1970s Art

Artist - Salvador Dali (Spanish, 1904-1989) Title - PRINCE OF CUPS, Tarot Card Series Publisher - DALART N.V. Year published - 1979 Medium - Lithograph on Arches Cover 270 gsm. 100% acid free, signed in pencil, inscribed 2/5 PP (Printers Proof) by Salvador Dali on lower print margin, publishers mark "DALART N.V. Copyright 1979" blindstamp embossed on lower left print margin. Fine impression, vivid colors, unframed, in very good condition. Listed in the Albert Field's OFFICIAL CATALOGUE OF THE GRAPHIC WORKS OF SALVADOR DALI, Reference #79-15. PRINCE OF CUPS from the Tarot Series 1979, is a surrealist style limited edition lithograph by Salvador Dalí (1904 – 1989) Printed on archival Arches paper, 100% acid free. PRINCE OF CUPS depicts a freely drawn, black line portrait of a young Prince wearing his golden yellow crown, sporting a white ruffle collared shirt, looking slightly sideways posed behind a golden chalice...

Artist: Dali, Salvador Title: The Golden Fleece Series: Aranella Date: 1974 Medium: drypoint printed in color Signature: Pencil signed Edition: 127 / 300 Literature: AF 91 Pr...

Salvador Girafe en feu/Salvador Dali (Salvador La jungle humaine): A 1976 lithograph Dali's "Le Jungle Humaine" suite. This work is hand signed and numbered and printed on Arches pap...

Salvador Dalí Moscas 1973 (from Colibri): Lithograph in colors on Arches paper. 30 x 22.25 inches (83.8 x 56.5 cm). Good overall vintage condition; some...

ARTIST: Salvador Dali TITLE: Magic Butterfly & The Dream Apparition of The Rose MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 92/250 MEASUREMENTS: 29.5" x 21.3" YEAR...

Artist: Dali, Salvador Title: Moses Series: Our Historical Heritage Date: 1975 Medium: drypoint with added color Unframed Dimensions: 26" x 19.875" Framed Dimensions: 33.5" x 2...

Nude with Veils ( Nu aux Voilettes ) portrays a female nude with long hanging breasts, a crutch instead of a head and a veil streaming off the top of the crutch with the left ar...

Artist: Dali, Salvador Title: Caballero con Casco y Mariposas Series: La Vida es Sueno Date: 1973 Edition: /355 Medium: drypoint engraving with added color Unframed Dimensions: ...

Salvador Dali (Spain, 1904-1989) 'Le Cheval et le Loup', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.8 in. (58 x 78 cm.) Edition of 250 Unframed ID: DAL2001-013 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 L. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Salvador DALI (1904-1989) Don Quijote : Lady Dulcinea, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) Authentic...

American Yachting Scene is a vibrant explosion of ocean blue , whitecaps and strong yellow slashes to describe the ships sailing to their destination. There is an insert of a Currier and Ives print of sailing ships that Dali used as his inspiration. This original lithograph is from the series “The World Of Currier...

ARTIST: Salvador Dali TITLE: Visions Surrealsite Mystery of Sleep MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine EDITION NUMB...

ARTIST: Salvador Dali TITLE: Chevalier Royal de L'Apocalypse MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 32/100 MEASUREMENTS: 20" x 25.75" YEAR: 1972 FRAMED: No COND...

ARTIST: Salvador Dali TITLE: Tristan et Iseult King Marc MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel/Leon Amiel, New York EDITION NUMBER: Not Numbered ...

Salvador DALI (1904-1989) Don Quijote : Off to Battle, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) Authentic...

Salvador Dali The Black Mass (The bishop), 1974 Lithograph On Arches wove paper Signed lower right Edition E.A. lower left 56 x 76 cm References : - Michler & Lopsinger #1469 - Fie...

Salvador DALI (1904-1989) Don Quijote : The Legacy, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) Authenticate...

Artist: Dali, Salvador Title: Freud with Snail-head Series: After 50 Years of Surrealism Date: 1974 Medium: drypoint engraving with hand coloring Unframed Dimensions: 26" x 19.7...

Artist: Dali, Salvador Title: Ultra Surrealist Corpuscular Galutska Series: Memories of Surrealism Date: 1971 Medium: Lithograph with etching Unframed Dimensions: 29.75" x 21.2...

ARTIST: Salvador Dali TITLE: Three Graces of Cova d'or MEDIUM: Etching with embossed verso SIGNED: Hand Signed PUBLISHER: Galerie des Quatre Mouvements EDITION NUMBER: 31/90 ME...

ARTIST: Salvador Dali TITLE: Symbols Devil MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: EGI/Vanguard Studios (Beverly Hills) EDITION NUMBER: 26/150 MEASUREMENTS: 16" x 16" ...

Salvador Dali (Spain, 1904-1989) 'L’Elephant et le singe de Jupiter', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.8 in. (58 x 78 cm.) Edition of 250 Unframed ID: DAL2001-006 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 B. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

ARTIST: Salvador Dali TITLE: The Chalice of Love MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine and Levine EDITION NUMBER: EA MEASUREMENTS: 21.37" x 29.75" YEAR:...

Salvador Dali Fecundity - Bas Relief Silver Sculpture, 1977 Dimensions: 24 x 18 cm Framed: 38 x 33 cm Signed on the bas relief and printed signature on the certificate on the back. ...

Artist: Dali, Salvador Title: The Princess and the Herd Boy Series: Japanese Fairy Tales Year: 1976 Medium: drypoint with stenciled color Unframed Dimensions: 25.98" x 19.88" Fra...

Salvador Dali (Spain, 1904-1989) 'Le Coche et le Mouche', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.4 in. (58 x 77 cm.) Edition of 250 U...

Salvador Dali (Spain, 1904-1989) 'Le Singe et le Léopard', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.8 x 22.7 in. (78 x 57.5 cm.) Edition of 25...

Salvador Dali (Spain, 1904-1989) 'La Cerf Malade', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.6 x 22.9 in. (77.5 x 58 cm.) Edition of 250 Unfram...

Engraving with lithographic color on paper. Hand signed and numbered in pencil. From the series La Conquete du Cosmos (Conquest of Cosmos). Frame approx size 45 x 35 inches. Sheet ...

ARTIST: Salvador Dali TITLE: Magic Butterfly & The Dream Release of The Psychic Spirit MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 92/250 MEASUREMENTS: 29.5" x 21.3...

Salvador Dali (Spain, 1904-1989) 'La Cerf se voyant dans l’eau', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.6 x 22.7 in. (77.5 x 57.5 cm.) Editi...

This piece is a lithograph from the original ink drawing with added color. It is from Dali's suite of 6 lithographs entitled "Le Jungle Humaine", which he created in 1976. This piece...

Salvador Dali (Spain, 1904-1989) 'Les Animaux Malades de la Peste', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.4 in. (58 x 77 cm.) Editio...

Salvador Dali (Spain, 1904-1989) 'La Cour du Lion', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.6 x 22.7 in. (77.5 x 57.5 cm.) Edition of 250 Unframed ID: DAL2001-007 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 J. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

ARTIST: Salvador Dali TITLE: To Ev'ry Captive Soul MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Salvador Dali Archives with Frank Hunter EDITION NUMBER: 33/200 MEASUREMENTS:...

Salvador Dali (Spain, 1904-1989) 'La Cour du Lion', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.8 x 22.9 in. (78 x 58 cm.) Edition of 250 Unframed ID: DAL2001-008 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 C. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Salvador Dali (Spain, 1904-1989) 'La Chêne et le Roseau', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.9 x 22.7 in. (78.4 x 57.5 cm.) Edition of 2...

Photolithograph with embossing in colors on wove paper. Signed and numbered in pencil along lower edge. 24-3/8 x 17-1/4 inches (61.9 x 43.8 cm) (sheet) Ed. of 350 (part of a full tir...

ARTIST: Salvador Dali TITLE: Moses & Monotheism Moses & Akhenaton MEDIUM: Etching on soft glove sheepskin SIGNED: Hand Signed PUBLISHER: Art et Valeur, Paris EDITION NUMBER: 2...

Salvador Dali Velasquez, Les Ménines, 1974 Original Lithograph, 1974 Image Size: 57.5 x 38.5 cm Sheet size: 89 x 56 cm Hand signed lower right Numbered lower left 100 / 350. Referenc...

Original vintage travel poster advertising Paris featuring the Eiffel Tower with abstract lines and colourful butterflies designed by the renowned surrealist artist Salvador Dali (19...

ARTIST: Salvador Dali TITLE: Manhattan Skyline MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine EDITION NUMBER: 49/150 MEASUREMENTS: 29.75" x21.25" YEAR: 19...

ARTIST: Salvador Dali TITLE: Shakespeare II Timon of Athens MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Transworld Art/Loinel Praeger/Berggruen EDITION NUMBER: 155/250 MEAS...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Gastronomy MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Transworld Art/ A & E Rich EDITION NUMBER: A 6/175 ME...

Salvador Dalí (1904-1989) – Spanish painter, graphic artist and sculptor. Drypoint with etching and pochoir on Japon paper "Elijah and the Chariot," 1975, (Horse and rider) from the "Our Historical Heritage" suite. Pencil signed along the lower right and numbered 53/250 along the lower left. Literature: Field 75-4 J Framed; Height: 29 in x width: 35 in. Mat opening 19.5 X 25.5. The Spanish artist’s extensive oeuvre not only includes watercolors, drawings and sculptures but also tapestries; here a fine example from the limited edition ‘The Twelve Tribes of Israel’ The tapestry was created after an etching by Salvador Dalí from 1973 with the title ‘The Tribe of Judah’, which the artist created as part of a suite to mark the 25th anniversary of the State of Israel, and in which he represented the twelve tribes of Israel. This vintage French tapestry is an impeccable textile re-creation of a rare Dali etching. This is a flat weave Aubusson style tapisserie. The edition size was 500. The tapestry is inscribed with woven ‘Salvador Dalí’ lower right Genre: Surrealism Subject: people, architecture rendering Medium: textile Salvador Dali (Spanish, 1904-1989) Salvador Dali is considered as the greatest original artist of the surrealist art movement and one of the greatest masters of art of the twentieth century. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. Along with Rene Magritte his is considered the greatest of the Surrealists. His great craftsmanship allowed him to execute his paintings in a nearly photo realistic style. No wonder that the artist was a great admirer of the vintage Italian Renaissance painter Raphael. Meeting Gala was the most important event in the artist's life and decisive for his future career. She was a Russian immigrant and ten years older than Dali. When he met her, she was married to Paul Eluard. In 1933 Salvador Dali had his first one-man show in New York. One year later he visited the U.S. for the first time supported by a loan of US$500 from Pablo Picasso. To evade World War II, Dali chose the U.S.A. as his permanent residence in 1940. He had a series of spectacular exhibitions, among others a great retrospective at the Museum of Modern Art in New York. He has worked in paining, sculpture, tapestry, Daum glass and prints. Dali became the darling of the American High Society. Celebrities like Jack Warner or Helena Rubinstein gave him commissions for portraits. His artworks became a popular trademark and besides painting he pursued other activities - jewelry and dated clothing designs for Coco Chanel or film making with Alfred Hitchcock. In 1948 Dali and Gala returned to Europe, spending most of their time either in their residence in Ligate/Spain or in Paris/France or in New York. Dali developed a lively interest in science, religion and history. He integrated things into his art that he had picked up from popular science...

ARTIST: Salvador Dali TITLE: Les Diners de Gala Les Chairs Monarchiques MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Lavigne (Boulogne) EDITION NUMBER: 45/395 MEASUREMEN...

ARTIST: Salvador Dali TITLE: Sun Goddess Flower MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Phyllis Lucas, New York Phyllis Lucas stamp lower left EDITION NUMBER: XV/L M...

A very good impression of this color drypoint on Japon nacré. Artist's proof, aside from the edition of 270. Signed and inscribed "EA" in pencil. Published by Vision Nouvelle, Paris....

ARTIST: Salvador Dali TITLE: Portrait of Picasso MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: a/b 66/200 MEASUREMENTS: 19" x 31" YEAR: 1970 FRAMED: No CONDITION: Exc...

ARTIST: Salvador Dali TITLE: Petites Nus (From Ronsard) A MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet EDITION NUMBER: 32/95 MEASUREMENTS: 15.2" x 11.4" Y...

ARTIST: Salvador Dali TITLE: The Cycles of Life 3 Piece Suite Vigor of Youth One's Identity Reflection MEDIUM: 3 Etchings SIGNED: Each piece is Hand Signed EDITION NUMBER: 182...

ARTIST: Salvador Dali TITLE: Memories of Surrealism The Eye of Surrealist Time MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: F 98/175 MEASUREMENTS: 29.75" x 21.25" YEAR...

ARTIST: Salvador Dali TITLE: The Four Ages of Man Suite Juventud Adolescencia Madurez Vejez MEDIUM: 4 Lithographs SIGNED: Each lithograph is Hand Signed PUBLISHER: Galerie Spect...

ARTIST: Salvador Dali TITLE: Petites Nus (From Appollinaire) D MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet EDITION NUMBER: 39/95 MEASUREMENTS: 15.2" x 11....

ARTIST: Salvador Dali TITLE: St. George and The Dragon MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 227/250 MEASUREMENTS: 30" x 22" YEAR: 1973 FRAMED: No CONDITION...

Artist: Dali, Salvador Title: Surrealist King Series: Memories of Surrealism Date: 1971 Medium: Lithograph with Etching Framed Dimensions: 37.25" x 28.75" Signature: Pencil Si...

Artist: Dali, Salvador Title: Chinatown Series: San Francisco Date: 1970 Medium: Drypoint with lithographed color Framed Dimensions: 33" x 27" Signature: Pencil signed Edition...

Artist: Dali, Salvador Title: Marie Curie Series: Medicine and Science Date: 1970 Medium: drypoint Framed Dimensions: 20.25" x 17.5" Signature: Pencil signed Edition: /125 Li...