'St Tropez Summer Breeze' 1968 Alain Delon & Brigitte Bardot
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Jean-Pierre Bonnotte'St Tropez Summer Breeze' 1968 Alain Delon & Brigitte Bardot 1968
1968
About the Item
- Creator:
- Creation Year:1968
- Dimensions:Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:A beautiful Silver Gelatin fibre print in mint condition, GALERIE PRINTS stamped.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU38131847153
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2011
1stDibs seller since 2016
632 sales on 1stDibs
Typical response time: 1 hour
More From This SellerView All
- Blondie Backstage by Martyn Goddard Signed Limited EditionBy Martyn GoddardLocated in London, GBBlondie Backstage By Martyn Goddard Signed Limited Edition Debbie Harry of Blondie backstage at Alice Cooper gig (Blondie support band) Philadelphia 1978 ...Category
1970s Modern Figurative Photography
MaterialsArchival Pigment
- Oasis 2000 - signed limited editionBy Jill FurmanovskyLocated in London, GBArtist(s): Oasis, Liam Gallagher, Noel Gallagher, Manchester Music Location: Wembley Stadium, London Date: July 2000 Era: The 2000's Edition: hand signed limited edition 7/50 Print t...Category
1990s Modern Figurative Photography
MaterialsArchival Pigment
- The Jam In The City by Martyn Goddard Signed Limited EditionBy Martyn GoddardLocated in London, GBThe Jam In The City By Martyn Goddard Signed Limited Edition The Jam, In The City LP cover viewed through 1974 Hasselblad camera. Shot 1977 All prints are signed and numbered by ...Category
1970s Modern Figurative Photography
MaterialsArchival Pigment
- Triple Paul Weller by Martyn Goddard Signed Limited EditionBy Martyn GoddardLocated in London, GBTriple Paul Weller By Martyn Goddard Signed Limited Edition Paul Weller photographed for the cover of The Jam album In the City, 1977 All prints are signed and numbered by the ar...Category
1970s Modern Figurative Photography
MaterialsArchival Pigment
- The Jam by Martyn Goddard Signed Limited EditionBy Martyn GoddardLocated in London, GBThe Jam By Martyn Goddard Signed Limited Edition Songwriter Paul Weller, drummer Rick Buckler and bassist Bruce Foxton of The Jam, 1977. All prints are sig...Category
1970s Modern Figurative Photography
MaterialsArchival Pigment
- Freddie Mercury by Martyn Goddard Signed Limited EditionBy Martyn GoddardLocated in London, GBFreddie Mercury By Martyn Goddard Signed Limited Edition Freddie Mercury and Queen rock band on stage London 1976 All prints are signed and numbered by the artist. Paper size 1...Category
1970s Modern Figurative Photography
MaterialsArchival Pigment
You May Also Like
- Bird Girl, San FranciscoBy Nenad Samuilo AmodajLocated in Hudson, NYAmodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...Category
21st Century and Contemporary Modern Black and White Photography
MaterialsArchival Pigment
- Backhand. San FranciscoBy Nenad Samuilo AmodajLocated in Hudson, NYAmodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...Category
21st Century and Contemporary Modern Black and White Photography
MaterialsArchival Pigment
- Cone 8, San FranciscoBy Nenad Samuilo AmodajLocated in Hudson, NYThis item is available unframed or framed, They are in edition of 20 in he 16" x 20" paper size. Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...Category
21st Century and Contemporary Modern Black and White Photography
MaterialsArchival Pigment
- Form, San FranciscoBy Nenad Samuilo AmodajLocated in Hudson, NYAmodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...Category
21st Century and Contemporary Modern Black and White Photography
MaterialsArchival Pigment
- Stage 2C, San FranciscoBy Nenad Samuilo AmodajLocated in Hudson, NYAmodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...Category
21st Century and Contemporary Modern Black and White Photography
MaterialsArchival Pigment
- Swim, Bear Lake, Utah, 1998By Lance ClaytonLocated in Hudson, NYEach year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery endeavors are superbly managed. Whether working with corporate clients, interior designers or established collectors, the Robin Rice Gallery guides patrons throughout the selection process, inspiring them to build a stylish collection or striking décor. The Robin Rice Gallery offers a bevy of styles that Robin has procured with her own signature school of artists. Figurative, black and white, water, swim, swimming, lake, Bear lake...Category
1990s Modern Black and White Photography
MaterialsArchival Pigment