Christopher Williams

1964 Renault Dauphine

c2000

a Southampton, New York garden image, 2008 Digital print on Kodak Royal Digital paper 8x 10 inches

Southampton Garden, Autumn 2008

Carvings 1-5 by Sterling Ruby is one work in five parts of images of tree carvings. Sold as a set of five only, each work is 36 x 36 inches, framed by the artist in a deep mahogan...

Southhampton, Autumn 2008 Digital Print 8 x 10 inches

20 x 15 inches image size 30 x 25 inches paper size Please Note: This work is framed; the framed photograph shows the print with the 5 inch paper border Pigment print on Kodak met...

Paper size is 30 x 25 inches, image size is 20 x 15 inches Signed, dated and numbered Pigment print on Kodak Metallic paper, there is a 5 inch border around the image which enhances...

This 2009 photograph by legend photographer, John Stoddart depicts “The Swan with Leda.” It was inspired from the mythology of the Greek story of Leda and the Swan, when the God Zeus...

This 2009 photograph by legend photographer, John Stoddart depicts “The Swan with Leda.” It was inspired from the mythology of the Greek story of Leda and the Swan, when the God Zeus...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-5-64 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 18 x 11,7 cm (7 1/8 x 4 5/8 in.) Unique Print only Tichý, pra...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 3-8-236 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 16,8 x 11,8 cm (6 5/8 x 4 5/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-3-11 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 22,9 x 17,1 cm (9 x 6 3/4 in.) Unique Print only Tichý, pract...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 10-1-167 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 17,7 x 17,8 cm (7 x 7 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...