1930s Art

James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Mediterranean Landscape II', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a view of a ...

Artist: Marcel Bouyeron, French (1890 - 1976) Title: Neige en Cantal Year: circa 1930 Medium: Oil on Canvas, signed l.r. Size: 9.5 in. x 13 in. (24.13 cm x 33.02 cm) Frame Size: 16 x...

Germany, summer in 1936 – Photograph by Karl Heinrich Lämmel This joyful black-and-white photograph, taken in 1936 by German photographer Karl Heinrich Lämmel, captures a lighthearte...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Edwards (1878 - 1966) The Quorn Hu...

Issued in 1939, on the eve of global upheaval, the “Croisières” poster for the Loterie Nationale captures a fleeting moment of optimism in prewar France. Designed by the duo Derouet ...

Young Boy is an original photolithograph realized by Jean Cocteau (1889 -1963) in 1930 ca. With the blue stamp of” Collezione Contessa Anna Labtitia Pecci” on the rear. Excellent c...

Step into the enchanting world of vintage poster art, where Henry Lemonnier's 1937 masterpiece, "Demandez un Camembert Georges Bisson" (Ask for a Camemb...

'Sarcelle D'Ete' (Garganey) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. ...

'Woman by the Window with Embroidery Frame', oil on canvas, by Franz Ludwig Kiederich (circa 1930s). A delightful depiction of a woman, comfortable...

A rare, unique original silver gelatin black and white photograph by Agence Meurisse, Paris, circa 1930. The flood of the Seine River at Port de la Tournelle. Features: Original silv...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Edmund D. Kinzinger was born in 1888, in Pforzhein, Germany. In Munich he studied at the Kirr Schule and the Staatliche Akademie, and pursued graduate studies at the Academie Modern, Paris. Before serving in the German Army, Kinzinger was a master student of Adolph Holzel at the Staatcliche Akademie, Stuttgart; he returned to study under Henrich Waldschmidt after nearly five years of artillery service. Several of Kinzinger’s fellow students in Germany, such as Johannes Itten, would go on to be associated with the Bauhaus school. Coming into contact with all manner of artistic influences in Europe after World War One, Kinzinger’s work may be viewed as a “synthesis” of modernist styles. The influences of Abstract Expressionist, Cubist, and Futurist styles in Kinzinger’s work at this time are symptomatic of his contact with the likes of Hans Hofmann, Pablo Picasso, and Alexander Archipenko. About this period of Kinzinger's work, Philip Van Keuren...

Plump, fleshy, or a voluptuous nude - you describe it as you see it. Signed, titled, and dated lower left: John Steuart Curry / 1934 "Hilda Nellis". The present work depicts a natur...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Edition of 100 copies numbered and signed by the artist. Excellent conditions. Aurelio Mistruzzi was an Italian sculptor and medalist. He attended the Udine ...

"At Home Abroad" 1935 Broadway Play NY Times Published Illustration 20th Century Al Hirschfeld (1903 - 2003) At Home Abroad 9 1/2 x 17 inches (sight) Ink on board Signed upper right...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. Colophon of the edition. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Exc...

Clara Deike (American, 1881-1965) Canterbury Bells, c. 1932 Oil on canvas 26 x 24 inches 31.25 x 29.5 inches, framed Exhibited: The Women's Art Club of Cleveland, 1932 A graduate of...

Classic etching of Provence by French artist E. Roux-Fabre, circa 1930. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-sized frame. Archi...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed. Printed later by Cole Weston from ...

Nude is an original drawing in watercolor on paper, realized by Raymond Delpech in 1930 ca. In very good conditions, except for very small holes on the lower left margins. Included...

Marion Kramer spectacular 1930s old town Depicting, vintage truck, Coca-Cola sign, regionalist painting Oil on canvas 32.5 x 42 framed, 27 x 35.5 unframed

Study of an peasant woman. Red pastel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. ...

"Cotton Club Marquee In NY" by George Karger Taxis line up out side of the Cotton Club at Broadway and 48th Street circa 1938 in New York City, New York...

'Grazing Cattle in Normandy', watercolour on paper, by Genevieve Gallibert (circa 1930s). The artists captures a tranquil scene in Vallée d'Auge, Norman...

The Creole Dancer is a photolithograph realized in 1993 after Henri Matisse. On Milano handmade paper. Very good conditions.

'Canard Morillon' (Tufted Duck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of bir...

This luminous 1936 original travel poster by G. Gorde, produced for the PLM railway company, promotes the spa resort of Uriage-les-Bains in the Dauphiné region, renowned for the ther...

Benedictus, Edouard. Relais. Plate 1. Paris, Éditions Vincent, Fréal et Cie, 1930. Original pochoir, printed by J. Saudé.

This striking original poster by the famed French maritime illustrator Albert Sébille presents an extraordinary cross-section of the legendary SS Normandie, the flagship of the Compa...

Edgar DEGAS (after) Whorehouse Scene : The Drunk Prostitutes Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the gre...

Leon Bibel, 'Clown', color serigraph, 1939, edition 20. Signed, dated, titled, and numbered '/20' in pencil. A fine, richly-inked, painterly impression, with fresh colors, on buff la...

Antique American impressionist landscape oil painting. Oil on board, circa 1920. Unsigned. Image size, 16L x 13H. Housed in a period frame.

HERMAN VOLZ (Swiss/American 1904 - 1990) THE PARTISAN, 1937 Lithograph, signed and no. in pencil. Edition 30. 10 1/2 x 14. Sheet 11 1/4 x 17 1/2" Generally good condition aside fro...

This exquisite linocut by Jean Helion (1904–1987), titled Sans titre (Untitled), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Somm...

Lady Washington's Levee - 1932 Etching on Paper 1932 black and white etching titled "Lady Washington's Levee" (from the portfolio "The Bicentennial Pageant of George Washington"), 1...

Designed by J. Kap in 1939, this powerful poster titled "Souscrivez aux Bons d’Armement" (Subscribe to Armament Bonds) was a key piece of French wartime propaganda at the dawn of Wor...

1930's Palm Springs Desert in Spring Landscape Original Oil Painting Gorgeous oil painting of Palm Springs desert landscape by Helen Wannop ...

At the petrol station is an original vintage silver salts photograph, made by the great Russian Constructivist artist Aleksandr Michajlovic Rodčenko (Saint Petersburg, 1891 - Moscow, 1956) in 1935 ca. Printed later, presumably between the 1940s and the 1950s. In very good conditions, it is rare and precious. A scene of ordinary life is portrayed in an unusual point of view. The oblique cuts, the use of diagonal as the dynamics of this image, the close position of the machine are constants of Rodčenko'style and something of absolutely revolutionary and innovative at that time in the field of photography! Provenance: Museum of Modern Art, Oxford, Great Britain; Forum Auction, London; Private Collection. Bibliography: Alexander Rodchenko. Catalog of the retrospective exhibition published from the Museum of Modern Art, Oxford, 1979. Aleksandr Michajlovič Rodčenko (St. Petersburg, 1891 - Moscow, 1956) Aleksandr Michajlovič Rodčenko was a Russian painter, photographer and graphic designer, a leading figure of the Russian avant-gardes who collaborated in the establishment of the Constructivist movement. In 1924 Rodcenko definitively abandoned painting as the main artistic medium to embrace photography...

Original linen-backed Lisieux travel poster, printed by the French State Railways. Centre Mondial de Pèlerinage. Archival linen-backed and in very fine condition, ready for framing. Artist: Fred...

This striking 1937 original travel poster by Alexandre Gérald celebrates the golden age of aviation through the lens of cultural diversity and global exploration. Commissioned by Air...

Classic pen & ink drawing depicting an English turf personality signed Mel 1930 (LL) c1930 Art Sz: 10 1/4"H x 6"W Frame Sz: 15 3/4"H x 11 3/4"W

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

A unique original silver gelatin black and white photograph. Paris, The Buttes Chaumont public garden, circa 1930. Features: Original Silver Gelatin Print Photography Unframed. Press...

An extraordinary original silver gelatin black-and-white photograph capturing the energy of Place du Combat in Paris, France, circa 1930. This dynamic street scene offers a glimpse i...

This striking circa 1935 propaganda poster, created by W. Seghers, reflects the intense political climate surrounding Italy’s imperial ambitions...

A moody expressionist painting of the Upper Delaware River, done in the style that earned John Fulton Folinsbee his well-deserved reputation as an exceptional landscape painter of th...

Classic turf caricature of one, Mr Wilfred Johnstone, Clerk of the Course of Sandown Park 1936 Art Sz: 10 1/2"H x 7 1/4"W Frame Sz: 13 1/4"H x 10"W Artist's Biography: BUCHANAN Pe...

This is a Confidential Autograph Letter Signed by the Italian editor, Valentino Bompiani (Ascoli Piceno, 1898 - Milan, 1992) to an unknown recipient. Undated. Around 1930s. In Itali...

Original " CYCLES FAVOR MOTOS “ linen-backed, horizontal-format vintage Art Deco poster. This original 1937 poster was printed as a stone lithograph in large and small formats. The one listed here is the smaller version. Excellent condition, 1937 original antique poster. Condition Grade A: Excellent - professionally linen-backed for durability and preservation. Ready to frame. Transport yourself to the golden age of French cycling with this stunning original 1937 Cycles Favor Motos vintage poster...

This striking Art Deco poster from the 1930s offers a gleaming tribute to one of the era’s most beloved household products: Diamantine, the "merveilleuse encaustique" (marvelous wax ...

This lithograph is signed in pencil. Leonard Pytlak lived on the East Side of Manhattan and this image recalls the 59th Street Bridge (also known as the Queensboro Bridge and the Ed Koch Queensboro Bridge), completed in 1909. It goes from Manhattan to Queens and passes over Roosevelt Island...

This whimsical and lively poster from 1937 advertises the Grande Fête Foraine (Great Funfair) held between Pont de Neuilly and La Défense, an event sponsored by the municipalities of...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Stately portrait of George Arliss by Ivan Opffer (Danish, 1897-1980). Mr. Arliss is depicted wearing his signature monocle, looking directly at the viewer. Although this piece appears to be done rapidly, there is a clear confidence in Opffer's work - he was an accomplished portrait artist - and the resemblance to the subject is unmistakable. George Arliss (born Augustus George Andrews; 10 April 1868 – 5 February 1946) was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he won for his performance as Victorian-era British prime minister Benjamin Disraeli in Disraeli (1929) – as well as the earliest-born actor to win the honour. He specialized in successful biopics, such as Disraeli, Voltaire (1933), and Cardinal Richelieu (1935), as well as light comedies, which included The Millionaire (1931) and A Successful Calamity (1932). Signed and dated "Ivan Opffer 1934" in the lower right. Titled "Mr. Arliss" in the lower left. Presented in a new off-white mat with foamcore backing. Mat size: 22"H x 16"W Art size: 17.5"H x 12"W Ivan Opffer (Danish, 1897-1980) was born in Nyborg, Denmark, on June 4, 1897, to a family of Danish scholars and journalists. His brother was Emil Opffer, a Danish merchant seaman and journalist who was known for his relationship with American writer Hart Crane. Ivan was raised in Mexico City and New York, where his anarchist father was the editor of a radical Danish-language newspaper. His involvement in painting and drawing began at an early age. At a summer workshop, he met and studied drawing with Winslow Homer, then went on to study at the National Academy of Design and the Art Students League of New York. When the US entered World War I, Opffer was one of the members of the American Army Camouflage Corps, headed by Homer Saint-Gaudens (whose mother was a relative of Winslow Homer), the son of Augustus Saint-Gaudens. As a camoufleur, Opffer served with other artists and architects, some of whom became well-known, including Barry Faulkner, Sherry Edmundson Fry, Kimon Nicolaides, Robert Lawson, Abraham Rattner, Kerr Eby, and others. It was this same unit, while still in training in at Camp American University in Washington DC, that launched a camp newspaper called The Camoufleur. Only three issues were published before the unit’s deployment to France in late 1917. In the October 31 issue, a satirical portrait by Opffer of Homer Saint-Gaudens (titled “Our Boss”) was published on page 5. After the war, Opffer returned to New York, where he became known for his caricatures of leading Modern writers, among them James Joyce, Edgar Lee Masters, Siegfried Sassoon, George Bernard Shaw, Carl Sandburg, G.K. Chesterton, and Thomas Mann. In the years between the wars, Opffer married Betty à Beckett Chomley, and settled in Paris, where he was a student at the Academie Julliard. He also lived in London and Copenhagen, where his drawings were frequently published in newspapers and magazines. With the outbreak of World War II, he and his family returned to New York and lived in Greenwich Village. Among his friends in that era were William Butler Yeats, F. Scott and Zelda Fitzgerald...

Laura M. GREENWOOD (1897-1951). Still Life with Portrait, ca. 1930's Oil on canvas, 20 x 24 inches. Unsigned. Excellent condition. Would benefit from a cleaning. Original condit...