Roland Fischer

Untitled (Signal Box, Basel)

2001

Signed and dated on the front of the mount. Limited edition of 35. Number 14 of 35. From the “Twenty Photographs, 1970-1977” Portfolio.

Signed and dated on the front of the mount. Limited edition of 35. Number 17 of 35. From the “Twenty Photographs, 1970-1977” Portfolio.

Original mixed media work by Canadian artist Brian Wood. This work comes in a contemporary frame presentation. Brian Wood is an artist working with multip...

Artist Statement: My work focuses on the surface tension within reflective surfaces exploring diverse and abstract forms. The imagery is fluid, caught in the instant between space an...

The work offered for sale here is an original vintage silver gelatin print hand created by Halsman in 1944 and exhibited at the International Center for Photography. Philippe Halsman was at one point considered the best photo-portraitist in France. He had an incessant interest in faces: “Every face I see seems to hide—and sometimes fleetingly reveal—the mystery of another human being.” Halsman’s photographs of politicians, celebrities, and intellectuals were featured widely in magazines like LIFE and Vogue. His more famous subjects included the likes of Marc Chagall, Le Corbusier, Audrey Hepburn, and Albert Einstein. He also had a 37-year collaboration with Salvador Dalí, which resulted in several famous surrealist series including the “Dalí’s Mustache” portraits...

An original silver gelatin print from the 1960's by American social documentary photographer Milton Rogovin.

'Ramunės no. 2' London, United Kingdom 2022 Limited edition of 20. Photograph printed on heavyweight fine art paper. COA Included.

'Ramunės' London, United Kingdom 2022 Limited edition 2 of 5. Photograph printed on heavyweight Hahnehmule German Etching fine art paper. Signed bot...

'Ramunės' London, United Kingdom 2022 Limited edition of 20. Photograph printed on heavyweight fine art paper. Photograph is shipped fast and flat in secure thick cardboard packa...

Gate Taught Version 1991. Large format silver gelatin photo. signed and dated. Zeke Berman’s still lifes are fabrications derived from the material of ordinary and intimate experience, reconstituted to satisfy the demands of improvised play, monocular vision, and the special characteristics of photographic description. They are concerned with the pictorial aspect of sculpture and the provisional nature of realistic indication. In the central tradition of still-life art, they aim to establish an unsuspected order in the congregation of unremarkable things. Since the late 1970's Zeke Berman has been making singular, studio-based photographs. These works reflect his long standing interest in visual cognition, optics and the intersection between sculpture, photography and drawing. The formal range of his work and his sculptural use of materials is varied, original and idiosyncratic. Berman’s work has been collected and exhibited in museums such as The Museum of Modern Art, The Metropolitan, Whitney, Art Institute of Chicago and LA County Museum. His work was featured in the first New Photography Exhibition, 1984, at MoMA. Awards include Guggenheim, NEA and NYFA Arts Fellowships. Berman lives and works in New York City. from MOMA A World of Its Own: Photographic Practices in the Studio examines the ways in which photographers and other artists using photography have worked and experimented within their studios, from photography’s inception to the present. Featuring both new acquisitions and works from the Museum’s collection that have not been on view in recent years, A World of Its Own brings together photographs, films, and videos by artists such as Berenice Abbott, Uta Barth, Zeke Berman, Karl Blossfeldt, Constantin Brancusi, Geta Brătescu, Harry Callahan, Robert Frank, Jan Groover, Barbara Kasten, Man Ray, Bruce Nauman, Paul Outerbridge, Irving Penn, Adrian Piper...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...