Items Similar to San Francisco Victorian House in Colorful Red Yellow and Blue, Architecture
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Mitchell FunkSan Francisco Victorian House in Colorful Red Yellow and Blue, Architecture2015
2015
About the Item
Is this colorful Victorian in San Francisco a painting or a house? It's both. Veteran photographer Mithcell Funk documents the painted house in a precise composition to highlight its artistic nature. The painting part of the house is a hard-edge color field painting that works in counterpoint it's fanciful Victorian-inspired architecture. Signed, numbered 3/15 dated and lower right recto, other sizes available, unframed, printed later. This work is printed on fine art Hahnemuhle paper. The color will vary from monitor to monitor.
Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur" . 1971 Included he was included in the visionary book "Frontiers of Photography" Time-Life. Color ! American Photography Transformed. Amon Carter Museum. He has had more than 50 Photography Magazine Covers and has had covers on Newsweek, Fortune, New York Magazine and Life Magazine among others.
- Creator:Mitchell Funk (1950, American)
- Creation Year:2015
- Dimensions:Height: 60 in (152.4 cm)Width: 40 in (101.6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU38539481262
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2005
1stDibs seller since 2016
102 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Miami, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Neon Bar and Grill Sign Tenderloin at Night Street Photographer Mitchell FunkBy Mitchell FunkLocated in Miami, FLVestiges of a bygone era, a funky old original neon sign acts as a beacon to the thirsty. Chromogenic archival print. Signed and dated on lower r...Category
Early 2000s Abstract Geometric Color Photography
MaterialsArchival Ink, Archival Paper, Archival Pigment, Photographic Paper
- Colorful New York City Facade with Blue, Yellow and Red Squares like MondrianBy Mitchell FunkLocated in Miami, FLMondrian came to New York City in the 1940s, and the city's real-world grid-like street design inspired him to create his famous Broadway Boogie-Woogie series, composed of primary co...Category
1990s Abstract Geometric Abstract Photography
MaterialsArchival Ink, Archival Paper, Archival Pigment
- Mid Century Bar and Grill Neon Sign - Printed on Hahnemühle Fine Art paperBy Mitchell FunkLocated in Miami, FLVestiges of a bygone era, a funky old original neon sign acts as a beacon to the thirsty. Chromogenic archival print. Signed and dated on lower r...Category
Early 2000s Abstract Geometric Color Photography
MaterialsPhotographic Paper, Archival Ink, Archival Paper, Archival Pigment
- Statue of liberty with colorful multiple exposuresBy Mitchell FunkLocated in Miami, FLSigned, dated, numbered lower right, recto 4/15, unframed, other sizes available, printed later, Printed on Hahnemühle Fine Art paper In-camera multiple exposures with red, orange,...Category
1970s Abstract Geometric Abstract Photography
MaterialsPhotographic Paper, Inkjet, Archival Ink, Archival Paper, Archival Pigment
- Golden Sky Scrappers Manhattan Skyline - Color PhotographyBy Mitchell FunkLocated in Miami, FLSigned, Dated, number Lower left recto, unframed, 4/15 other size available, printed later, Printed on Hahnemühle Fine Art paper Intense golden light reflects off of midtown glass ...Category
2010s Abstract Geometric Color Photography
MaterialsArchival Ink, Archival Paper, Archival Pigment, Inkjet
- Red LandscapeBy Mitchell FunkLocated in Miami, FLTypically the verdant landscape is transformed into a Color Field photograph consisting of vibrant red and magenta horizontal bands that radiate and reverberate with optical force. ...Category
1970s Abstract Geometric Color Photography
MaterialsPhotographic Paper, Archival Ink, Archival Paper, Archival Pigment
You May Also Like
- W.T.C: Concrete Abstract#14By Shai KremerLocated in New York, NYShai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. 9/11 Memorial & Museum W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York Museum of the City of New York The Bronx Museum of the Arts The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...Category
2010s Abstract Abstract Photography
MaterialsArchival Ink, Archival Paper, Archival Pigment
- W.T.C: Concrete Abstract#13By Shai KremerLocated in New York, NYShai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York Museum of the City of New York The Bronx Museum of the Arts The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...Category
2010s Abstract Abstract Photography
MaterialsArchival Ink, Archival Paper, Archival Pigment
- W.T.C: Concrete Abstract#12By Shai KremerLocated in New York, NYShai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York Museum of the City of New York The Bronx Museum of the Arts The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...Category
2010s Abstract Abstract Photography
MaterialsArchival Ink, Archival Paper, Archival Pigment
- Red Window (artist framed) - large scale abstract monochromatic photographLocated in San Francisco, CAlarge scale monochromatic abstract observation of geometric architectural elements, from Raymond Meier's series Renderings Red Window (Renderings 05) by Ra...Category
21st Century and Contemporary Abstract Color Photography
MaterialsArchival Pigment, Giclée, Archival Ink, Archival Paper
- W.T.C: Concrete Abstract#11By Shai KremerLocated in New York, NYShai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York Museum of the City of New York The Bronx Museum of the Arts The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...Category
2010s Abstract Color Photography
MaterialsArchival Paper, Archival Pigment, Archival Ink
- W.T.C: Concrete Abstract#10 (panorama)By Shai KremerLocated in New York, NYShai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York Museum of the City of New York The Bronx Museum of the Arts The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...Category
2010s Abstract Abstract Photography
MaterialsArchival Pigment, Archival Ink, Archival Paper
Recently Viewed
View AllMore Ways To Browse
Yellow House
Victorian House
House In Field
Red Victorian
Harder House
Victorian Architecture
Victorian Inspired
Victorian American Art
1970 Hard Edge Painting
Abstract Painting Hard Edge Yellow
Francisco Carter
Yellow Monitor
Victorian San Francisco
Funk San Francisco
San Francisco Mitchell Funk
Vintage Etching Art Prints Vintage Art Prints
Primary Color
Number Two Sign