16 Vintage Photographs of Classic Games from the 1960's and 1970's

1960s

The Complete Illustrated Book of Card Magic by Walter B. Gibson 1969 This is not one of the many reprints issued later. This is the actual book from 1969! Mr. Gibson wrote dozens of great books on magic and many other topics and also ghost-wrote for others. Book is in excellent condition, like new. See photos. The complete illustrated book of card magic: the principles and professional techniques fully revealed in text and photographs. Details: All basic secrets, master methods, and the greatest magic tricks done with cards – explained and illustrated step-by-step by WALTER B. GIBSON, one of the greatest authorities in the history of magic! If you have ever been baffled by the flawless performance of a card trick . . . if you have ever dreamed of amazing your friends with a deck of cards . . . this astonishing, giant of a book is for you. It shows how all the tricks are done – and how to do them yourself. And it’s easy! Because Walter Gibson – friend and close associate of Houdini and Blackstone – explains every trick every step of the way! The ultimate reference on card magic You’ll learn Houdini’s own “top change,” how to prepare a deck, how to force a spectator to choose the card you want him to. You’ll find nine pages of gambler’s tricks. In all, you’ll learn 23 simplified tricks; 89 basic sleights; 86 methods of card control; 34 patterns of card discoveries; 18 special tricks; 51 flourishes; 9 color changes; 85 full-pack tricks; 33 special types of tricks; 17 dealing tricks; and 20 prepared tricks. All in the 200,000 clearest, most authoritative words ever written on the subject. Plus . . . 379 Photo-illustrations. Every photograph is captioned and every one was taken with mirrors. Which means that, as Walter Gibson performed, he saw his hands and chose the clearest position for the photograph . You see every step of the trick exactly. Page 1 Triumphant Threes Page 2 As Many As You Page 3 Royal Roundup Page 5 Add-a-Card Page 6 Predicted Heap Page 8 Thieves and Sheep Page 9 Improved Piano Mystery Page 10 Mental Mastery Page 11 Double Choice Page 11 Super Mental Mastery Page 13 Kings and Queens Page 14 Royal Marriages Page 16 Red-Card Prediction Page 17 Super-Red Prediction Page 19 Twenty-Seven Trick Page 20 Fifth Card Page 21 One Choice in Five Page 21 One Out of Many Page 22 Transposed Cards Page 23 Color Sense Page 24 Three Color Packets Page 25 Forty-Nine Cards Page 29 Ways of Dealing Cards Page 29 Simple or Reverse Deal Page 30 Turnup Deal Page 31 Group Deal Page 32 End Deals Page 32 Bottom Draw Page 32 Cutting the Pack Page 33 Single Cut Page 33 Multiple Cut Page 33 Undercut Page 34 One-Hand Table Cut Page 35 Turnover Move Page 37 Shuffling the Pack Page 38 Standard Overhand Page 39 Reverse Overhand Page 39 Front-and-Back Overhand Shuffle Page 40 Dovetail Shuffle Page 41 Outer-Corner Shuffle Page 41 False Cuts Page 41 Double Pickup Page 41 Double Laydown Page 42 Top-Card Blind Page 43 Simulated Cut Page 43 False Three-Heap Cut Page 44 False Running Cut Page 45 False Triple Cut Page 47 False Shuffle Cut Page 48 False Shuffles Page 48 False Dovetail Page 49 Small-Group Dovetail Page 50 Push-Through Shuffle Page 51 V Twist Page 52 Inverted V Twist Page 52 False Overhand Shuffles Page 53 Top-to-Bottom Shuffle Page 53 Double Pullaway Page 53 Cut Shuffle Page 54 False Front-and-Back Shuffle Page 54 False Shuffle Devices Page 54 In Jog Page 56 Out Jog Page 56 Break Page 58 Second Deal Page 60 Turnover Second Deal Page 62 Bottom Deal Page 64 Methods of Presenting the Pass Page 66 Standard Pass Page 69 Slow-Motion Pass Page 71 End-over-End Pass Page 73 Slow-Motion End-over-End Pass Page 76 Turnover (Herrmann) Pass Page 79 Delayed Turnover Pass Page 80 Modified Turnover Pass Page 82 Charlier Pass Page 85 Screening the Charlier Pass Page 85 Turnaway Page 85 Behind the Back Page 85 Behind the Arm Page 86 Right-Hand Screen Page 86 Full-Front Pass Page 87 Charlier Turnover Page 87 How to Palm Cards Page 87 Top Palm Page 88 Simple Side Palm Page 88 Palm Holds Page 90 Improved Side Palm Page 91 Side Count Page 91 Spread Count Page 91 End Count Page 92 Spring Palm (Spring Count) Page 93 Thumb Count Page 93 End Palm Page 94 Corner Palm Page 96 Turnover Palm Page 96 Second Palm Page 97 Swivel Palm Page 98 Bottom Palm Page 98 Standard Bottom Palm Page 99 Bottom Count Page 100 Push-Out Page 100 Thumb Steal Page 101 Replacing Palmed Cards Page 101 Simple Replacement Page 102 Turnover Replacement Page 102 Riffle Replacement Page 102 Drop-On Page 103 Bulge Page 104 Pickup Page 104 Cut Pickup Page 105 Spread Replacement Page 105 Ways of Changing a Card Page 105 Bottom Change Page 108 From Right to Left Page 108 Sleeve Change Page 109 Top Change Page 111 From Right to Left Page 111 Top-Change Deal Page 112 Take-Away Change Page 114 Concealed Top and Bottom Changes Page 119 Palm Change Page 120 Throw Change Page 122 Spring Change Page 124 Alternatives for the Pass Page 124 Alternatives for the Standard Pass Page 124 Sleeve to Sleeve Page 125 Sleeve Switch Page 125 Top-Middle-Bottom Page 126 Revolving Pass Page 127 Riffle Pass Page 128 Throw Pass Page 128 Alternatives for End-over-End Page 128 Crosswise Bridge Page 130 Longitudinal Bridge Page 131 Single Card Page 132 Double End-Over Page 133 Forward Drop Page 134 Push-Back Page 136 Fan Grip Page 137 Shuffle Pass Page 137 Simple Shuffle Pass Page 138 Reverse Shuffle Pass Page 139 Special Shuffle Pass Page 139 Corner Crimp Page 140 Upward Crimp Page 141 Downward Crimp Page 142 Random Card Page 143 Various Sleights I Page 143 Half Pass Page 143 With the Standard Pass Page 143 With the Turnover Pass Page 143 With the Modified Turnover Pass Page 143 With the Charlier Pass Page 144 Half Flip Page 144 Turning the Pack Page 144 Turnover Page 145 Layover Page 145 Glimpsing a Card Page 145 Dovetail Glimpse Page 146 Shuffle Glimpse Page 146 Squeeze Glimpse Page 147 Quick Top Glimpse Page 148 Expert Glimpse Page 148 Gambler’s Glimpse Page 150 Various Sleights II Page 150 Glide Page 151 Slip (Slip Cut) Page 152 Slide Page 153 Flipover Page 154 Double Lift Page 154 Outward Lift Page 156 Inward Lift Page 156 Side Lift Page 157 Remarks on Lifts Page 157 Triple Lift Page 158 Thumb-Off Page 158 Drop Page 159 Buckle Page 160 Buckle Count Page 160 False Count Page 161 Forcing a Card Page 162 Standard Force Page 163 Behind the Back Page 164 Alternative Procedure Page 164 Joker Force Page 165 Variant Page 165 Face-Front Force Page 167 Charlier Force Page 167 Glide Force Page 168 Cards in the Case Page 169 Turnover Force Page 169 Riffle Force Page 169 With a Short Card Page 170 Double Deal Page 171 Double Turnover Force Page 171 Special Controls Page 171 Peek Page 172 Tilt-Back Page 173 Side-Drop Page 173 Corner Grip Page 174 Side Steal Page 176 Riffle to Pocket Page 177 Multiple Push-Through Page 179 Palm Steal Page 180 How to Switch Packs Page 180 Simple Pocket Switch Page 181 Duplex Pocket Switch Page 181 Two-Pack-Trick Switch Page 181 Single-Trick Switch Page 181 Pocket-Handkerchief Switch Page 182 Handkerchief on Table Page 182 End Shuffle Page 182 Basic Shuffle Page 183 Simple Card Location Page 185 Flash Force Page 185 Bottom Glimpse Page 186 End Shuffle Card Control Page 187 False End Shuffle Page 187 End Shuffle Force Page 188 Top Glimpse Page 189 Hit the Deck Page 189 Knockout Page 190 Countdown Page 190 Name the Card Page 191 Card in Wallet Page 191 Double Detection Page 191 Cards Caught in Midair Page 192 Card Through Handkerchief Page 192 Handkerchief Repeat Page 192 Magnetized Card Page 193 Jumping Card Page 193 Any Number Down Page 193 Double Count Page 193 Turnup Count Page 194 Calling All Cards Page 194 Chosen Card Up Sleeve Page 194 Follow-Up Sleeve Page 195 Any Number Up Page 195 Card Finds Card Page 195 Your Card Is Next Page 195 Best Card in Pocket Page 196 Pocket Prediction Page 197 Baffling Queen Page 197 Like Seeks Like Page 198 Three-Card Climax Page 199 One Chance in Four Page 200 Third Card Page 201 Double-Dealer Page 202 A Neat Card Location Page 202 Three in a Row Page 203 Find Five Cards Page 203 Klip-Kard Page 204 Card, Clip, and Ribbon Page 204 Sit-Down Strike Page 205 Six-Card Repeat Page 209 Six-Card Repeat Without Extra Cards Page 211 Twelve Cards Up Sleeve Page 215 Slap Vanish Page 215 Packet-to-Packet Page 219 Reversed Passage Page 220 Red and Blue Packets Page 221 Between Ten and. Twenty Page 223 Thirty-third Card Page 225 Quick Prediction Page 226 Do As I Do Page 227 Shuffle Do As I Do Page 228 Triple Do As I Do Page 229 Card Through Handkerchief and Case Page 230 Phonepathic Card (Super Telephone Telepathy) Page 233 Twenty-Card Memory Page 235 Ten-Card Memory Page 237 Spring Page 239 Spring Location Page 239 With Additional Cards Page 240 Another Spring Location Page 241 Spring Pass Page 242 Arm Spread Page 243 Slide-Down Page 243 Turnover Page 244 Slide Toss Page 244 Somersault Page 245 Turnover Catch Page 246 Inward Catch Page 246 Backhand Catch Page 247 One-Hand Catch Page 247 Double Catch Page 247 Shuffled Spread Page 248 Halfway Turnover Catch Page 249 Waterfall Page 250 Electric Pack Page 250 Fan Sleights Page 250 One-Hand Fan Page 251 Fan Production at Elbow Page 252 Face-Front Fan Production Page 254 Repeat Fan Production Page 254 Vanishing Pack Page 256 Reappearing Fan Page 258 Card-Fan Pack Switch Page 259 Fan Force Page 262 One-Hand Fan Force Page 263 Fan-Force Location Page 263 Reverse Fan Sweep Page 265 Fan-Sweep Location Page 267 Fan-Sweep Palm Page 269 Pressure Fan Page 270 Ornamental Fans Page 271 Finger Fan Page 272 Closing the Fan Page 272 Blank Fan Page 273 Split Fans Page 274 Special Fanning Packs Page 274 Giant Fan Page 275 Double Fan Page 275 Wedge (Faro) Shuffle Page 276 Card Vanishes and Productions Page 276 Back-and-Front Palm Page 279 Showing the Back of the Hand Page 281 Alternative Mode of Transfer Page 281 Vanish and Reproduction of Additional Cards Page 285 Six-Card Vanish and Production Page 286 Continuous Card Production Page 287 Continuous Fan Production Page 290 Cards at Finger Tips Page 291 Snap Production Page 293 Perfection Card Production Page 295 Perfect Color-Change Routine Page 295 Thumb Steal Color Change Page 297 Palm Color Change Page 298 Color-Change Routine Page 301 Erdnase Color Change Page 304 Vertical Color Change Page 307 Transposed Spot Page 308 Visible Change Page 311 Visible Change Routine Page 316 With a New Pack Page 316 Multiple Mentality Page 317 Three-in-a-Row Page 318 Cards Foretold Page 318 Double Detection Page 319 Seven-Handed Poker Page 321 Special Setups Page 321 Pack-to-Pack Page 322 Suit-for-Suit Page 324 Alternative Method Page 325 Red-and-Blue Coincidence Page 326 Climax Card Change Page 327 Three-Card Climax Page 328 Two Minds in Tune Page 330 Card Foretold Page 331 Simplex Coincidence Page 332 Multiple Surprise Page 333 Divided Packs Page 333 Red and Black Page 334 Pairing the Suits Page 334 Odds and Evens Page 334 Suits and Values Page 335 Shuffling and Cutting the Divided Pack Page 335 With the Dovetail Shuffle Page 335 With the Overhand Shuffle Page 335 Cutting the Pack Page 336 Double Choice Page 336 One-Way Packs Page 338 Handling the One-Way Pack Page 338 Sweep Replacement Page 338 Turnover Turnabout Page 339 Dividing the Pack Page 339 Shuffling the Pack Page 339 Bringing Turned Cards to Top Page 340 Setting Up the One-Way Pack Page 340 Natural Affinity Page 341 Red-and-Black Baffler Page 342 Pointer Cards Page 343 Prearranged Packs Page 344 Naming a Chosen Card Page 344 Multiple Detection Page 345 Suit and Value Page 345 Three Heaps Page 346 Concentration Page 346 Lucky Thirteen Page 347 Card at Any Number Page 348 Where Is My Card? Page 348 Perfect Bridge Deal Page 349 Faked Packs Page 349 Peek Deck Page 350 Naming Chosen Cards Page 350 Vanished Cards from Pockets Page 350 Two-Pack Climax Page 350 Special Speller Page 351 Notes on Peek Decks Page 351 Brain Wave Deck Page 353 Impromptu Brain Wave Page 354 Follow-Up to Impromptu Brain Wave Page 355 Alternative Brain Wave Page 356 Alternative Brain Wave (with Spread-Out) Page 357 Svengali Pack Page 358 In the Force Page 358 When the Pack is Shuffled Page 358 Display Riffle Page 359 Fan Discovery Page 359 Count to Chosen Card Page 359 Think of a Card Page 360 Wrapped Pack Page 360 Unseen Card Page 360 Reversed Card Page 360 Card on Chosen Heap Page 360 Ascending Card Page 361 Card-Stabbing Climax Page 361 Svengali Outdone Page 361 Mene-Tekel Pack Page 363 Mental Detection Page 363 Card in Pocket Page 363 Face-Up Card Page 364 Face-Up Repeat Page 364 Red and Blue Page 365 Two Packets Page 366 Remote Control Page 367 Wizard Pack (Strippers) Page 368 Controlling a Chosen Card Page 369 Tricks with the Wizard Pack Page 369 Dropaway Cards Page 369 Cards Under Handkerchief Page 369 Four-Ace Deal Page 369 Cut to Any Number Page 370 Red-and-Black Fantasy Page 370 Prediction Pack Page 372 Spelling Tricks Page 372 Triple Mental Speller Page 373 Alternating Speller Page 374 Multiple-Speller Mystery Page 376 Spell It Yourself Page 377 The Card You Took Page 378 Shuffled Speller Page 379 Spelling Bee...

This original oil painting by famed Canadian realist Carol Soo Lum cannot be appreciated on a computer screen. In real life, it is amazing.

This is not one of McMackin's widely available reproductions. This is the actual oil painting of the Canadian Snowboarder. Arrives framed. One cannot appreciate this beautiful painting on a computer screen. In real life, it is fantastic. Snowboarding is a recreational and competitive activity that involves descending a snow-covered surface while standing on a snowboard that is almost always attached to a rider's feet. It features in the Winter Olympic Games and Winter Paralympic Games. Snowboarding was developed in the United States, inspired by skateboarding, sledding, surfing, and skiing. It became popular around the world, and was introduced as a Winter Olympic Sport at Nagano in 1991 and featured in the Winter Paralympics at Sochi in 2014.2 As of 2015, its popularity (as measured by equipment sales) in the United States peaked in 2007 and has been in a decline since. The first snowboards were developed in 1965 when Sherman Poppen, an engineer in Muskegon, Michigan, invented a toy for his daughters by fastening two skis together and attaching a rope to one end so he would have some control as they stood on the board and glided downhill. Dubbed the "snurfer" (combining snow and surfer) by his wife Nancy, the toy proved so popular among his daughters' friends that Poppen licensed the idea to a manufacturer, Brunswick Corporation, that sold about a million snurfers over the next decade.5 And, in 1966 alone, over half a million snurfers were sold. Modern snowboarding was pioneered by Tom Sims and Jake Burton Carpenter, who both contributed significant innovations and started influential companies. In February 1968, Poppen organized the first snurfing competition at a Michigan ski resort that attracted enthusiasts from all over the country.7 One of those early pioneers was Tom Sims, a devotee of skateboarding (a sport born in the 1950s when kids attached roller skate wheels to small boards that they steered by shifting their weight). In the 1960s, as an eighth grader in Haddonfield, New Jersey, Sims crafted a snowboard in his school shop class by gluing carpet to the top of a piece of wood and attaching aluminum sheeting to the bottom.8 He produced commercial snowboards in the mid-70s.9 Others experimented with board-on-snow configurations at this time, including Welsh skateboard enthusiasts Jon Roberts and Pete Matthews developed their own snowboards to use at their local dry ski slope. Also during this same period, in 1977, Jake Burton Carpenter, a Vermont native who had enjoyed snurfing since the age of 14, impressed the crowd at a Michigan snurfing competition with bindings he had designed to secure his feet to the board. That same year, he founded Burton Snowboards in Londonderry, Vermont.12 The "snowboards" were made of wooden planks that were flexible and had water ski foot traps. Very few people picked up snowboarding because the price of the board was considered too high at $38 and were not allowed on many ski hills, but eventually Burton would become the biggest snowboarding company in the business.13 Burton's early designs for boards with bindings became the dominant features in snowboarding. The first competitions to offer prize money were the National Snurfing Championship, held at Muskegon State Park in Muskegon, Michigan.14 In 1979, Jake Burton Carpenter came from Vermont to compete with a snowboard of his own design. There were protests about Jake entering with a non-snurfer board. Paul Graves, and others, advocated that Jake be allowed to race. A "modified" "Open" division was created and won by Jake as the sole entrant. That race was considered the first competition for snowboards and is the start of what became competitive snowboarding. Ken Kampenga, John Asmussen and Jim Trim placed first, second and third respectively in the Standard competition with best two combined times of 24.71, 25.02 and 25.41; and Jake Carpenter won prize money as the sole entrant in the "open" division with a time of 26.35.15 In 1980 the event moved to Pando Winter Sports Park near Grand Rapids, Michigan because of a lack of snow that year at the original venue. In the early 1980s, Aleksey Ostatnigrosh and Alexei Melnikov, two Snurfers from the Soviet Union, patented design changes to the Snurfer to allow jumping by attaching a bungee cord, a single footed binding to the Snurfer tail, and a two-foot binding design for improved control. As snowboarding became more popular in the 1970s and 1980s, pioneers such as Dimitrije Milovich (founder of Winterstick out of Salt Lake City, UT), Jake Burton Carpenter (founder of Burton Snowboards from Londonderry, Vermont), Tom Sims (founder of Sims Snowboards), David Kemper (founder of Kemper Snowboards) and Mike Olson...

New York City Abstract Expressionist Between Abstraction, Calligraphy & Graffiti Vivian Muller presents an homage to Greek and Roman mythology, ...

Exceedingly rare, one-of-a-kind handwritten Jewish calendrical manuscript from Władysławowie, 1837. This book belongs in a museum. Rebound beautifully by James MacDonald & Co. Photos are the actual photos of the book. See all photos. The history of the Jewish calendar may be divided into three periods—the Biblical, the Talmudic, and the post-Talmudic. The first rested purely on the observation of the sun and the moon, the second on observation and reckoning, the third entirely on reckoning. The study of astronomy was largely due to the need of fixing the dates of the festivals. The command (Deut. xvi. 1), "Keep the month of Abib," made it necessary to be acquainted with the position of the sun; and the command, "Also observe themoon and sanctify it," made it necessary to study the phases of the moon. The oldest term in Hebrew for the science of the calendar is ("fixing of the month"); later ("sanctification of the new moon"); ("sanctification of the new moon by means of observation"); ("sanctification of the new moon by means of reckoning"); ("science of fixing the month"); ("rules for the sanctification of the new moon"). Among other names besides these we find (" the secret of intercalation"). The medieval and modern name is Babylonian Calendar. The Babylonian year, which influenced the French time reckoning, seems to have consisted of 12 months of 30 days each, intercalary months being added by the priests when necessary. Two Babylonian calendars are preserved in the inscriptions, and in both each month has 30 days as far as can be learnt. In later times, however, months of 29 days alternated with those of 30. The method of intercalation is uncertain, and the practise seems to have varied. The Babylonian years were soli-lunar; that is to say, the year of 12 months containing 354 days was bound to the solar year of 365 days by intercalating, as occasion required, a thirteenth month. Out of every 11 years there were 7 with 12 months and 4 with 13 months. Strassmeier and Epping, in "Astronomisches aus Babylon," have shown that the ancient Babylonians...

Looking for an amazing gift for the Billy Crystal fanatic? Forget about all these supposedy signed cards, baseballs, programs etc. Do you really think he sits around all day signing all those things? Offered here is an incredible collection, consisting of: 1. The original first draft movie script...

Silver Photographic print of a bedside table and lamp by D. Smalen. Signed lower Right on mat "D. Smalen." Circa 1980-90. Size 10"H x 8"W , Sight, 9"H x 7.25"W, Mat, 16"H x 20"W.

Untitled, (Cactus), Archival film photograph with frame, 2019 Raised in the American West, this region has resonated in mythical proportions within Antonia Stoyanovich...

A black and white photograph of a young woman with flowers

16.5x20.5, 7.5x9.5 actual image Born in 1957 at Kalamazoo and raised in Detroit, MI, Tom Ferguson has photographed still lifes, flowers, botanicals, collage, city-scapes and landscapes. He works in platinum, palladium, cyanotype, gum, silver gelatin and other alternative processes. He is also a fine commercial photographer. This is similar in feel to Karl Blossfeldt and Irving Penn. He moved to Los Angeles in 1976, and currently lives in Simi Valley.

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ FlowerHead 1‘ who was captured on film...

Flower - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then prin...