lithograph on Arches Velin paper, Edition of 50 Paper size: 39.5 x 49.5 cms (15 1/2 x 19 1/2 ins) Image size: 28.5 x 35....

Boris Lovet-Lorski, Untitled (Crucifixion), lithograph, edition 250, 1929. Signed and numbered 7 in pencil. Number 7 of Volume 1, a series of 10 lithographs published by the artist a...

This striking vintage poster celebrating the Languedoc-Roussillon region of southern France embodies the bold, graphic aesthetic characteristic of early 20th-century travel and promo...

Signed in pencil by the artist lower right. William Walcot was born in Russia and moved to London in 1907. He trained and practiced as an architect before devoting himself to archite...

Karl Michel, 'Ex Libris Dr. Witropp - Homunculus und Galatee', etching, 1923, edition not stated. Signed, dated, and numbered 'Op. 140' (the artist's inventory number) in pencil. Si...

9 3/4"H x 6 3/4"W

Satyr and Pan Life Magazine Cover, April 26, 1923 Benjamin Sayre Cory Kilvert was the son of the mayor of his birthplace: Hamilton, Ontario, in Canada. Kilvert migrated to New ...

9 3/4"H x 6 3/4"W

Signed Lower Right by Artist July 1927 Cover of Good Housekeeping

Very early 1921 pen & ink drawing on board by Paul Brown Sz: 10 3/4"H x 8 1/4"W

Work on wood Golden wooden frame 43 x 53 x 5 cm

A 1923 lithograph on paper by George Bellows, titled The Garden of Growth, from the “Men Like Gods” Series. Artwork size: 18" x 14 1/2". Archivally matted to 23 3/4" x 17 3/4". ...

Medium: Oil on Canvas Signature: Signed Lower Right Cover of The Saturday Evening Post, June 22, 1929

Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", published by H. L. Mermod, Lausanne. Edition of 2...

Medium: original woodcut. Executed in 1920 for Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 3/4 inches (275 x 210mm); the ima...

This 1926 original travel poster by French illustrator Ch. Jean Contel transforms the gothic solemnity of Saint-Brieuc Cathedral into a vibrant cultural heartbeat, framed by the dail...

A somewhat similar Cornwell featuring a strong woman at the center of a the composition just sold at Christie's for $164,000. In this work we also see a strong woman at the center of the composition. Here she surrounded by men. More than 20 beautifully rendered post-impressionist portraits in character, define Dean Cornwell as one of America's great artists. In his time, he was a famous as Norman Rockwell and was Norman Rockwell's favorite illustrator. "One thing puzzled Dirty Dan extremely. That was the perfectly frank, friendly manner in which his employer and this outcast woman greeted each other, the earnestness with which they conversed, and the effect of the woman's low-spoken words upon the color of Hector McKaye's face." Morris Weiss collection...

Beautiful poster of Cassandre in 1928 for the Exposition Générale at Galeries Lafayette. Cassandre, pseudonym of Adolphe Jean Marie Mouron, 🇺🇦 & 🇫🇷 (1901-1968) is a French graphic designer, poster artist, theater decorator, lithographer, painter and typographer whose works never cease to amaze us He is mainly known for his advertising posters for railroads, such as the Étoile du Nord, the Dubonnet drink, the Normandie liner, and for the typefaces he created in the 1930s such as Bifur and Peignot, and, drawn out of...

HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...

Karl Michel, 'Viel Gluck 1923 Wunscht Karl Michel', etching, 1923, edition not stated but small. Signed, dated, and numbered 'op. 136' in pencil. Signed in the image, lower right. A...

Pioneering Woman Illustrator Margery Stocking Hart draws a pen-and-ink story depicting a round table of predators encircling a vulnerable bunny rabbit. ...

Bronze Art Déco représentant une oie, les ailes déployées. Il est à fine patine brune. Socle en marbre vert. Signé de LUC. H.31 L.21.

Inscribed on back #174 House of Kuppeneheimer 1927 fashion advertisement, catalog cover.

Large portrait of an independent woman with blue hair, sharp eyed, killer look Technique: oil, acrylic, glue, ink on canvas streched on a wooden frame 100x81cm ■■ 39,4 x31,9 inch ...

5-3496 oil on board displayed in a gilt -wood frame, signed by Portidne lower right. Image size 18 H x 14 W

Oil on canvas sold with frame Total size with frame 78x87 cm Hannes FRITZ-MÜNCHEN is an artist born in 1886 and died in 1981

Medium: original etching. Signed in pencil by Rudolf Grossmann and printed in Germany in 1922 for the very rare "Die zweite Ganymed-Mappe" portfolio of "Das vierte Jahrbuch der Maree...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

Medium: Oil on Board Signature: Signed Lower Right Liberty Magazine Cover, April 4, 1925

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name...

Woman in the Street by Irma Stern, South African (1894–1966) Date: 1923 Gouache on Paper, signed and dated lower right Size: 20 x 16 in. (50.8 x 40.64 cm) Frame Size: 26.5 x 22 inches

First Edition. This was published in 1920 by Les Soins de l’Artiste and included in a book titled Cinquante Dessins. The portfolio was edited and printed by Matisse himself. This is...

Fact: There is no one alive today who can paint and draw as good as Dean Cornwell. Why? It takes a lifetime of training, work and commitment to be a great academic artist. Unfortunat...

Heinrich Brad Schmidt, two early 20th-century German Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot ...

Original poster: The Sesquicentennial International Exposition Philadelphia. June First to December First, 1926. "The Voice of the Liberty Bell." Original vintage poster, line...

Stylish & dapper watercolour 'decoupage' vignette by 'Fell' 1923 Featuring seven English gents sporting various styles of bespoke apparel Image Sz: 17"H x 12 3/4"W Frame Sz: 23 1/4"H x 18 3/4"W (04/14/1880- 11/1972) Herbert Fell Sharp was a British comic artist/illustrator born in London, United Kingdom in the district of Islington, son of Charles Sharp and Catherine née Fell. He immigrated to United States by 1910 married Ruth Sheriff in 1916 in Westchester, New York. He lived at 31 Poplar Street, Brooklyn and served as a former president to the New Rochelle Art Association in Westchester County, New York, an organization that included J.C. Leyendecker as a prominent member during the 1950's. Sources suggest that Fell Sharp began his career as a comic artist, composing illustrations for the Amalgamated Press comics circa 1900 and "The Jester and Wonder" in 1905. Mr. Sharp possesses an artistic technique that is easy to identify and yet unique. The people featured in his artwork show details of pointed noises. Sharp's career, like his contemporaries, explored a diversity of avenues in which to market his craft. For example, he sketched artwork that consisted of war themes. As you will see, his art signatures feature his middle name on most prints, but sometimes may include middle and last names together coupled with the year of its completion. There are some websites that happen to confuse Sharp's work with Laurence Fellows...

A superb impression in warm black ink, on cream, laid paper; the full sheet with margins (1 5/8 to 2 3/4 inches); original brown paper hinges on the top sheet edge recto, in excellen...

Maximilien VOX (1894-1974) Vanity : Death, my old Captain , 1921 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp o...

Jean Baptiste VETTINER (1871-1935) The Philosophers : Quiet Walk near the Sea, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bear...

MORIN-JEAN (1877-1940) Fish Market in Brittain, 1921 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor...

Jules MIGONNEY (1876-1929) Orientalism : Young Girl with a Pot, 1921 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind sta...

HERMANN-PAUL (1864-1940) Sea and Cliffs in Guernsey, 1921 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the e...

Honoré BROUTELLE (1866-1929) Mythology : Grape Harvest with Faun and Centaur, 1921 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears...

Paul BAUDIER (1881-1962) Harvest in the Fields : the Haystacks, 1921 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind sta...

Georges LE MEILLEUR (1861-1945) Landscape with a Mill on the River, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind...

Theo SCHMIED (1900-1985) Paris : Art Inspiration on the City, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp...

Alfred LATOUR (1888-1964) Art Deco Landscape : The Bridge in Brittain, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the bl...

Maurice BUSSET (1879-1936) Peasants in Front of a Castle, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of ...

Beautiful print on verge, 1st state on 3 after which several changes were made. Numbered, signed and noted in pencil by the artist. Full Margins. Former Collection Henri Prost and Lo...

Brooklyn Waterfront Lithograph, 1931 Signed, titled, and dated in pencil by the artist Edition: Undetermined (very small), plus artist's proofs Printed by Meister Schulz, Berlin Provenance: Estate of the artist Virginia Dehn, the artist's widow Dehn Quests Bibliography: Lumsdaine and O'Sullivan 152 Illustrated: Adams, The Sensuous Life of Adolf Dehn, Fig. 9.14, page 213 (This impression) Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...

Firmado en la parte inferior, dedicado y fechado del año 1940 Se presenta enmarcada la pintura (el marco presenta algunas faltas) El estado de la pintura es aceptable Medidas obra...

The Fabriques de Geneve is a charming poster created for a jewelry store that specialized in engagement and bridal presents. The poster uses the cameo of an engagement ring to show t...

An archival pigment print on Hahnemühle Photo Rag® Baryta 315 g/m² paper of a photograph of a former car dealer's shop window of the brand Pierce Arrow cerca 1925 entitled ' Pierce A...

Execution from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 84 from the portfolio Ecce Homo published between 1922/1923, edi...

Seated Nude Match Stick ink drawing, c. 1925 Signed by the artist in pencil lower right: A. Biehle Created at the Kakoon Arts Club, Cleveland. Influenced by friend and fellow artist...