Danny Clinch

Johnny Cash, New York, 1994

1994

Hunter Barnes has documented his stay when joining the Tamkaliks Powwow in Wallowa, Oregon. This work is an artist proof, archival silver gelatin, handprinted by the artist and signe...

Photogravure from the Tom Baril 'Manhattan' Portfolio. Edition of 75, signed by the artist on bottom right. Framing: acid free, archival framed, cotton rag mat. Glazing: Optium muse...

Hunter Barnes has documented his stay when joining the Tamkaliks Powwow in Wallowa, Oregon. This work is an artist proof, archival silver gelatin, handprinted by the artist and signed on verso. Directly acquired from the artist. The framing is 100% archival, with the use of only acid frame materials. Glazing, Optium non glare museum plexi. Hand finished wooden frame. Hunter Barnes is a documentary photographer whose work captures aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. Hunter trained in photochemistry and traditional photographic techniques. At a young age, he began a nomadic life on the road. In his early twenties, Hunter self published his first book, Redneck Roundup, documenting the dying communities of the Old West. Other projects followed: four years spent with the Nez Perce tribe; months with a serpent handling congregation in the Appalachain mountains; bikers, lowriders, and street gangs...

Photogravure from the Tom Baril 'Manhattan' Portfolio. Edition of 75, signed by the artist on bottom right. Framing: acid free, archival framed, cotton rag mat. Glazing: Optium museum plexi. A graduate of New York’s School of Visual Arts, Tom Baril spent over fifteen years as Robert Mapplethorpe’s master printer. His subjects include urban architecture, seascapes and meticulously detailed botanical and nature photographs. Baril’s work demonstrates a command of technique that results from his extensive experience as a master printer. Baril developed a unique toning process that enriches the color and opulence of his photographs. Tom Baril is inspired by the nature studies of modernist photographers such as Edward Weston, Imogen Cunningham and Karl Blossfeldt. A similar attentiveness to the clarity of line, form, pattern and texture characterizes Baril’s still lifes. In composing the seascapes, Baril employs the traditional box camera obscura, better known as the pinhole camera...

Photogravure from the Tom Baril 'Manhattan' Portfolio. Edition of 75, signed by the artist on bottom right. Framing: acid free, archival framed, cotton rag mat. Glazing: Optium muse...

Photogravure from the Tom Baril 'Manhattan' Portfolio. Edition of 75, signed by the artist on bottom right. Framing: acid free, archival framed, cotton rag mat. Glazing: Optium muse...

Diana Vreeland at home, 550 Park Avenue, New York, 21 July 1979 Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Orig...

Ai Weiwei in his studio, Beijing, 12 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Origin Signed and ...

Villa Cetinale, Italy, May 2012 A moment at a storied property where centuries of history pile on Photographed by Jonathan Becker Contemporary 44" x 4...

David Bowie, Damien Hirst, and Julian Schnabel at Hirst's Opening, Gagosian Gallery, New York, 3 May 1996 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigmen...

Elaine's Kitchen - Saturday Night Live • Chevy Chase, Dan Aykroyd, John Belushi & Lorne Michaels, New York, January 1976 Photographed by Jonathan ...

Listing includes free shipping for unframed prints in the U.S. and 14-day return policy. Ian Ruhter Monument Valley (How The West Was Won) 30 x 40 inch archival pigment print Editi...