Anna Tas

"Burning Forests", Lenticular Print, Abstract Photography, Color Photography

2021

"Fire/Extraction" is an original artwork by Anna Tas and Diane Burko made of a backlit archival pigment print with lenticular lens in a silver frame, as pi...

"In Praise of Entropy (Untitled #6)" is an original artwork by Anna Tas made of an archival pigment print with lenticular lens. The piece is lenticular––transitioning and creating th...

"In Praise of Entropy (Untitled #10)" is an original artwork by Anna Tas made of an archival pigment print with lenticular lens. The piece is lenticular––transitioning and creating t...

"In Praise of Entropy (Untitled #8)" is an original artwork by Anna Tas made of an archival pigment print with lenticular lens. The piece is lenticular––transitioning and creating th...

"In Praise of Entropy (Untitled #1)" is an original artwork by Anna Tas made of an archival pigment print with lenticular lens. The piece is lenticular––transitioning and creating th...

Please note: Artwork will be on display through February 25, 2024 and will be shipped to collectors within two weeks following the closing of the exhibition. "Utulei Bay, American Samoa" is an original artwork by Anna Tas...

A nine panel piece piezography, mounted on acrylic by emulision.

L'Ange Heurebise is an original rare Surrealist work realized in France in 1925, written by Jean Cocteau with an original rayogram realized by Man Ray. Limited edition of 350 numbe...

London, 2021 In this piece I try to express my feeling of the overwhelming containment and expansive architecture of London. I wanted to make the piece three dimensional - showing buildings moving in and out of the print - as well as the jumbled nature of the old and new. - Mike G Jackson "The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme." - (the Artist: Mike G Jackson) Artwork detail: Unique One-off-piece; combining 4 x Prints, Selenium toned Silver Gleatin Luminogram Print, Hand printed in the darkroom, Framed Dimensions: 30 x 40 inches (76.2 x 102.6 cm approx plus frame); can be framed separately or in one frame upon request Frame: Mounted on aluminium Dibond, custom made hardwood frame (framing options available upon request; colour and various wood options) finish with antireflective UV protective AR Art Glass Mounting and framing of this work will be done after the purchase so the framing options like framing colour for example can be made according to specifications of the client; matt or gloss, black, white, metallic etc Shipping: the work would be crated for protection and shipped by professional art shipping company; front door delivery; complementary delivery and install available in London area About the Artist: Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. Past awards and accolades include being named a Finalist for the Hasselblad Masters Award (2008, 2009, 2010) and winner of the 2013 Chris Beetles Award. His work has been exhibited internationally and is part of various private and public art and photography collections including The National Art Gallery in Washington, USA. Michael Jackson’s Luminograms are a very special piece of photographic art. Not a photograph in itself but a creative medium of its own. Each one is meticulously crafted by Michael in his darkroom. There are many structured stages to go through before the photographic paper can be hand developed and permanently fixed. Once Michael is happy with a finished Luminogram print it’s then toned in Selenium, which not only intensifies the prints tonality, but also increases the prints archival quality. Traditional photographic darkroom printing techniques have an unquestionable pedigree when it comes to the life expectancy of a photograph. Each Luminogram is unique and only one Silver Gelatin Print is produced of each image. The images reveal themselves with a 3D quality; viewed in the flesh the abstracted surreal forms within the paper come alive to the viewer. Michael Jackson’s Luminograms were exhibited for the first time at MMX Gallery in 2016; The Self Representation of Light exhibition and the following year at Photo London 2017 as well as next Photo London editions. The Luminogram work was also paired with theologian Edwin A. Abbott in a book published by 21st Editions, titled after the author’s famous work ‘FLATLAND’ and premiered in November at the Grand Palais in Paris, for Paris Photo 2017. Other recent group exhibitions include Light + Metal, PhotoEye Gallery, (USA) and Unbound 7, Candela Gallery, (USA), ATO>MIC, MMX Gallery, London 2022. “Mike Jackson...

Digital print mounted on Diasec with lead

Sun Over Chalk (October), Oil on Panel Painting by Keith Purser B. 1944, 2018 Additional information: Medium: Oil, sand and found objects on panel Dimensions: 40 x 122 cm 15 3/4 x 4...

40"x32" photogram, metallic paper Wendy Small’s “Remedy” photograms are made by collecting leaves, weeds, or flowers from a specific place (indicated in the title) and placing those ...