21st Century and Contemporary Art

A dramatic seascape with golden seas complemented by an equally golden sky is depicted with a child seen from the back gazing out into infinity. The viewer can read into it what he/...

Harinath N - Untitled - 12 inches (Dia) (unframed size) Acrylic on Canvas. Can be sent framed or unframed as per requirement Both : 1970 Harinath is a Kalamkari artist from Srikalahasti, holy town in Chittoor district. He has been doing this traditional art of Kalamkari from 35 years and has received many awards for the same. His Kalamkari artworks recite the stories of Tree of Life, Indian God...

Yellow, blue, and teal toned abstract pop art painting by Houston, TX artist, Mario Humberto Kazaz. This painting depicts Popeyes with his iconic can of...

'North Shore Yacht Club I' - Salton Sea (California Badlands) - 1998 50x60cm with white border, Image size: 48x46cm, Edition 2/10, analog C-Print, hand-printed by the artist, based on a Polaroid, Certificate and Signature label, artist Inventory No. 585.02, Not mounted. The artist Stefanie Schneider has produced a unique body of work because she was the first to utilize expired Polaroid instant photography. Embracing the ‘imperfections’ this medium can produce Stefanie’s artwork was the inspiration of Instagram and the catalyst that motivated Dr. Florian Kaps to rescue the sole remaining Polaroid film production factory in Holland. Saving the last production equipment just before their planned destruction, therefore saving millions of vintage Polaroid cameras from obsolescence. Hows that for an artist having an effect on her medium of choice! The ‘Impossible film project’ saved the production factory and then a Polish business man bought ‘Impossible film’ and the actual Polaroid company to bring the two back together resulting in the so called ‘Polaroid Originals’ and giving it to his millennial son. (I hear he might also get Fuji film company for Christmas) Stefanie Schneider purchases Polaroid instant film and uses it only at it’s best possible outcome for her planned film shoots. The location, sets, costumes, actors and stories all come from Schneider but that’s just the beginning. The stories and their production take place in the high desert near Joshua Tree in California but the post production is in Berlin, Germany. The chosen photographs are rephotographed to make a negative. Following with the analogue medium, Schneider enlarges and prints old school in a self designed and built analogue darkroom in an old factory studio in Berlin. The largest of her hand printed art works measure 125cm or 49 inches in width with her vintage ‘Colenta’ developing machine. Schneider designed and built her own enlarger to properly fit her concept with the biggest ‘Durst’ enlarger ever built and turned on it’s side so as to print even bigger than was possible in it’s original design and rolls on custom tracks. Schneider created a film production movie set for her biggest film concepts from all her proceeds on an organic (off grid) farm in California where she eats only what she grows. Complete with garden, greenhouse and chicken coop. (It’s also a sanctuary for animals as no meat consumption is permitted) Vintage travel trailers dot the farm where production ideas develop. a costume trailer, film storage in the vintage refrigerators...

In this mixed media 24"x24" painting, 'Meme Money 002: Goochi Sponge,' by XVALA, the artist colorfully plays with the 'Gucci' brand in tandem with the childhood cartoon series, SpongeBob. Spongebob, a 'Goochi Sponge' takes center stage with red dollar sign glasses in a palette of green, red, and gold on a lime green background. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His 'Fear Google' campaign exposed the decay of privacy and 'No Delete' used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

Agent X Never Duck Family Fortune (Pop Art, Street Art, Urban Art, Disney, Donald Duck) Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed C...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects ...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

Artist: Jack Graves III (American, 1988-) Title: "Female Face Icon IX (Claire)" Series: Icon *Signed by Graves lower left. It is also signed, dated, and t...

Eladio de Mora-Granados, dEmo, is one of the most original creators on the Spanish art scene. Born in Mora, Toledo, in 1960. A self-taught artist, dEmo's concerns began when he conc...

JULIE HEDRICK SOLAR WINDS / EKI, (Basque) Sun Goddess, 2021 oil on canvas, triptych 60 x 180 in. 152.4 x 457.2 cm.

Abstract acrylic painting on canvas with a pastel purple, yellow, and green palette “Beneath the Shining Sun”, painted by Ragellah Rourke in 2022 30 x 30 inches, oil on canvas Sides are cleanly painted so additional framing is optional Wire backing for easy hanging Artist signature located on the back This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2022. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm yellow and purple tones with hints of green radiate upwards into a background of white, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional. Artist Statement: My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting. Artist CV: 1963 Born Albany, NY 1998 BA Painting, The University at Albany, State University of New York Residing: East Berne, NY SOLO EXHIBITIONS: 2012 Carrie Haddad Gallery...

"GRADIENT_01" Abstract Acrylic painting 40" x 38" by DOT ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art seeks to explore an ...

Shyamal Mukherjee - Bawa Biwi - 30 x 30 inches (unframed size) Oil on Acrylic Sheet , 2011 About the Artist : Mukherjee was born in 1961, and spent all of his college years i...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

An angled shape in canary yellow floats on a ground of dove grey and black in this mixed media abstract composition. Stoyanov's paintings have a fresco-like quality, the taut surface...

JULIE HEDRICK BREATHLESS BY THE LIGHT, 2021 oil on canvas 48 x 48 in. 121.9 x 121.9 cm.

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures...

Painting, Acrylic on Canvas 35 × 55 × 4 cm 13.8 × 21.7 × 1.6 in This is a unique work by Suzan Batu Artist Statement: The unrelenting proliferation of glass and concrete, to name s...

Obscura by Abi Polinsky 2022 L 30" x H 40" 76.2 cm x 101.6 cm Obscura is a study of the extraordinaire. The striking contrast of colors and soft focus of the subject create a ...

"Yellow Grid" is a four-color linoleum cut printed in fluorescent inks on Somerset radiant white paper. It is printed in an edition of 20. Lieberman's s...

Color digital print on 170gsm gloss paper. Signed in pencil, verso. Published by House of Voltaire, London, to benefit Young People Matter, Crisis this Christmas and Studio Voltaire.

This abstraction by NY based artist Margo Margolis has a very sophisticated/playful sensibility with brilliant, intense color (yellow, red, dark green, pink, blue, turquoise, black and white) - the significant attribute of the artist's flashe medium, a water based French paint. Consisting of multiple layers of underpainting and glazing, and the frequent contrasts between hard and soft edges, these paintings not only have associations with Henri Matisse's palette and Alexander Calder's sculptural forms, but also share in these artists' complexities after relatively straightforward initial first takes. Fresh and intelligent exploration into the possibilities for abstraction are Margolis's focus, and these works achieve that rare quality of making abstraction feel new. Margo Margolis "High Dose" 2022 Flashe on Canvas 24 x 18 x 1.25 Inches This painting is unframed and framing is not necessary as the sides are painted white. It is currently on view in an exhibition of the artist's work in Wellesley, MA where it is featured in a group of works of varying sizes, small, medium, and large: 24 x 20 inches, 40 x 32 inches, 72 x 60 inches, and works on paper measuring 30 x 22 inches. Also available are a series of earlier small canvases measuring 14 x 11 inches each which also work well as groupings. Margolis’s continuing commitment to abstract painting dates back to the early 1970s when she began exhibiting with the Brooke Alexander Gallery in New York where she had several shows. In addition her work has been exhibited throughout the country at numerous galleries and institutions including The Pennsylvania Academy of Art, The Renaissance Society, The Munson-Williams Proctor Institute and Halls Walls, among others. In reviewing the artist’s 1993 exhibition in the Beth Urdang gallery for 'The Boston Globe' then chief art critic Nancy Stapen stated: “…eccentric, quasi-geometric forms and initial impression of simplicity belie this artist’s highly sophisticated grasp of paintings. These are multi- layered works concerned with the discipline’s core issues – transluscency and opacity, flatness and illusioinism, line and form, figure and ground, pattern and surface, structure and weightless pictorial space… these paintings may be analyzed up to a point. In the end, their process remains mysterious. Their appeal lies in their engagement with an inventive form language intrinsic to painting, as well as in their deft synthesis of quietude and quirkiness.” June 3, 1993 Current Chief Art Critic for 'The Boston Globe, ' Cate McQuaid, wrote of Margolis’ 2017 exhibition in the gallery: “Her marks grab at you as insistently as a toddler demanding attention. They’re like a language made purely of punctuation, rhythmic and emphatic, let out of the duty of modifying sentences, freed at last to express itself alone.” January 6, 2017 Works are included in numerous public collections including the Philadelphia Museum of Art, the Brooklyn Museum, Chase Manhattan Bank, Amerata-Hess Corporation, General Mills, Best Products, IBM, Estee Lauder, Miami-Dade College, Chemical Bank, and Wellington Management. She is the recipient of many awards including 2 grants from The National Endowment for the Arts, a New York State Council on the Arts Grant, and Yaddo and MacDowell Residency Grants. Margolis received a BS degree from Skidmore College and an MFA from Indiana University. She lives and works in New York. The artist recently retired as Chairman of the Tyler School of Art's (Philadelphia) Department of Painting. Statement by Margo Margolis: "While text and image combine to tell the story, it is the drawing around the narrative, the space between text and image that I find compelling. In my work, it is the space between, on the periphery, in the margins that has become the foreground. It is the charged environment that has become the subject. Equally significant and transformative have been innovations in process that have evolved. Discrete marks are de-contextualized, reassembled and photocopied. They are further manipulated by exaggerations in scale, repetition and excessive layering. I have introduced 'printerly' processes (carbon tracking and stencils) that combine with marks that are hand-drawn, hand-painted. These are layered over and under transparent veils of paint. The incorporation of printing methods has been critical both formally and conceptually. These processes underline the fact that this is a system based on a 'ready-made' language. They create an identity distinctly different from action painting, gestural painting or any notion that the artists' stroke is assumed to reveal his/her psyche. These are distanced marks and frozen gestures. In combination with what is handmade, they reveal an alternate translation. Importantly, these processes, in allowing direct reproduction point to the semantic mutability of the language. However, most important is the process of building, excessive layering, and the continual dissolution and re-materialization of form. The paintings have a physicality and material presence that affirms the medium and is in contrast to their graphic impact." MARGO MARGOLIS EDUCATION B.S. Degree 1970, Skidmore College, Saratoga Springs, New York MFA Degree 1972, Indiana University, Bloomington, Indiana SOLO EXHIBITIONS 2022 Beth Urdang Gallery, Wellesley, Massachusetts 2019 Beth Urdang Gallery, Boston, Massachusetts 2016 Beth Urdang Gallery, Boston, Massachusetts 2007 Beth Urdang Gallery, Boston, Massachusetts 2001 Beth Urdang Gallery, Boston, Massachusetts 1997 Esso Gallery, New York, New York 1993 Beth Urdang Gallery, Boston, Mass. 1991 Beth Urdang Gallery, Chicago, IL. 1989 Beth Urdang Gallery, Boston, Mass 1987 Richard Green Gallery, New York 1980 Brooke Alexander Gallery, New York 1979 University of Southern Florida, Tampa, Florida 1979 Miami-Dade College, Miami, Florida 1978 Brooke Alexander Gallery, New York 1977 Connecticut College, New London, Ct. 1977 Brooke Alexander Gallery, New York SELECTED GROUP EXHIBITIONS 2016 Fabulous You, Tiger Stikes Asteroid, Brooklyn, New York 2011 Twin, Twin, Pierogi Gallery, Brooklyn, New York 2010 Spring Editions, Pelavin Editions, New York 2010 Group Exhibition, Beth Urdang Gallery, Wellesley, Massachusetts 2004 Analog Click-Click, Temple Gallery, Philadelphia, Pa. 2002 Snapshots, Arcadia University Gallery, Glenside, PA, Aldrich Museum of Contemporary Art, Ridgefield, CT 1999 Tenth Anniversary Exhibition, Beth Urdang Gallery, Boston, MA 1998 Accrochage in the Gallery, Esso Gallery, New York 1998 Brad Kalhammer, Nicholas Rule, Margo Margolis, Solo Voices, North Dakota Museum of Art, Grand Forks, ND 1998 Art Exchange Show, New York 1998 Works on Paper, Galeria Martano, Turin, Italy 1998 Paintings and Monoprints, Cheryl Pelavin Gallery, New York 1997 Esso Gallery in Torino, Villa Buttino, Torino, Italy 1997 Art Exchange Show, New York 1996 Objects by Some Artists and Architects, Beth Urdang Gallery, Boston, MA 1996 The Art Exchange Show, New York 1994 Abstract Painting, Carolyn Roy Gallery, New York 1995 Wayne C. Brown DePonton d”Amecourt Collection, Colby College, Waterville, ME 1994 Contemporary Prints, Quartet Gallery, New York 1992 Mentors, Vox Populi Gallery, Philadelphia, PA 1991 Presenze, Artisti Stranieri in Italia Oggi, Rocca Paolina, Perugia, Italy 1990 Contemporary Painting, Langman Gallery, Philadelphia, Pa. 1989 Very Special Arts Benefit, Christies, New York 1989 Ground Work, Valencia College, Valencia, FL 1989 Group Show, Shea Beker Gallery, New York 1989 Drawings, Lorence Monk Gallery, New York 1989 Monoprints, University of Maine, Orono M 1989 Inadmissible Evidence, SUNY Purchase, New York 1988 Group Show, Bernard Jacobsen Gallery, New York 1986 Mutual Respect, Vanguard Gallery, Philadelphia, PA 1984 Nature As Image, OIA, New York 1983 Works on Paper, Bucknell University, A 1982 Group Show, Brooke Alexander Gallery, New York 1981 Abstract Painting, Womens Caucus of the CAA, New York 1981 Ten Years Later, Skdmore College, Saratoga Springs, New York 1981 Exchanges III, Louis Abrons Center, New York 1981 Group Show, Brooke Alexander Gallery, New York 1981 Sign and Symbol, Jeffrey Fuller Gallery, Philadelphia, PA 1981 Five Abstract Painters, Brooke Alexander Gallery, New York 1981 Group Show, Marion Locks Gallery, Philadelphia, PA 1980 New York, New, Work,”Delahunty Gallery, Dallas, Texas 1979 Group Show, Brooke Alexander Gallery, New York 1978 Diamond, Margolis, and Ripps, Brooke Alexander Gallery, New York 1978 Contemporary Drawings, Pennsylvania Academy of Fine Arts, Philadelphia, PA 1978 Drawings, Pratt Graphics Center, New York 1978 Thick Paint, Curated by Carter Ratcliffe, Renaissance Society, University Of Chicago, Chicago, IL 1978 New Editions, Brooke Alexander Gallery, New York 1978 Three New York Painters,” Alice Simsar Gallery, Ann Arbor, MI 1978 Six Contemporary Painters,”curated by Marcia Tucker, Kirkland College Clinton York 1977 Works on Paper, Alice Simsar Gallery, Ann Arbor, MI 1977 Critics Choice,” Joe and Emily Lowe Gallery, Syracuse University, Syracuse, New York, Munson-Williams Proctor Institute, Utica, New York 1977 New Abstract Objects,” Halls Walls, Buffalo, New York 1977 Diamond, Jacquette, Margolis and Ripps-New Work, Brooke Alexander Gallery, New York 1977 Painting ’75,’76,’77, Sarah Lawrence College, Bronxville, New York; American Federation for the Arts, Miami, FL; Contemporary Art Center, Cincinnati, O 1977 Works on Paper, Vick, Klaus, and Rosen Gallery, Philadelphia, PA 1976 Group Exhibition, Towson State College, Towson, MD 1976 “Contemporary Approaches to Painting,” University Museum, University of California at Santa Barbara 1976 “Four Young Artists,” Bykert Gallery, New York 1976 Invitational, OK Harris Gallery, New York PUBLIC COLLECTIONS Philadelphia Museum of Art, PA Brooklyn Museum, New York IBM Corporation, New York Fidelity Investments, Boston, MA Prudential, New York Rosenthal and Rosenthal, New York Chase Manhattan Bank Collection, New York Ivan Chermayeff, New York Lehman Brothers, New York Miami-Dade College, Miami, FL Amerada-Hess Corporation, New York American Can Company, Greenwich, CT Estee Lauder Corporation, New York General Mills, Minneapolis, MN Freed, Frank, Shriver, New York Chemical Bank, New York Delahunty Gallery, Dallas, TX Best Products, Richmond, VA Skadden, Arps, New York Stephen Paine, Boston, MA Davis, Polk, Wardwell, New York Roger Sonnabend, Boston, MA Fabric Workshop and Museum, Philadelphia, PA Zimmerli Archives, Rutgers University, New Brunswick, NJ GRANTS AND AWARDS Temple University Study leave, 1980, 1987,1994, 2002 Visual Arts Fellowship, National Endowment for the Arts, 1987 Visual Arts Fellowship, National Endowment for the Arts, 1980 New York State Council for the Arts, 1977 Yaddo Residency Grant, 1976 MacDowell Residency Grant, 1976 Indiana University Fellowship, 1970 CATALOGUES Painting ’75,’76,’77 Critic’s Choice Contemporary Drawing, Philadelphia Thick Paint Margo Margolis, Miami Dade College Exchange III Nature as Image Ground Work Presenze Chemical Bank: An Art Collection in Perspective Margo Margolis, Esso Gallery BIBLIOGRAPHY Richard Lorber, Arts Magazine, September 1976 Art Week, October 23, 1976 Henry J. Seldis, Los Angles Times David Rush, "Paintings with a Sculptural Character," Art Week, October 30, 1976 Allen Ellensweig, Arts Magazine, April 1977 Richard Brugin, New York Arts Journal, September 1977 Mary Delahoyd, "Painting '75, '76, '77" (catalogue essay) 1977 Hayden Herrera, "Critics' Choice," Joe and Emily Lowe Art Gallery, Syracuse, New York and Munson-Williams-Proctor Institute, Utica, New York (catalogue essay) 1977 John Russell, New York Times, June 1978 Carter Ratcliffe, "Thick Paint" University of Chicago, IL (catalogue essay) 1978 Ann Percy, "Contemporary Drawings, Philadelphia," Pennsylvania Academy of Fine Arts (catalogue essay) 1978 Alexandra Anderson, Village Voice, March 26, 1979 Peter Frank, "In One Medium, Out the Other," Village Voice, April 9, 1979 Thomas Lawson, Art in America, October 1979 Karen Valdes, Margo Margolis, Miami-Dade Community College, (catalogue essay) 1979 Print Collector's Newsletter, Spring 1979 Lee Edwards...

Yellow Corridor Night, from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable Art Fair Milan 2019 and th...

JULIE HEDRICK YELLOW TARA #2, 2021 oil on canvas 12 x 12 in. 30.5 x 30.5 cm.

Acrylic on Korean paper

Carlotta Auba by Simon Tozer [2022] limited_edition and hand signed by the artist Screenprint on Paper Edition number of 18 Image size: H:23.5 cm x W:3...

Bring Me Sunshine #5 By Lucy Moore [2021] original Acrylic on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:1.5cm Sold Unframed Plea...

Rest your head on me 2017 Signed in black ink, verso Archival pigment print 6 x 6 inches (15.24 x 15.24 cm), sheet 5.5 x 5.5 inches (14 x 14 cm), image This work is offered by Cl...

For many years Susan Squires goal has been to create encaustic paintings as meaningful, evocative experiences for herself and for the viewer. She wa...

Mixed media on Korean traditional paper (Jangji) & wood panel

Mixed media on Korean traditional paper (Jangji) & wood panel

yellow aluminum wall sculpture

Om Swami - Ganesha Acrylic on Fiber Glass, H 22 x W 19 x D 10 inches Born : 1974 Om Swami is a Mumbai based artist who has studied at the Raheja College. Th...

JULIE HEDRICK RA (Egypt) Sun God, 2021 oil on canvas (diptych) 60 x 120 in. 152.4 x 304.8 cm.

Large contemporary red, teal, and yellow pop art painting by modernist Houston, Texas artist Mario Humberto Kazaz. The work features the NASA logo...

JULIE HEDRICK SOLAR #1, 2022 oil on canvas 24 x 24 in. 61 x 61 cm.

JULIE HEDRICK SOLAR #2, 2022 oil on canvas 24 x 24 in. 61 x 61 cm.

This beautiful abstract painting Untitled was realized by the Italian artist Mauro Bellucci in 2020. Water enamel paint on canvas from the series Industrial Pollution. Hand-signed o...

This pieces is part of a 22 painting series I created for my MFA thesis in 2017. The abstraction in this series is effected through symbolic gestures, distinctive lines, and organi...

Five Stainless steel discs measuring 6.75x6.75x1.5 inches each (17x17x4 cms) hung individually on the wall with a 3M velcro tape hanging provision on the back of each disc, can be hu...

Neighborhood Garden (Suburbia) - 2004 60x80cm Edition of 5, analog C-Print, hand-printed by the artist, based on the Polaroid. Artist Inventory No. 405. Signature label and cert...

Agent X Ionnazol mRNA (white) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 38 x 31 inch - 96 x 78 CM Signed COA provided Ref.: 924802...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

The painting is being offeed with a work and authenticity certificate

Influenced by pointillism, Dimitri Likissas is portraying a female body in a yellow bikini. Each dot is painted by hand. Black frame is included. Certif...

Acrylic on canvas, artwork can be shipped in a tube or framed in a crate Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Mas...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

“Moving 5” is 60”x 48”. The vibrant yellow surface tones of this piece are broken in several places allowing random glimpses of Arnold’s dreamlike underpainting for a multi-dimension...

"Jouney No. 5 Yellow Rhino" by Oliver Flores is a whimsical watercolor and charcoal drawing of a flying rhinoceros and flock of birds. This artwork comes in a white floater frame, r...

"Can you see it Feel it We're all made of it Pulsing energy Straight from the Source Creating as we go" 'pulsing energy' is a reminder that with resilience your life is about to change for the better, for good. Get ready to receive abundance of health, wealth, love and success in this lifetime, loving the way you live and surrendering to your glorious destiny. Emmi Granlund is a prolific Scandinavian visual artist, interior architect, designer and musician living in Helsinki, Finland and Nashville, Tennessee. Through her holistic design house Atelier Granlund Oy she creates intuitive abstract...

Abstract work of art. Acrylic on canvas.

This limited edition print by Ned Martin is a contemporary abstract portrait. Part of his Spirits Through Time series, it features a woman in profile - her face and hair are rendered...

There are secret places in our souls that we feel we don't know. The feelings that are born there never deceive us and embrace and welcome us. At times we feel that the only truly sa...

Acrylic, enamel, metal and collage on canvas

Anil Kumar Yadav - Mahalaxmi - 36 x 48 inches (unframed size) Acrylic on Canvas , 2014 ( UNFRAMED ALL IN DOOR DELIVERED ) STYLE : Anil Kumar Yadav is an Artist from Kolkata who was born in 1984 a village in Uttar Pradesh. He grew up among villagers with modest lives and the village culture. The Rangolis at the village festival and the local potters’ fine works of art inspired him greatly towards art as a hobby and potential career from early childhood. His father was then posted to Kolkata so their family relocated to the city. Once the capital of India, with its rich cultural heritage and character immediately caught my attention. He started painting for the first time in the city. Since the central theme to his paintings is related to present day society, his works appear photographic or naturalistic. The religious ghats of Varanasi, Haridwar and other antique places attracted him for their cultural heritage characterised by the holy saints, antique architectures, old idol sculptures and mysticism, spirituality. So he portrayed the simplicity of the architectural doors, temples, sculptures and the beautiful narrow streets and ‘galis’ which holds beauty that can not be described in words. He always prefers a highly realistic approach in his paintings for whatever he sees in his surroundings. He started to represent paintings in a form whose expression manifests a step ahead of photography. He has always tried to reach to a horizon where photography cannot reach and make a statement what is called hyperrealism. EDUCATIONAL QUALIFICATIONS 2001-2006, 5 years Diploma in Painting (First Class) SwarSangam,Birla Academy of Art and Culture Kolkata. SOLO EXHIBITIONS 2015 TajBengal,Kolkata. 2013 TajBengal,Kolkata. 2012 Lalit Kala Akademi, New Delhi 2010 Triveni Kala Sangam, New Delhi 2009 TajBengal,Kolkata. GROUP EXHIBITIONS 2020 “BENARAS”, Art Villa art gallery, Kolkata 2019 “Tryst With Colour IV”, Indian habitat center visual art gallery- by Nirvana (New Delhi) 2019 “1 SQUARE FEET”, Gallery Space, Hyderabad 2017 "Artist Echoes", Indian habitat center visual art gallery- by Nirvana (New Delhi) 2015 “GREENATHON”,presents Gallery Sree Arts at GalerieRomain Rolland, Alliance Francaise, New Delhi. 2015 “SRIJAN SAJAN”, Academy Of Fine Arts, Kolkata. 2014 “STROKE”, Lalit Kala Academy, New Delhi. 2013 “PERSPECTIVE”Academy Of Fine Arts,Kolkata 2012 “PERSPECTIVE”Gallery Gold, kolkata 2011 Artchutney present an exhibition Goa 2011 Artchutney present an exhibition Bangalore 2011 India Habitat Center, Palm Court...

On and Off the Grid 2 (Abstract painting) acrylic and Flashe on wood panel His paintings have an overwhelming presence with their colour and structure, where gestural curves, unco...