Brett Weston

Manufacturer’s Trust Bank

1956

An original silver gelatin print from the 1960's by American social documentary photographer Milton Rogovin.

Edward Weston (American, 1886-1958) Eggs and Slicer, 1930 Gelatin silver print, printed later by Cole Weston; signed, titled, dated and numbered '3E' by Cole Weston in pencil and 'Ed...

An original gelatin silver print by American social documentary photographer Milton Rogovin depicting a resident of Buffalo's West Side in the early 1970's. This work is hand signed ...

Signed and dated on the front of the mount. Limited edition of 35. Number 9 of 35. From the “Twenty Photographs, 1970-1977” Portfolio.

An original gelatin silver print by American social documentary photographer Milton Rogovin depicting a resident of Buffalo's East Side in the early 1960's. This work is hand signed ...

"Leaf on Asphalt is signed and dated on the front of the mount. Limited Edition work from the Hawaii Portfolio.

Fine Fireman 1940s Mid Century WPA Era Modernism Baltimore Black & White Photograph. A. Aubrey Bodine (American, 1906-1970). Gelatin silver print, signed...

Artist: Lee Friedlander (1934) Title: Nude (Madonna) Year: 1979, printed by the photographer later. Medium: Silver Gelatin Print Size: 12 1/8 x 8 1/8 inches Condition: Excellent Insc...

Sabine Weiss Alberto Giacometti dans son Atelier, 1954 (Giacometti in his studio), ca. 1970 Gelatin silver print mounted on paper Signed in graphite by Sabine Weiss on the mount directly underneath the photograph Frame Included This now iconic photograph of Alberto Giacometti in his studio was taken in 1954 by the celebrated photographer Sabine Weiss, who at the time, had unparalleled access to the artist. It was printed ca. 1970 and signed on the mount directly underneath the photograph in a limited edition of an undisclosed size. Highly collectible. Elegantly matted and framed in a museum quality wood frame with UV plexiglass. Measurements: Framed 18 x 14.5 x 1.25 inches Photograph 12.5 x 8.75 inches Sabine Weiss biography: For over sixty years, Sabine Weiss’s name has been synonymous with the seminal era of French Humanist photography. A living legend, Weiss’s images from 1950s Paris speak of a postwar time when a feeling of hope and joie de vivre could be felt in the people populating the city’s cafes, squares, streets, and in all corners throughout Paris. Weiss would photograph individuals going about their daily lives capturing their emotions and creating a style that combined spontaneity and informality, backed by photographer’s intuition and knack for seeing and celebrating the simple joys of life. As she said, “I take photographs to hold on to the ephemeral, capture chance, keep an image of something that will disappear: gestures, attitudes, objects that are reminders of our brief lives. The camera picks them up and freezes them at the very moment that they disappear. I love this constant dialogue between myself, my camera and my subject, which is what differentiates me from certain other photographers, who don’t seek this dialogue and prefer to distance themselves from their subject.” Originally from Switzerland, Weiss moved to Paris in 1946 where she first assisted fashion photographer Willy...

Adolphe Braun (French, 1811-1877) Bouquet, c. 1850 Silver gelatin print 10 1/2 x 11 1/2 in. Matte: 12 1/2 x 14 in. Walter Rosenblum Label verso: "Bouq...

An original 1920s silver gelatin print by photographer Tina Modotti, showing a detail of an image of St. Francis in a fresco in a prep school in Mexico City by Clemente Orozco. Ar...

An original 1920s silver gelatin print by photographer Tina Modotti, showing a Diego Rivera fresco in the Secretariat of Education in Mexico City, Mexico. Photo is stamped “Photogra...