Abstract Photography

Gate Taught Version 1991. Large format silver gelatin photo. signed and dated. Zeke Berman’s still lifes are fabrications derived from the material of ordinary and intimate experience, reconstituted to satisfy the demands of improvised play, monocular vision, and the special characteristics of photographic description. They are concerned with the pictorial aspect of sculpture and the provisional nature of realistic indication. In the central tradition of still-life art, they aim to establish an unsuspected order in the congregation of unremarkable things. Since the late 1970's Zeke Berman has been making singular, studio-based photographs. These works reflect his long standing interest in visual cognition, optics and the intersection between sculpture, photography and drawing. The formal range of his work and his sculptural use of materials is varied, original and idiosyncratic. Berman’s work has been collected and exhibited in museums such as The Museum of Modern Art, The Metropolitan, Whitney, Art Institute of Chicago and LA County Museum. His work was featured in the first New Photography Exhibition, 1984, at MoMA. Awards include Guggenheim, NEA and NYFA Arts Fellowships. Berman lives and works in New York City. from MOMA A World of Its Own: Photographic Practices in the Studio examines the ways in which photographers and other artists using photography have worked and experimented within their studios, from photography’s inception to the present. Featuring both new acquisitions and works from the Museum’s collection that have not been on view in recent years, A World of Its Own brings together photographs, films, and videos by artists such as Berenice Abbott, Uta Barth, Zeke Berman, Karl Blossfeldt, Constantin Brancusi, Geta Brătescu, Harry Callahan, Robert Frank, Jan Groover, Barbara Kasten, Man Ray, Bruce Nauman, Paul Outerbridge, Irving Penn, Adrian Piper...

Sennen is a new study, and the first in a series of works based around a loose grid of interlocking circular forms. This impression is #20 in an edition of 24. The work takes on some of the language of artists such as Sonia Delaunay and Sarah Morris, who both use flat geometric grids as the basis for many of their studies. I’ve taken that idea and built it up into something more complex and textured, that I hope is redolent of a landscape, or perhaps just a dreamlike imagining of a landscape, filtered as ever through the digital, and its ability to layer and distort form. Chuck Elliott (b. 1967, Camberwell, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh...

"Entrance" is a black & white framed silver gelatin collage photograph with forms of a key, shoe, trees, pyramid, hair, and other abstract elements from artist Jenny Lynn's "Extrapol...

Street Photography: Literally. From an elevated vantage point, Street Photographer Mitchell Funk shoots down on a busy midtown Manhattan street and composes the image so that it's as...

Retina #12, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 16"...

Dilation #21, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 1...

Dilation #39, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 1...

Dilation #8, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 16...

"Me & You" is a black & white framed silver gelatin collage photograph with images of nudes, insect, heart, key, and other abstract elements from artist Jenny Lynn's "Extrapolations"...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

"Second Nature" is a black & white framed archival pigment print (photograph) from a hand-etched photogram from artist Jenny Lynn's "Personal Myths" series Includes image of nude wit...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Print/photography, limited edition of 15, signed by the author.

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Poland through the lens of a film camera. This repeated, almost ritualistic exploration of home became the foundation of his work. Kowalski observes the macro-evolution of the Polish landscape...

Bling Nature 2 - Limited edition pigment print - Editions of 5 Signed + numbered by artist, with certificate of authenticity This is an Archival Pigment print on fiber based paper ...

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Poland through the lens of a film camera. This repeated, almost ritualistic exploration of home became the foundation of his work. Kowalski observes the macro-evolution of the Polish landscape...

"Echo" is a black & white framed archival pigment print (photograph) from a hand-etched photogram from artist Jenny Lynn's "Personal Myths" series Includes image of legs and heels.. ...

Perpendicular lines of white and yellow, rectangles of yellow, and white bands of equal proportion define this overhead Manhattan intersection. As an afterthought, it's a nod to Mo...

On the Periphery #16, an edition of 10, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is...

'Sandstill no.4' From serries of abstract shapes formed by sand grain. Limited edition of 20. Photograph is printed on heavyweight fine art paper. Photograph is signed and stam...

Bleed # 202198 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Photography/ fine art print, limited 1/5, signed by the author.

Paolo Consorti Ending G, E, B, 2019 Medium: Painting Oil on canvas Unique 150 x 140 cm Not framed Series “Ending” This artwork includes a certificate of...

Sonntags im Museum (9) Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her spe...

Print/Photography, abstract, limited 1/5, signed by the author.

On the Periphery #18, an edition of 10, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is ...

Eyebeam #2, an edition of 2, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 53" x 30" ...

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Pola...

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Pola...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

'Wind stretched daydream' 2022 Photographed in Richmond, London using a 4x5 large format camera. Printed on Fine art Hahnemuehle paper. 40x31cm ...

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Poland through the lens of a film camera. This repeated, almost ritualistic exploration of home became the foundation of his work. Kowalski observes the macro-evolution of the Polish landscape...

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Pola...

Dilation #29, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 1...

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Poland through the lens of a film camera. This repeated, almost ritualistic exploration of home became the foundation of his work. Kowalski observes the macro-evolution of the Polish landscape...

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Poland through the lens of a film camera. This repeated, almost ritualistic exploration of home became the foundation of his work. Kowalski observes the macro-evolution of the Polish landscape...

Photography / fine art print, limited 1/5, signed by the author.

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Poland through the lens of a film camera. This repeated, almost ritualistic exploration of home became the foundation of his work. Kowalski observes the macro-evolution of the Polish landscape...

When she is traveling and away from her painting studio, Parr uses a camera as her way of ‘painting’ whilst on the move, Often mistaken as reproductions of her paintings, her photographs are in fact Original Limited Edition pieces. Habana Series Cuba 2016 was produced, whilst the Artist scoured each street of Old Havana, Cuba in January 2016. Photographed because of their inherent illusion of horizon and form, these chance marks, stains, colours and textures on walls and other surfaces, some of which have partly been laid down by others by accident or with previous intent, become chimerical worlds and fictional places. The photographs, which Parr has named after where they were taken, further confirm things not being as they seem, a pictured utopia found in the still squalid but reforming streets of Havana, Cuba. Discover original abstract paintings by Gina Parr online with Wychwood Art and in their Oxfordshire Art Gallery. Gina Parr works predominantly in the medium of painting, but also photographs when traveling: her way of painting whilst on the move. Her work is driven by autobiographical themes and natural reference, exploring the human condition through connections to place, time, space and memory. She has exhibited widely in galleries and art fairs in the UK and completed commissions in The Middle East, Belguim and London. Her works are held in collections Worldwide including Keble College Oxford, Director of Jestico + Whiles Architects London, President of the Boston's Children's Museum USA, and Goldman Sachs Senior Economist, London. Originally trained as a Fine Artist, graduating with a First Class BA Honours Degree, she went on to Chelsea College of Art to study Set...

Bleed # 202305 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on...

Photography / art print, limited 1/5, signed by the author.

Bleed # 202305 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on...

A pile of empty and discarded colorful paint cans inadvertently becomes an artful abstract still life in itself. Documented through the keen lens of st...

Henry and the Jelly Fish (Stay) with Ryan Gosling - 2006 128x125cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original Polaroid. Signature label and certificate. Artist Inventory Number 5501. Not mounted. ------------------------------------------------ A piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. She also created the art for several dream sequences and the end credit sequence for the movie. “I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster) Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham...

Katie Hallam Outnumbered Limited Edition Digital Photograph Edition of 75 Size of Artwork: H 60cm x W 40cm x D 2cm Sold Unframed Please note that in situ images are purely an indicat...

Dilation #42, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 1...

This unique silver gelatin print was one of my early experiments with sand, as a photogram material (made just prior to teaching my first online photograms course, via Penumbra Found...

Dilation #24, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 1...

'Ultramarine night' Klaipeda, Lithuania 2022 Limited edition of 20. Giclée pigment method print on Hahnemühle photo rag baryta 308 gsm fine art paper. Photograph is signed, stampe...

Retina #10, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 45" x 33"...

Genre: Contemporary Subject: People Medium: Digital, Print Surface: Metal Country: United States Dimensions: 49 3/4" x 38 3/4" This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Fellowships and Grants Chercheur Accueilli, Institut National d'Histoire de l'Art (INHA); COLA Individual Artist Award; Art Mattes Grant; Mid-Career Award, California Communtiy Foundation; Durfee Fondation ACG; Graves Award for the Humanities; Visiting Scholar/Artist-in-Residence, Getty Research Institute; Senior Fellow, American Art Museum and National Portrait Gallery of the Smithsonian Institution; Fellow, Rockefeller Foundation Study and Conference Center, Bellagio, Italy; Van Lier Fellow, ISP, Whitney Museum of American Art; Rotary International. Select Solo Exhibitions Luis De Jesus Los Angeles; Galerie Steph, Singapore; The Vincent Price Museum, LA; Fred Torres Collaborations, NYC; Tufts University, Medford, MA; Las Cienegas Projects, L.A.; UCSD Art Gallery, La Jolla, CA; Steve Turner Contemporary, L.A.; LAXART, L.A.; CUE Art Foundation, NY, NY; Pomona College Museum of Art, Claremont, CA; Susanne Vielmetter Projects, L. A.; Cristinerose Gallery, NY, NY; White Columns, NY, NY, among others. Select Group Exhibitions Our America: The Latino presence in American Art, Smithsonian Institution; MDE11, Medellin, Colombia; COLA 2011, at LAMAG, Los Angeles; Spy Numbers, Palais de Tokyo, Paris;How Many Billboards, MAK Center, W.H.; State of Mind, MoPA, San Diego; Phantom Sightings, LACMA, L.A.(traveled); Encuentro Hemispherico, Bogota; Under Erasure, Temple Bar Gallery and Studios, Dublin; Under Pain of Death, Austrian Cultural Forum, NYC;ArtMediaPolitique, DIX291, Paris; Viva Mexico, Zacheta National Gallery, Warsaw (traveled); Past Over, Steve Turner Contemporary, L.A.; Crimes of Omission, ICA Philadelphia; Exile of the Imaginary, Generali Foundation, Vienna; Civil Restitutions, Thomas Dane Gallery...