Abstract Photography

Intersect # 201502 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 2/3...

Untitled 70 (Abstract photography) C print - Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his pho...

#1 of 12 signed and dated Howard Schatz gave up a career as a retinal surgeon and a clinical professor to follow his passion for photography. Schatz first established a following in ...

Additional sizes and pricing available upon request. Artist commentary: There is an incredible world that exists at the tide line. This piece recalls the mix of broken shells, sea weeds and tiny organisms that wash up...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

Large scale photograph by Michael Banks - Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Boat 1 - Limited Editions of 5 , signed + numbered ...

Ola KOLEHMAINEN (*1964, Finland) MVSEVM I (Nefertiti), 2020 Archival Ink-Jet matt prints Dibond mount in Artist Frames Overall dimensions 105 x 240 cm (41 3/8 x 94 1/2 in.) Sheet (Pa...

Bleed # 202021 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request 5-6 week turnaround. Edition: 1/3. Paul Snell combines tra...

Architectonic 4 Large scale photograph by Michael Banks - Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Edi...

Ola KOLEHMAINEN (*1964, Finland) MVSEVM XIII (Victoria & Albert), 2020 Archival Ink-Jet matt prints Dibond mount in Artist Frames Overall dimensions 120 x 275 cm (47 1/4 x 108 1/4 in...

20 x 24 inch type-c print Edition 10. Signed on verso. Throughout her career, photographer Yoko Ikeda has been finding poetry in the prosaic, and mystery in the mundane. Her photog...

Please note: Artwork will be on display through February 25, 2024 and will be shipped to collectors within two weeks following the closing of the exhibition. "Kumimi Beach, Molokai" is an original artwork by Anna Tas...

Résonance - water drop 251 (Abstract Photography) Chromogenic print. Edition 1/5. In his Résonance series, Janiak explores the role of sound in creation. Taking inspiration from sa...

Résonance - water drop 84 (Medium) Chromogenic print. Edition 1/5. In his Résonance series, Janiak explores the role of sound in creation. Taking inspiration from sacred texts from...

From the series 'Bushes and Succulents' (2018), Mona Kuhn’s artistic response to the ongoing currents in contemporary feminism. Reminiscent of Georgia O’Keefe’s floral paintings, your eyes wander around the graceful lines, not knowing exactly what you are looking at. The images are a celebration of the female essence - confident, raw and elegant, yet confrontational and unapologetic. Succulents 01 (2018) 60" x 45" / 152cm x 114cm edition of 5 + 1AP 40" x 30" / 102cm x 76cm edition of 8 + 2AP limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, in 2019. A stunning career retrospective of Mona Kuhn's works has been published by Thames & Hudson, Spring 2021. Kuhn's forthcoming publication Kings Road, will be published and released by Steid this Fall 2021. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2021 Mona Kuhn: Works, Edwynn Houk Gallery, New York Mona Kuhn: Works, Flowers Gallery, London Mona Kuhn: Works, Galerie XII, Los Angeles + Paris + Shanghai Mona Kuhn: 835 Kings Road, Art, Design and Architecture Museum, Santa Barbara 2020 Still Light, Jardin du Bra'haus, Montée du Château, Clervaux, Luxembourg Mona Kuhn: Early Depictions, Flowers Gallery, London Mona Kuhn: Intimate, UP Gallery, Taipei, Taiwan 2019 Bushes and Succulents, Euqinom Gallery, San Francisco Mona Kuhn: She Disappeared, Jackson Fine Art...

Gravity - Liquid 05 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity Liquid series, Janiak creates visual representations of the idea that form cannot exist without an environment. There are the visible forms we see in the world, and then there are the conditions that allow those forms to exist. As a catalyst for his exploration of this topic, Janiak chose gravity, one of the most ubiquitous and easily observable forces, and the one that allows so many forms in the physical universe to exist. The photographs in these series show two types of matter—liquids and gasses—being manipulated by gravity. Form is frozen by the photographic process, but the process is ever changing depending on the shifting conditions of their environment. Seb Janiak is a photographic artist whose work explores conditions in which opposites can co-exist, revealing the visual characteristics of the hidden forces...

Ghost Story - 2021 Archival Print based on an original Polaroid on Hahnemuhle photo rag paper. 25x20cm, Edition of 10 plus 2 Artist Proofs. Signature label and certificate. Not ...

Ghost Story - 2021 Archival Print based on an original Polaroid on Hahnemuhle photo rag paper. 25x20cm, Edition of 10 plus 2 Artist Proofs. Signature label and certificate. Not ...

Mindscreen 02 (Night on Earth) - 1999 58x56cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on a Polaroid. Signature label and Certificate. Artist Inventory N...

Intersect # 201702 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

This is a beautiful layered, mixed media piece using acrylic ink, salt water and salt crystals, on unprocessed photographic paper. The video shows the salt crystals shimmering on the paper when light reflects off it. This piece conjures up a beautiful imaginary world. The layering of works, creating depth, process and nature are important elements of the artist' work . For example, salt crystallization has been used on found objects and encrusted on photo based works on paper. The salt crystallization process is similar to preserving some objects, while disintegrating others with time. By incorporating salt crystals onto the photo based paintings, the image presents a mystical otherworldly feel, capturing and refracting light and the slippage of time. 20x24 in. Signed en verso. Singular piece. Art exclusively at gallery. Inquire to view series, collection. Inquire to commission projects. Framing available. --- Christine Nguyen is a Los Angeles based artist. She received her B.F.A from California State University, Long Beach and M.F.A from University of California, Irvine. As an artist, she is inspired by literature, science, nature, astronomy, geology, marine biology. Using photography’s processes as a point of departure, Christine Nguyen’s pioneering spirit led her to begin manipulating negatives and onward–creating her own by cutting, layering, and adding on. Nguyen’s subsequent explorations embrace drawing...

Antony Zega (1962-2019). Bed, ca. 1985. Photographic print, 12 5/8 x 8.5 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp on verso.

Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mid-80’s he started painting and photographing key figures of the Russian avant-garde movement, and began to widely exhibit his work. In his youth Vishnyakov became a significant figure in the Moscow and St. Petersburg art community. He became a permanent member of the New Academy of Fine Arts soon after it was founded by Timur Novikov in 1989. He was first made aware of alternate photographic printing processes while studying in the New Academy. Amongst other photographers such as Novikov, Egelskiy, Alexandrov, Ostrov and other Academy members, Vishnyakov was engaged in reviving precious photo printing techniques widely spread in the XIX century, such as gum arabic pigment print, bromoils, calotypes, chirotypes, carbon process, Savrasov and Sery methods and many others. In 1990 Vishnyakov moved to New York to establish himself as a reporter and then as a fashion photographer and soon got his work published in a dozen of American and European magazines. Soon after, he continued his art education in the New York studio of a French painter, Emmanuel Flipo. Although living as an emigrant, Vishnyakov retained his connections with the Russian art world, especially with the New Academy, and participated in a number of group exhibitions. In 1997 he joined the movement that gathered neo-academics from Moscow and St. Petersburg. His very own established technique is mixed media, combining classical photography, gum arabic pigment printing, tempera painting and printing. The smallest details, such as the peculiarities and nuances of applying an emulsion, with the pressure of brush strokes, or paper texture, give a strange, mystic significance, to his whole work. Photographic details show through and then dissolve in the layers of paint, leaving the image slightly unexposed and the philosophical background unrevealed, impelling the viewer to come back over and over again. Vishnyakov’s work has a feeling of ephemerality, conveying a sense of never being truly finished, leaving the viewer in a truly meditative state. In his never ending reconnaissance of an ideal image of beauty, Vishnyakov is inspired by esoteric and Oriental spiritual practices. Everything finds a place in his art, whether it is Tao doctrine of five elements, symbols of Tarot’s Major Arcana, majestic temples of ancient India or plain netsuke figures. Whatever it is, his major principle is harmony, both inner and outward, spiritual and visual. Vishnyakov also teaches photography in America and Japan, practices kung fu and remains a Shaolin monk’s novice, a practice he has been doing for eleven years. At present he is living between New York and Moscow with his muse, the Russian supermodel, and talented painter, Sasha Pivovarova. SELECTED GROUP SHOWS Beauty of the Beast, Mimi Ferzt Gallery New York Mystical Neo-Realism, Barbarian Art Gallery Passion Bild. Bern Kunstmuseum Bern MIR Faberge, Royal Academy of Arts, London Russian House photography...

"Construction Site, Tucker, Georgia #6, 2019" is a drone photograph featuring hues of turquoise, orange, blue, black and grey. Edition of 5. This photograph may be available in addit...

"Frozen" is a fine art photograph of Michael Götze. It is an Edition 5 (1/5), a giclée print on Baryta paper, signed on back, comes with certificate. P...

This is a beautiful layered, mixed media piece using acrylic ink, salt water and salt crystals, on unprocessed photographic paper. The video shows the salt crystals shimmering on the paper when light reflects off it. This piece conjures up a beautiful imaginary world. The other picture shows the artist's exhibition at the Hammer Museum in Los Angeles, CA. The layering of works, creating depth, process and nature are important elements of the artist' work . For example, salt crystallization has been used on found objects and encrusted on photo based works on paper. The salt crystallization process is similar to preserving some objects, while disintegrating others with time. By incorporating salt crystals onto the photo based paintings, the image presents a mystical otherworldly feel, capturing and refracting light and the slippage of time. 20x24 in. Signed en verso. Singular piece. --- Christine Nguyen is a Los Angeles based artist. She received her B.F.A from California State University, Long Beach and M.F.A from University of California, Irvine. As an artist, she is inspired by literature, science, nature, astronomy, geology, marine biology. Using photography’s processes as a point of departure, Christine Nguyen’s pioneering spirit led her to begin manipulating negatives and onward–creating her own by cutting, layering, and adding on. Nguyen’s subsequent explorations embrace drawing...

EM2020-20 (Abstract new media) Pigment on watercolor paper - Unframed. Edition of 10. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in the series began its evolution as a scanned image of a Buddhist thangka—a spiritual painting...

Untitled 134 (Abstract Photography) C print - Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his ph...

Gravity - Liquid 05 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity Liquid series, Janiak creates visual representations of the idea that form cannot exist wi...

Gravity - Liquid 58 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity Liquid series, Janiak creates visual representations of the idea that form cannot exist wi...

Gravity - Liquid 02 (Large) (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity, Liquid series, Janiak creates visual representations of the idea that form cannot...

Brake, unique photograph on silk with sumi ink brushwork Chaco Terada's relationship with photo-eye dates back about 15 years. Over this period I have thoroughly enjoyed getting to ...

Gravity - Liquid 04 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity, Liquid series, Janiak creates visual representations of the idea that form cannot exist without an environment. There are the visible forms we see in the world, and then there are the conditions that allow those forms to exist. As a catalyst for his exploration of this topic, Janiak chose gravity, one of the most ubiquitous and easily observable forces, and the one that allows so many forms in the physical universe to exist. The photographs in these series show two types of matter—liquids and gasses—being manipulated by gravity. Form is frozen by the photographic process, but the process is ever changing depending on the shifting conditions of their environment. Seb Janiak is a photographic artist whose work explores conditions in which opposites can co-exist, revealing the visual characteristics of the hidden forces that shape the physical universe. He creates images that blend science with creativity, analytics with the poetic. He lives and works in Paris, France. Janiak began his career as a graphic designer. While freelancing, he engaged with state-of-the-art technology, becoming a pioneer in the field of digital photography. His work gained him global attention, and he expanded into music video directing, fashion photography, and finally into fine art. Since 2009, he has focused on expanding the potential of contemporary analogue photography. Technique Since 2009, Janiak has only used basic photographic tools. He says, “I only allow myself the techniques which have been used in analogue photography since 1850. Namely, making adjustments to contrast and exposure, and using superimposition.” When a special effect is needed in order to achieve a particular shot, he finds a way to achieve it manually rather than through digital manipulation, for example by using refraction...

Crowds of people in blurred motions on Fifth Avenue in New York City. This archival color photograph by fine art photographer Mitchell Funk is signed, dated, and numbered 2/15, lower...

This beautiful photograph aROUNDme 17 was shot by the Italian photographer Giulio Gonella. Print on hahnemuhle photo rag paper from the series aROUNDme...

Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten co...

Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten co...

Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten co...

Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten co...

EM-3 Vajrayogini (Abstract Photography) Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in the series began its evolution as a scanned image of a Buddhist thangka—a spiritual painting...

Named "Pépite 2", this semi-abstract photography artwork by artist Olivier Muhlhoff is presented via a print laminated on a 3-mm-Dibond pa...

Original gelatin silver print, made and signed by the artist Roman Loranc. It is also signed, edition, titled, dated with an inscription to the owner of the Weston Gallery...

Gravity - Liquid 04 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity, Liquid series, Janiak creates visual representations of the idea that form cannot exist w...

VIII: The Unselfconsciousness Of Eros (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichot...

Antony Zega (1962-2019). Here Comes the Sun, ca. 1985. Photographic print, 12 5/8 x 8.5 inches. Mounted to acid free matting board measuring 16 x 2...

Named "Pépite 3", this semi-abstract photography artwork by artist Olivier Muhlhoff is presented via a print laminated on a 3-mm-Dibond pa...

Untitled 176 (Abstract Photography) C print - Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his ph...

8 x 10 in. Vintage gelatin silver print by Ida Lansky. Artist stamp on print verso Ida G. Lansky was born in 1910 in Toronto, Canada. She pursued many careers in her lifetime including Nursing, Art, and Library Science. In 1928 she moved to New York City and later attended New York University, The Jewish Hospital in Brooklyn, NY and Cornell University. In 1942 she received a B.S. in Public Health Nursing. Ida Lansky moved to Hawaii in 1945 and married Irving Lansky. She then moved to Norman, Oklahoma and then to Denton, Texas where she studied art and was mother to two children, Ellen and Michele. From 1954 - 1959 she was in the Visual Art studies program at Texas Women’s University in Denton with an emphasis on photography. She studied under Carlotta Corpron. 1959 marked a peak in her art career when she exhibited her photographs in a group exhibition curated by Henry Holmes Smith...

Bleed # 202051 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/...

High angle view of women with umbrella on New York City street. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right...

Elemental / white crest is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be suppli...

Signed, dated lower and numbered 2/15 lower right recto, unframed, other sizes available. Manhattanhenge. Unique moment where the sun aligns with the east to west grid structure of t...

Photon 01 (Abstract Photography) Chromogenic print. Edition 1/5. In his Photon series, Janiak explores the intrinsic duality of light. The photons we interpret as light exist in a ...

"Sanctuary" This award-winning, best-selling image highlights the surreal relationships within mother nature. The print series Dunes: Landscapes Evolving documents the magnificent...

Decay is inherent in all component things. Out of decay, death, and destruction there is rebirth, growth, and life. - Buddha The Spirari series capture fire up close at high speed, ...

Underwater photograph of a young naked woman processed in an abstract black and white symmetrical composition. Original gallery quality print on archival metallic paper signed by ...

ABOUT THIS PIECE: "My work it’s about what we cannot see, the universal questions, time and minimalism. it’s hypnotic, contemplative, deep yet subtle. I create these works because I feel I have to experiment with these subjects. Everything is possible and I want people to feel the same, that there is much more and that we are part of a network of different dimensions, beings and universes." - Esteban Amaro...

ABOUT THIS PIECE: "My work it’s about what we cannot see, the universal questions, time and minimalism. it’s hypnotic, contemplative, deep yet subtle. I create these works because I feel I have to experiment with these subjects. Everything is possible and I want people to feel the same, that there is much more and that we are part of a network of different dimensions, beings and universes." - Esteban Amaro...