1930s Art

Laura M. GREENWOOD (1897-1951). Portrait of Woman in Head Shawl Oil on canvas, 8 x 10 inches. Signed upper stretcher verso. Excellent condition. Would benefit from a cleaning. O...

CYRIL POWER (British 1872-1951) STUDIES FOR THE COLOR LINOCUT REVOLUTION II, 1931 Pencil on thin wove paper. Unsigned. Consists of two 3 inch square pencil drawings on one sheet of thin wove paper 10 x 7 3/8 inches. Preliminary studies for Power's Grosvenor School...

Paul Landacre, 'Verdi', wood engraving, 1936, edition 60, (only 14 printed), Wien 188. Signed, titled, and numbered '10/60' in pencil. A fine impression, on cream, laid Japan paper, ...

Marguerite Redman Dorgeloh, 'de Young Mansion – San Francisco', lithograph, c. 1937, edition 25. Signed and titled in pencil. A fine, richly-inked impr...

A very nice poster made around 1930 by Bourgis, to promote the Paris Fair. The Paris Fair is the largest commercial event in France. The Fair moved to the Porte de Versailles in 192...

Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...

Portrait of a Young Woman with Blue Eyes Watercolor on paper, 1939 Signed and dated in pencil lower right (see photo) Possibly the drawing rejected from the 1939 May Show, titled Gir...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Italian painting from the first half of the 20th century. Oil on canvas, first canvas, depicting a party in a tavern of excellent pictorial quality. Large and impactful painting ador...

Original oil on canvas painting by the well known Russian/American artist, Nahum Tschacbasov.. The painting depicts a group of rabbi’s in conversation in an interior setting. Circa 1...

Early work of figures moving along the street in Cuernavaca to the Cathedral in Mexico by Goldie Anita Powell Harding (American, 1892-1974). Circa 1935. Tempera on Masonite. In a per...

WPA American Scene Social Realism Mid 20th Century Modern Postal Workers Deco D Arnold Friedman (1874-1946) "Dispatch" 11 1/2 x 26 1/2 inches Oil on Wood Panel, 1935 Signed, dated,...

Lighthearted Illustration of Outdoor Pursuits This one being cross country Snow Shoes signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at...

Edward Winter (American, 1908-1976) Helen of Troy, 1938 Enamel Signed and dated lower right 43 x 18 inches 44.5 x 19.5 inches, framed Exhibited: Cleveland Museum of Art, May Show 19...

Le Vieux Saltimbanque (The Old Acrobat) drypoint on wove Van Gelder Zonen paper, 1933 Unsigned as issued Condition: Excellent Image size: 5 x 4 3/4 inches Sheet size: 10 1/2 x 7 15/1...

A strong modernist oil painting depicted in 1936 by Russian-American painter Ben Benn. With a highly recognizable modern style, fast brush stroke and expressive use of color, shape, ...

Untitled is a drypoint artist's proof realized by Ardengo Soffici (Rignano sull’Arno 1879 – Vittoria Apuana 1964). It is signed and dated on the lower right. This is one of the mos...

This beautiful 1934 original French travel poster by Pierre Matossy depicts the celebrated ruins of the Abbaye de Jumièges in Normandy, produced for the Chemins de Fer de l’État rail...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

GILBERT LEDWARD, RA, PRBS (1888-1960) Tennis, Golf, Shooting, Ice-Skating, Dreaming – Proposed Design for Decorative Frieze in the Italian Drawing Room at Eltham Palace, commissioned by Stephen Courtauld Signed and dated July 9th 1933 Watercolour and pencil 12.5 by 49.5 cm., 5 by 19 ½ in. (frame size 36 by 67 cm., 14 ¼ by 26 ¼ in.) Exhibited: The artist’s daughter; London, The Fine Art Society, A Centenary Tribute, Feb 1988, no. 43. Gilbert Ledward was born in London. He was educated at St Mark’s College, Chelsea. In 1905 he entered the Royal College of Art to study sculpture under Edouard Lanteri and in 1910 he entered the Royal Academy Schools. In 1913 he won the Prix de Rome for sculpture, the Royal Academy’s travelling award and gold medal, which allowed him to travel in Italy until the outbreak of the Wold War I. During the war he served as a lieutenant in the Royal Garrison Artillery and was appointed as an official war artist in 1918. Following the war he was largely occupied as a sculptor of war memorials including the Guards Division memorial in St James’s Park and the Household Division’s memorial in Horse Guards Parade. In 1934, supported by Eric Gill and Edwin Lutyens, he established a company called Sculptured Memorials and Headstones, which promoted better design of memorials in English churchyards. His war memorials after World War II include one in Westminster Abbey to the Submarine Service, Commandos and Airborne Forces. Ledward was Professor of Sculpture at the Royal College of Art (1927-1929) and in 1937 was elected at Royal Academician. He became President of the Royal Society of British Sculptors and a trustee of the Royal Academy. The present work is a design for an intended decorative frieze for the Italian Drawing Room of Eltham Palace. In 1935 the remains of the medieval royal palace of Eltham was rescued from decay by Stephen and Virginia Courtald who built an ultra modern Art Deco house to adjoin the existing Great Hall. They employed the architects John Seeley and Paul Edward Paget and the fashionable Mayfair interior designer the Marchese Peter Malacrida to design the strikingly glamorous 1930s interiors of the new house. The dramatic entrance hall was created by the Swedish designer Rolf Engstromer...

"Landscape at Dawn" Piet Lippens (Belgian, 1890-1981) Circa 1930s Oil on canvas, signed lower right 19 x 15 (24 x 20 frame) inches Piet Lippens was a Post Impressionist painter fr...

Dutch Family in the Forest - Original Signed Figurative Genre Painting Charming figurative genre painting of a Dutch family in the forest by an unknown artist. The painting is skill...

Loose Print

Antique American impressionist landscape oil painting. Oil on board. Framed. Measuring: 20 by 23 inches overall, and 13 by 17 painting alone. In excellent original condition. Hand...

Samuel Wood Gaylor (American, 1883 - 1957) Untitled (Woman in Mirror), 1930 Watercolor on paper Sight size: 14 1/4 x 10 1/4 in. Framed: 20 3/4 x 16 1/4 in...

Katherine S. Dreier, 'Variation 8, Vol. 1' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...

After Gustav Klimt, Max Eisler #17, Aus dem Stoclet-Fries: Die Umarmung; multi-color collotype after the cartoon for the 1910-1911 mosaic frieze on the east wall of the dining hall o...

A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...

Antique American oil painting by Betty Bowes (1911 - 2007). Oil on board. Signed. Framed. Measuring: 33 by 39 inches overall, and 24 by 30 painting alone. Excellent condition, ready...

'Pink Laurels in the Park, Côtes d'Azur', watercolour on art paper, by Tony Minartz (circa 1930s). The French Riviera is known for its beautiful parks, particularly in Nice, Menton,...

Beautiful mid-1930's watercolor landscape of a vast valley with a rainstorm far in the distance by California artist Leslie Bruner Wulff (American, 1890-1968). The atmosphere and fee...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

c1930s gouache shadowbox depicting a voodoo kettle brewer concocting a Zombie cocktail signed Jim McDonough (LR) in a gilt bamboo frame Art Sz: 9 1/8"H ...

Autograph Letter Signed by Arturo Martini to Gaetano Chiurazzi Milan, December 16th 1935 XII. One page, single-sided. In Italian. Excellent condition, with minor aging signs. This...

1930s French Impressionist Barbizon School oil on panel view a port by Georges Guerin (1910-1984). The painting is not signed but was acquired with a collection of other signed paint...

ANDERS ALDRIN (Swedish /American 1889 – 1970) THE SUNFLOWER ca. 1935 (Newark Museum 9) Color woodcut, edition c. 150. Signed, unnumbered, but dedicat...

Drunk is an original woodcut print on paper, realized by the Italian Artist Lorenzo Viani in 1930 ca. The State of preservation is excellent. Monogramm...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Au Cimetière Monsieur... is a black pencil and watercolor drawing realized by Francis Picabia in 1931. Hand signed lower left, with title lower right. A certificate of inclusion in the Catalog Raisonné being prepared by the Picabia Committee, dated 30 October 2019, will be delivered in original along with the work. Drawing originally realized by Picabia to illustrate the important volume "Le Peseur d'Ames" by André Maurois, published by Editions Antoine Roche in 1931. Though specifically realized for the volume, the drawing was not selected for publication and remained in the artist's personal collection. Cm. 27,4x22. Good conditions. Francis Picabia (1879-1953) was born in Paris to a french mother and a Spanish father who was chancellor at the Cuban embassy in Paris. He had a comfortable childhood, even though he was emotionally troubled. He studied at the École nationale supérieure des beaux-arts. At the beginning of his career, from 1908 to 1913, he was strongly influenced first by the Barbizon School and by Alfred Sisley and Camille Pissarro, then by impressionism, cubism and finally abstractionism. Around 1911 he joined the Puteaux Group which he met in the studio of Jacques Villon in the village of Puteaux. He then became friends with the artist Marcel Duchamp. Some members of the group were Apollinaire, Albert Gleizes, Roger de La Fresnaye, Fernand Léger and Jean Metzinger. From 1913 to 1915 Picabia was often in New York. These years can be identified as the proto-Dada period, which consists mostly of the so-called mechanical portraits (portraits méchaniques): these works ironically proposed mechanistic themes of random tangles of metal parts, paintings and drawings of machines. All these mechanisms on the one hand mocked the cult of the machine, on the other they alluded to sexual intercourse...

The famous Austrian artist, Luigi Kasimir ( 1881- 1962 ) studied at the Vienna Academy of Art. He went on to develop the technique of color etching using multiple plates to create a finished etching in color. Previously a colored etching had to have the color applied by hand. Kasimir was a very prolific artist famous for his scenes of Vienna...

Etching on Montval paper, hand colored, realized between 1927 and 1930. Table from "Les Fables de La Fontaine", published in 1952 by Tériade in and edition of 200. Hand signed in p...

Washington Assumes Command - Etching in Ink on Paper Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...

Lighthearted Illustration of Outdoor Pursuits This one being a Skiing scene, a boy and a girl on skis. signed W. Steig Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan ...

Autograph Letter Signed by Artuto Tosi to Libero de Libero. Rovetta, October 20th 1937. In Italian. In 8°. On ivory colored paper. In Very good condition, except minor aging signs. Completely readable. With an upset and fluid calligraphy, the Italian artist writes this greeting letter with some logistic details for an exhibition. "Mai dire di no alle persone gentili come la contessa (...)". ( Never say no to the gentle people like the Countess) Arturo Tosi...

Medium: original lithograph. This impression was printed in 1939 for the art revue XXe Siecle (issue number 5-6) and published by San Lazzaro. A later edition was also published by X...

Edgar DEGAS (after) Whorehouse Scene : In the Intimacy of the Room Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (t...

Figure of Man is a Colored lithograph realized by Jean Cocteau (1889 -1963) in 1930 ca.  French draftsman, poet, essayist, playwright, librettist, film director. Good conditions. ...

'Mussolini And Simon' is a b/w photographic print on glazed paper, the stamp of agency Trampus, Paris and cliché applied on the back, here Mussolini receives Sir John Allsebrook Simo...

La Carte Surréaliste. Première série. Vingt et une cartes is a collection of iconic surrealist images realized with the lithograph technique by Various Artists in 1937. Original Fir...

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...

Work on wood Golden wooden frame 58.5 x 48.5 x 3 cm This work depicts a serene coastal scene, dominated by an ancient stone tower overlooking the sea. The architecture of the tower, ...

Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...

Henri Lucien Joseph BURON This is potentially Henri Buron's premier work of art. It was exhibited in the Salon des Artistes Française in 1934 having been painted in 1933. The revers...

Classic etching of Provence by French artist E. Roux-Fabre, circa 1930. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-sized frame. Archi...

Original Passion Play Tercentenary Oberammergau, 300th-year anniversary poster (1634 - 1934). "Germany Invites You!" This archivally linen-backed poster is the English version. It fe...

Werner Drewes, 'Small Forms on Crossing Bands', drypoint and roulette, 1935, edition 20, Rose 1.197. Signed in pencil. A fine, rich impression, in warm black ink, on cream wove paper...

This rare, vintage silver gelatin print is signed, dated and editioned (15/50) in pencil on the front of the mount, with title, date and number in pencil on the reverse of the mount....

Beautiful original gouache of a busy Seine River scene with advertising boats and a figure along the shore with the city of Paris in the background. Signed lower left. Condition is...

Drawings by French Masters of the XV-XVIII Centuries. From a selection of 40 reproductions of the originals preserved in the Albertina Collection in Vienna. With an introduction and...

Oil on canvas mounted on cardboard, realized by Francesco Settimj in 1933. Hand signed and dated lower right. Good condition.