Tommy Crow

Spartan Tree

2019

X-ray digital C-type mounted onto Dibond, with Plexi face We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside. Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

X-ray digital C-type mounted onto Dibond, with Plexi face We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside. Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

X-ray digital C-type mounted onto Dibond, with Plexi face We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside. Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

Digital Photo printed with Archival Pigment Inks on Epson Legacy Fibre paper, Framed - orders only & different sizing options available Suzy Raskin is a natural light photographer ...

Digital Photo printed with Archival Pigment Inks on Epson Legacy Baryta paper, Framed Orders Only & different sizing options available. "In the early morning light, next to the Go...

Digital photo printed with archival pigment inks on Epson Legacy Baryta paper, Framed - orders only & different sizing options available "On a country drive, among farms and dirt roads, a fence ran through a field and down into a pond. It stopped me in my tracks and beckoned me to take notice. The shapes, the reflection, the questions it brought up – all made me pause and capture the tension." Suzy...

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

Original title: Silver Path, Twilight #35 by Jasper Goodall A silver path winds its way through twisted, towering beech trees; an invitation to step int...

Foto fine art in Bianco e Nero scattata sulla terrazza del Duomo di Milano a Marzo 2006 Stampata su carta Hahnemühle Photo Rag 308 - 50x 50 . Non incorniciata. Opzione cornice d...

Foto fine art in Bianco e Nero dell'empire State Building a Manhatthan, New York scattata a Marzo 2008 dalla Terrazza del Top Of The Rock Edizione Limitata di 10# Stampata in ediz...

Foto fine art in Bianco e Nero di Manhatthan, New York scattata a Marzo 2008 dall'Empire States Building. Edizione Limitata di 10# Stampata in edizione limitata in una tiratura ...

This photo was taken on March 1998 in New York and it printed on Hahnemühle Photo Rag 308 paper - 50x 50 . Black & White