Raquel Welch in Hammock

2023

This black and white candid shot features actress and sex symbol Marilyn Monroe in a low-backed black dress. This image was captured as Monroe was walking away while surrounded by ph...

"This black and white image features Bette Davis Marlon Brando and Grace Kelly smiling and holding awards at the 1954 Oscar Awards. Grace Kelly was...

Great candid black and white capture featuring Jimmy Stewart, Dale Evans and her husband Roy Rogers, dressed in cowboy gear singing together. met Dale Evans in 1944 when they were cast in a film together. They were well known as advocates for adoption and as founders and operators of children's charities. They adopted several children. Both were outspoken Christians after their marriage. Beginning in 1949, they were part of the Hollywood Christian Group, founded by their friend, Louis Evans, Jr., the organizing pastor of Bel Air Church. The group met in Henrietta Mears's home and later in the home of Evans and Colleen Townsend, after their marriage. Billy Graham...

Arnold Schwarzenegger and Maria Shriver attend the Share 30th annual Boomtown party at the Universal Amphitheatre. Arnold Schwarzenegger is an Austrian-American actor, producer, bu...

This black and white candid capture features a radiant Jane Russell stands out from the crowd while arriving for an event in Hollywood, California, circa 1958. Jane Russell was an ...

Candid black and white capture of actor Humphrey Bogart and Lauren Bacall at the Oscars, circa 1952. On May 21, 1945, Bacall married actor Humphrey Bogart, 25 years her senior. The...

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

The iconic buildings of modern architecture are wonderful. No doubt. Every single line is designed to create a result of power, glory, and undisputed beauty. Are you sure? … By quest...

The iconic buildings of modern architecture are wonderful. No doubt. Every single line is designed to create a result of power, glory, and undisputed beauty. Are you sure? … By quest...

The iconic buildings of modern architecture are wonderful. No doubt. Every single line is designed to create a result of power, glory, and undisputed beauty. Are you sure? … By quest...

The “Still Live” photographs” are a manifesto of slowness, of the pleasure of observation, of recovery of reflection. Giangiacomo Rocco di Torrepadula takes an everyday object from his household, one that appears to no longer be useful because it is old, broken or only kept for its sentimental value. He places it in a space and makes use of his monorail camera. Before taking the shot, he studies the object calmly, engaging in an intimate dialogue with it until he finds a view that gives it a new life. It is hard to get it right the first time. All the various attempts are measured, calculated, slow. Speed does not belong to the monorail camera. Each attempt is well thought out, then developed in a darkroom and scanned using a special technique to bring out the image. It can take several days to get the right result. But these are days that have the pleasure of slowly rediscovering a past that you somehow manage to reclaim. Here, we are a long way away from the execution speed typical of digital and even further away from the frenetic exploitation of images on social media. The result is an image that erupts with its wealth of detail, which is especially explosive when printed in large format. The object becomes seductive, often turning into something else entirely, that may not be immediately perceptible. The perspective, the details, the light, all stimulate the observer to actively participate in this new vision. Far from being a nostalgic interpretation, the work leads the viewer to investigate the form, to pause, to observe the details, to get lost in the haziness, and in so doing, to regain possession of their time in a gesture of profound observation. In this hectic, busy, fast-paced world, nothing ever stops making sense...

The “Still Live” photographs” are a manifesto of slowness, of the pleasure of observation, of recovery of reflection. Giangiacomo Rocco di Torrepadula takes an everyday object from his household, one that appears to no longer be useful because it is old, broken or only kept for its sentimental value. He places it in a space and makes use of his monorail camera. Before taking the shot, he studies the object calmly, engaging in an intimate dialogue with it until he finds a view that gives it a new life. It is hard to get it right the first time. All the various attempts are measured, calculated, slow. Speed does not belong to the monorail camera. Each attempt is well thought out, then developed in a darkroom and scanned using a special technique to bring out the image. It can take several days to get the right result. But these are days that have the pleasure of slowly rediscovering a past that you somehow manage to reclaim. Here, we are a long way away from the execution speed typical of digital and even further away from the frenetic exploitation of images on social media. The result is an image that erupts with its wealth of detail, which is especially explosive when printed in large format. The object becomes seductive, often turning into something else entirely, that may not be immediately perceptible. The perspective, the details, the light, all stimulate the observer to actively participate in this new vision. Far from being a nostalgic interpretation, the work leads the viewer to investigate the form, to pause, to observe the details, to get lost in the haziness, and in so doing, to regain possession of their time in a gesture of profound observation. In this hectic, busy, fast-paced world, nothing ever stops making sense...