Dominique Teufen

Riverbed – Dominique Teufen, Photography, Abstract, Landscape, Art, Nature

2014

NICK BRANDT (*1966, England) Elephant Cathedral, Maasai Mara, 2007 Archival Pigment Print Sheet 109,2 x 96,5 cm (43 x 38 in.) Edition of 15 (#12/15) print only Nick Brandt is a cont...

Dominique TEUFEN (*1975, Switzerland) Driedout, 2015 From the series „Sterne? Kopierter Staub” Hanemühle Fine Art Baryta Sheet 40 x 60 cm (15 3/4 x 23 5/8 in.) Edition of 5, plus 2 A...

Dominique TEUFEN (*1975, Switzerland) Rainyday, 2013 From the series „Sterne? Kopierter Staub” Hanemühle Fine Art Baryta Sheet 40 x 60 cm (15 3/4 x 23 5/8 in.) Edition of 5, plus 2 A...

Dominique TEUFEN (*1975, Switzerland) Canyon, 2015 From the series „Sterne? Kopierter Staub” Hanemühle Fine Art Baryta Sheet 40 x 60 cm (15 3/4 x 23 5/8 in.) Edition of 5, plus 2 AP;...

Dominique TEUFEN (*1975, Switzerland) Cliff, 2015 From the series „Sterne? Kopierter Staub” Hanemühle Fine Art Baryta Sheet 40 x 60 cm (15 3/4 x 23 5/8 in.) Edition of 5, plus 2 AP; ...

Dominique TEUFEN (*1975, Switzerland) Desertrocks, 2015 From the series „Sterne? Kopierter Staub” Hanemühle Fine Art Baryta Sheet 40 x 60 cm (15 3/4 x 23 5/8 in.) Edition of 5, plus ...

'Last Light' Limited Edition (1 of 25) Archival Photograph. Unframed. _________________ Dusk throws on her spotlights, casting deep silhouettes and revealing rich layers in the vast...

Foto fine art in Bianco e Nero di Manhatthan, New York scattata a Marzo 2008 dall'Empire States Building. Edizione Limitata di 10# Stampata in edizione limitata in una tiratura ...

Foto fine art in Bianco e Nero di Manhatthan, New York scattata a Marzo 2008 dall'Empire States Building. Edizione Limitata di 10# Stampata in edizione limitata in una tiratura ...

This photo was taken on March 1998 in New York and it printed on Hahnemühle Photo Rag 308 paper - 50x 50 . Black & White

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

An immense beech pollard, cut in its youth hundreds of years ago, has developed dozens of thick branches from its spiralling trunk. One in a line of several very old beeches in Sussex woodland that may have marked a boundary or a long forgotten track. Artwork info: Archival Pigment Print, Edition of 8 +2AP This print is unframed but can be mounted on Dibond upon request (price upon application) and further framing options are also available - Please contact us at MMX Gallery for more details or purchase here the unframed print. About the Artist: Born in Birmingham in 1973, Jasper Goodall...