Wild Wind Study
View Similar Items
Kimerlee CurylWild Wind Study2016
2016
About the Item
- Creator:
- Creation Year:2016
- Dimensions:Height: 30 in (76.2 cm)Width: 45 in (114.3 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Print made to order. Please allow up to 3 weeks lead time before shipping. Museum metallic print under flush mounted plexiglass.
- Gallery Location:Westport, CT
- Reference Number:Seller: KC0211stDibs: LU5441928983
Kimerlee Curyl
Loving everything horse from the moment she could breathe, the unfolding of Kimerlee Curyl's life thus far makes perfect sense. The Hollywood dream moved her west from Minnesota but it was the heart of a horse that changed everything.
Having worked on both sides of the camera, Curyl has the natural ability of capturing emotion. She delivers imagery that is unique, dramatic and evocative, emphasizing graceful lines, rich textures and a view of the horse not done before. The intimate connection she captures leaves the viewer imagining their very breath on your face. Curyl’s style of photography is her own and it is that vision that has become increasingly recognizable. She has traveled the globe capturing the essence and spirit of stunning horses. Yet the allure of raw, wild, untouched beauty, rugged terrain and the elements along with the challenge of finding wild horses and the patience for them to trust her is the oxygen to her soul.
Curyl’s work reflects passion, purpose and is fused with environmental consciousness. Dedicated to the cause and these works since 2004, her hope is to inspire others, not only to appreciate the beauty of these rich creatures, but to take an interest in helping preserve their place on this land. Curyl’s imagery has been donated many times over to organizations focusing on rescue and preservation efforts. Much time, talent and ideas have influenced others to care, to photograph and get involved with the issue and current climate these American icons are facing.
Curyl lives in the beautiful valley of Santa Ynez, California, with two horses, a paint mare named Sequoia and a young newly adopted wild mustang el Regalo. She is represented by one of the country’s largest fine art publishers, many prestigious galleries, along with countless installations, private collections globally as well as celebrity collectors. Curyl’s work has been used in numerous advertising campaigns and product branding. Most importantly, it has become a small voice for those who don’t have one, our remaining wild horses.
"Wild Mustangs. Without them, the great West was not possible," Curyl says of her chosen subjects. "We traveled, explored and built this land by holding onto their manes and riding the spirit of their hearts. We can honor that gift by being their voice. These beautiful legends, magnificent symbols of freedom and grace are being stripped from their homes, families torn apart and an icon will soon be lost forever. It is my hope to not only celebrate the beauty and magnificence of these creatures but to help them. They are a living breathing history museum, a vital element in our heritage, to our ecosystem and to our humanity. To lose them would be a tragically irresponsible disrespect to our past, present and future. Art has a voice."
Find original Kimerlee Curyl photography on 1stDibs.
(Biography provided by Sorelle Gallery)
- "Grand Central Ghosts, " Urban Architectural Photograph, 30" x 45"By Peter MendelsonLocated in Westport, CTThis black and white, urban architectural photograph by Peter Mendelson was taken in Grand Central Station in Manhattan. The artist has captured the...Category
2010s Contemporary Black and White Photography
MaterialsMetal
- "Grand Central Ghosts, " Urban Architectural Photograph, 40" x 60"By Peter MendelsonLocated in Westport, CTThis black and white, urban architectural photograph by Peter Mendelson was taken in Grand Central Station in Manhattan. The artist has captured the still, stately nature of this lan...Category
2010s Contemporary Black and White Photography
MaterialsMetal
- "Things Are Heading Up, " Contemporary Photograph, 40" x 60"By Peter MendelsonLocated in Westport, CTThis black and white, contemporary architectural photograph by Peter Mendelson features the Oyster Bar Restaurant entry way in Grand Central Station in Manhattan. Staircases lead down to a lower level on either side of the doorways, and patterned, textured architectural archways...Category
2010s Contemporary Black and White Photography
MaterialsMetal
- "Grand Central at 100, " Contemporary Architectural Urban Photograph, 40" x 60"By Peter MendelsonLocated in Westport, CTThis black and white, urban architectural photograph by Peter Mendelson is taken in Grand Central in Manhattan. Filled with people milling through the large space, some are in focus ...Category
2010s Contemporary Black and White Photography
MaterialsMetal
- "Grand Central at 100, " Contemporary Architectural Urban Photograph, 30" x 45"By Peter MendelsonLocated in Westport, CTThis black and white, urban architectural photograph by Peter Mendelson is taken in Grand Central in Manhattan. Filled with people milling through the large space, some are in focus ...Category
2010s Contemporary Black and White Photography
MaterialsMetal
- "All Lined Up, " Coastal Architectural Photograph, 30" x 45"By Peter MendelsonLocated in Westport, CTThis contemporary black and white architectural photo captures triangular coastal homes, lined up next to one another a New England ...Category
2010s Contemporary Black and White Photography
MaterialsMetal
- Old couple - Signed limited edition fine art print, Black white, Paris VintageBy Ian SandersonLocated in Barcelona, BarcelonaOld couple, Paris - Signed limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating...Category
1990s Contemporary Black and White Photography
MaterialsPhotographic Film, Archival Paper, Black and White, Giclée, Pigment, Arc...
- "No title (No 29)" Photography Edition 3/28 36x36 inch by Yevgeniy RepiashenkoBy Yevgeniy RepiashenkoLocated in Culver City, CA"No title (No 29)" Photography Edition 3/28 36x36 inch by Yevgeniy Repiashenko Photography Edition of 28 (36" x 36" inch) by Yevgeniy Repiashenko Year photo was taken: 2016 Unfram...Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsArchival Pigment, Photographic Paper
- No Title (No 75) Photography Edition 2/28 36 x 36 inch by Yevgeniy RepiashenkoBy Yevgeniy RepiashenkoLocated in Culver City, CANo Title (No 75) Photography Edition 2/28 36 x 36 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2022 Unframed - ships in a tube This picture is a part of Spiri...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsPhotographic Paper, Archival Pigment
- Black and white Moonlight behind the trees and path in the forest at nightLocated in London, GBOriginal title: Silver Path, Twilight #35 by Jasper Goodall A silver path winds its way through twisted, towering beech trees; an invitation to step int...Category
2010s Contemporary Black and White Photography
MaterialsPhotographic Paper, Archival Pigment
- David Yarrow Photograph "The Biggest Catch" Nantucket IslandBy David YarrowLocated in Greenwich, CT"The Biggest Catch" Nantucket, USA 2022 Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. In my deliberations as to how to tell a Nantucket story, there were some key asso-ciations of the island that I knew I needed to incorporate. One was always going to be its storied maritime past, and in particular its leading position in the whaling industry. Then there are certain features on the island that if included in an image would reinforce a sense of place - such as Nantucket Grey buildings and of course the lighthouses. But in our production meetings in the run up to the assignment, there was one feature I kept on requesting that we prioritised - the cobbled streets. When I think of Nantucket, I think of the cobbles - particularly on Main Street - not only because of their aesthetic appeal, but also because they tell a story of the island’s British roots. Nantucket shipped...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsPhotographic Paper, Archival Pigment
- "Nantucket's Last Supper on Nantucket Island" Framed Limited Edition PhotographBy David YarrowLocated in Greenwich, CT"Nantucket's Last Supper" Nantucket, USA 2022 71 x 71 inches (Framed) Smaller Size Available - 52 X 52 inches framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. I struggle to think of an island in the world where one colour enjoys such a monopoly of the building exteriors as grey does in Nantucket. White enjoys a healthy control of the facades of Greek islands such as Mykonos and Santorini, but there is no such thing as a Greek White in decorators’ colour palettes, whereas there is most certainly a Nantucket Grey described as “a stylish gray-green reminiscent of fog settling over grassy fields.” During our time on Nantucket, I scouted for a building that could proudly showcase not just this colour, but also Nantucket’s distinct architectural design. Happily, this was not a challenging quest as the oldest building on the island - The Old House - built in 1680, ticks both boxes. The island’s English population at the time totalled just several hundred, and the native Wampanoag outnumbered them by at least three to one. In 2022 this historic building had clear potential as a contextual backdrop; I just needed a foreground narrative. We have shot “Last Supper” stories in Montana and Texas and this seemed as good an opportunity as any to continue this series, albeit on this occasion, I felt obliged to introduce a maritime vibe. To me Nantucket is about the storied past not the present and the island has no shortage of Salty Dog characters to pick up on the streets and dress accordingly. The central figure in the piece - a female mastiff called Cash - was more than willing to take a pipe in her mouth, so long as there was a bit of bread on the end of it. It was not an easy ask for her handler but all we needed was one second and then to hope that the human talent was all on point and remembering their pose from Available Sizes (Framed Size) Large: 71" x 71" Standard: 52" x 52" Available Editions Large: Edition of 12 Standard: Edition of 12 About David Yarrow David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsArchival Pigment, Photographic Paper