Want more images or videos?
Request additional images or videos from the seller
1 of 8
Ejaz KhanUnity2022
2022
About the Item
Family sticks together.
- Creator:
- Creation Year:2022
- Dimensions:Height: 33 in (83.82 cm)Width: 49 in (124.46 cm)Depth: 1 in (2.54 cm)
- More Editions & Sizes:23x35", edition of 30Price: $2,40043x64", edition of 30Price: $5,800
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU1664211086582
Ejaz Khan
Ejaz Khan’s wildlife photography focuses on the beauty of animals and the environmental changes they face. A gifted fashion photographer as well, he borrows from the narrative techniques of film/fashion storytelling and transposes them onto his animal subjects. His keen eye for motion allows him to break apart the seemingly untamable patterns of animal movement and capture striking moments that encapsulate the energy and magic of their behavior. Khan travels the globe to create stunning images. Even in the most treacherous weather, Khan’s determination to convey a sense of the conditions that these animals endure and survive is shown in his breathtaking work. ”Once we take responsibility for actions in our daily lives and stay mindful of the environment, we can slow the process of global warming. It’s my responsibility to bring forward the beauty of our world to inspire everyone to take such action.” Ejaz Khan
*A percentage of proceeds from Khan’s exhibits and sales goes to foundations that support the awareness and conservation of wildlife.
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2020
1stDibs seller since 2021
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- AutopilotBy Ejaz KhanLocated in Brooklyn, NYBefore I left for this trip to take wild horse photography, a friend of mine and I were having dinner at a restaurant in NYC. She asked, “what are you going to do differently this time?” And, ” how will you photograph beautiful wild horses?” It was as though someone stabbed me with a dagger. However, she was right. I was coming back with similar-looking photographs and nothing different as well to have people shop for wild horse photography. So I consciously made a significant effort to change things around to capture my horse pictures...Category
2010s Contemporary Black and White Photography
MaterialsPlexiglass, Photographic Paper
- IntegrityBy Ejaz KhanLocated in Brooklyn, NYMost certainly, this is one of the most intense wild mustang pictures I have ever taken. The one horse bit the ear and neck of the leading horse as they raced forward. This immediate...Category
2010s Contemporary Black and White Photography
MaterialsPlexiglass, Photographic Paper
- SatisfiedBy Ejaz KhanLocated in Brooklyn, NYThis white wolf pic in particular shows the intrigue the wolf has for the man behind the camera. It does not shy away from the human but welcomes it with curiosity. They are not used...Category
2010s Contemporary Black and White Photography
MaterialsPlexiglass, Photographic Paper
- WeaknessBy Ejaz KhanLocated in Brooklyn, NYAs much as I would love to have these animals closer to my reach, I am comforted by the fact that they’re isolated. Their majestic white coats can make them a target for poaching and...Category
2010s Contemporary Black and White Photography
MaterialsPlexiglass, Photographic Paper
- MagicalBy Ejaz KhanLocated in Brooklyn, NYWild horses on a frozen afternoon.Category
2010s Contemporary Black and White Photography
MaterialsPhotographic Paper, Plexiglass
- PoliticsBy Ejaz KhanLocated in Brooklyn, NYAmerican Bald Eagles photographed in Alaska by New York-based wildlife and fashion photographer Ejaz Khan. Ejaz Khan’s wildlife photography focus...Category
2010s Contemporary Black and White Photography
MaterialsPlexiglass, Photographic Paper
You May Also Like
- 5s5a7697By Bob TaborLocated in New York, NYBob Tabor's new series titled “Night Muse ”, plays on this fascination as he is able to capture, what he believes to be, the rebirthing energy incorporated in the moon and the ocean’...Category
2010s Contemporary Black and White Photography
MaterialsPlexiglass, Photographic Film, Photographic Paper
- 5s5a8422By Bob TaborLocated in New York, NYBob Tabor's new series titled “Night Muse ”, plays on this fascination as he is able to capture, what he believes to be, the rebirthing energy incorporated in the moon and the ocean’...Category
2010s Contemporary Black and White Photography
MaterialsPlexiglass, Photographic Film, Photographic Paper
- Seascape V (framed) - large format photograph of monochromatic water surfaceBy Frank SchottLocated in San Francisco, CAlarge scale abstract b&w photograph of mesmerizing monochromatic black white water surface SEASCAPE V by Frank Schott 60 x 48 inches / 152cm x 122cm photo...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsPhotographic Paper, Plexiglass, Archival Paper, Giclée
- RegretBy Drew TalLocated in New York, NYPortrait photography Drew Tal's work combines photography with digital media to render highly stylized and realistic figurative imagery. Focusing on faces and dramatic close-up po...Category
2010s Contemporary Portrait Photography
MaterialsVarnish, Plexiglass, Photographic Paper, Black and White
- DANDELIONBy Reka NyariLocated in New York, NYPrint is also available in a Large size: 63'' x 50'' and is priced at: $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...Category
2010s Contemporary Black and White Photography
MaterialsPlexiglass, Digital Pigment, Archival Pigment, Black and White, Pigment,...
- LE JARDINBy Reka NyariLocated in New York, NYPrint is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...Category
2010s Contemporary Black and White Photography
MaterialsArchival Ink, Archival Paper, Photographic Paper, Archival Pigment, Blac...
Recently Viewed
View AllMore Ways To Browse
Black Plexi
Plexiglass Black
Africa Series
The Retro Station
Photography Musicians
Black And White China
Nyc Photograph
Black Women Photography
Black And White Fashion Photos
Black And White Photo Fashion
70s Prints
70s Print
Rolling Stones Art
Elephant Art
Portfolio Of Photos
Photographs Of Nyc
Black Woman Photography
New York Vintage Nyc