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Christine So
Sea Cliffs 6 (Hand-printed 40 x 20 inch abstract cyanotype)

2023

About the Item

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyanotype, photogram or sun print. This is a multiple-exposure lensless photograph or abstract cyanotype. In the artist's words: "My technique is a form of experimental action photography, like the action painters Morris Louis or Jackson Pollock. My abstract cyanotypes appear luminous like watercolor paintings but are actually photographs. I start by coating paper in a dark room with the same photography chemicals used to print a cyanotype from a photo negative. But I use no photo negative, no stencil, and no solid objects to create my patterns. The abstract design is a multiple-exposure photograph made through my deliberate movements and covering and uncovering of the light-sensitive paper during its exposure to light. Different sections of the paper were exposed to light longer, which yields darker and lighter shades of blue. The areas left uncovered longer are darker blue. I have devised my own method of printing abstract cyanotypes using water’s surface as a solid object to block light, letting the sun etch the lines where one shade ends and a new one begins. I work quickly with a design in mind beforehand. I form subtle gradations of darkening blue as I submerge the light-sensitive paper for carefully timed exposures under water, counting the seconds in my head, turning, bending and lifting the paper and holding it still as long as needed to shape the lines and then have them etched permanent by the sun’s light. I do not merely stand at the surf’s edge and wait to see what the water does. I control the water’s movement and my own. Through extensive practice, I am able to control much of the intended pattern, but when working with moving water under severe time constraints the number of variables cannot all be controlled Note: 
My technique is a form of experimental photography which may include tiny drip marks--splashes from where water washed off the photo chemicals before it darkened and turned blue. Each abstract cyanotype is entirely unique. These exact lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each exposure to light or "printing".
Any tiny white lines are not damage to the artwork but actually the gaps between the bristles of the paintbrush used to apply the light sensitive chemicals in darkness. working in darkness it is impossible to see where the brush has already passed until the paper is exposed to light days later and it turns blue. On heavy stiff 100% cotton aRches cold press watercolor paper. Ships rolled in a tube.
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