Bert Hardy

Race Times

1947

Digging For Clams Mrs Hans Estin watches her children digging for clams at low tide on Black Beach, Massachusetts Bay, circa 1960. Silver gelatin print Slim Aarons silver gelatin...

Park Avenue A view of neatly arranged office and apartment blocks along Park Avenue in New York City. Slim Aarons silver gelatine fibre based print Printed Later Slim Aarons Esta...

NY Apartments A block of apartments on Park Lane in New York. The building is stepped so that the design includes balconies for flats on each floor. Slim Aarons silver gelatine fi...

'Margot Fonteyn' by Houston Rogers (1901-70) Margot Fonteyn (1919-91) in the title role of Frederick Ashton’s ‘La Péri’ at The Royal Ballet, London, 1956. © Victoria and Albert Museum, London Paper size 20 x 16 inches / 50 x 40 cm Printed in 2022 - produced from the original transparency Silver Gelatin Fibre Print Galerie Prints is proud to share with you our curated selection of 200 Victoria & Albert Museum photographic prints. From this world-renowned collection, we have selected images from their fashion, architecture, theatre, and performance archives. All V&A images are uniquely produced as black and white silver gelatin and archival pigment prints. Galerie Prints’ premium quality prints are then made to order. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Houston Rogers (1902-1970) was one of London's leading theatre photographers from the 1930s until his death in 1970. His first notable work was photographing Fred Astaire and Claire Luce as the leads in the musical The Gay Divorcee. Rogers was playing the saxophone for the production at the time. Over his career, he captured performers such as Margot Fonteyn, Rudolf Nureyev, Alicia Markova, Julie Christie, John Gielgud, Peggy Ashcroft, Bette Davis, Douglas Fairbanks, Vivien Leigh, Edith Evans, Judi Dench, Maggie Smith, Maria Callas, Tito Gobbi, and Joan Sutherland...

Luxury Dining Diners in a grand ballroom during a fashion show, circa 1955. Slim Aarons silver gelatine fibre based print Printed Later Slim Aarons Estate Edition Produced util...

'Astaire And Luce' by Houston Rogers (1901-70) Fred Astaire (1899-1987) and Claire Luce (1903-89) in ‘The Gay Divorce’, 1932. © Victoria and Albert Museum, London Paper size 24 x 20 inches / 60 x 50 cm Printed in 2022 - produced from the original transparency Silver Gelatin Fibre Print Galerie Prints is proud to share with you our curated selection of 200 Victoria & Albert Museum photographic prints. From this world-renowned collection, we have selected images from their fashion, architecture, theatre, and performance archives. All V&A images are uniquely produced as black and white silver gelatin and archival pigment prints. Galerie Prints’ premium quality prints are then made to order. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Houston Rogers (1902-1970) was one of London's leading theatre photographers from the 1930s until his death in 1970. His first notable work was photographing Fred Astaire and Claire Luce as the leads in the musical The Gay Divorcee. Rogers was playing the saxophone for the production at the time. Over his career, he captured performers such as Margot Fonteyn, Rudolf Nureyev, Alicia Markova, Julie Christie, John Gielgud, Peggy Ashcroft, Bette Davis, Douglas Fairbanks, Vivien Leigh, Edith Evans, Judi Dench, Maggie Smith, Maria Callas, Tito Gobbi, and Joan...

Signed, dated and editioned. Signed, titled, editioned and dated on back of mount on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includ...

Signed, dated and editioned. Signed, titled, editioned and dated on back of mount on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includ...

Signed, dated and editioned. Signed, titled, editioned and dated on back of mount on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includ...

Printed later. Signed on the back of the print with date in pencil. Camera Obscura label on back of mat. Overmatted to 20 x 16 inches so frame-ready. Provenance: Camera Obscura Galle...

Printed later. Signed on the back of the print with date in pencil. Camera Obscura label on back of mat. Overmatted to 18 x 22". Provenance Camera Obscura Gallery (Denver) 1980s to p...

Signed, dated and editioned. Signed, titled, editioned and dated on back of mount on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includ...