Items Similar to What Remains 2, Laser cut archival ink print, signed, numbered and framed
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Krista SvalbonasWhat Remains 2, Laser cut archival ink print, signed, numbered and framed 2021
2021
About the Item
What Remains 2, Laser cut archival ink print, signed, numbered and framed
My work is concerned with ideas of home and dislocation, as well as with the impact of architecture on human psychology. As an ethnically Latvian/Lithuanian artist my cultural background has informed this interest in architecture. During the Soviet era, the capitals of both Latvia and Lithuania saw cultural buildings repurposed into warehouses and churches demolished. The old town centers were neglected and fell into decay. New construction was cheaply made, with no insulation and inadequate plumbing and heating. My connection to this history has made me acutely aware of the impact of politics on architecture and, in turn, on a people’s daily lived experience. I started to consider the effect of architecture on the tens of thousands of refugees, my parents included, who escaped a life under communism but went years without a permanent home. In recent years I have visited Latvia and Lithuania to further understand this turbulent time in my family’s history and to photograph the architecture there. Many of the structures built during the Soviet occupation of the Baltic region still stand today. During this period the Baltic people continued to practice art forms such as weaving to ensure that their traditions would survive, despite the Soviet regime’s program of cultural suppression.
My recent work combines photographs of Soviet architecture in the Baltic region with traditional Baltic textile designs. I use a laser cutter to cut the textile patterns directly onto my black and white photographs of the cold and imposing buildings. This series explores the power of folk art and crafts as a form of defiance against the Soviet occupiers. It does this by focusing on how traditional textile designs provide a counterpoint to Soviet-era architecture and the memory of its totalitarian agenda. The juxtaposition of concrete structures with folk art designs also references the strength and determination of the women who created the weavings. Overall, this work examines the ways in which people are shaped by their environment, and how they can rebel against it to preserve their identity and culture.
- Creator:Krista Svalbonas (1977, American)
- Creation Year:2021
- Dimensions:Height: 23.5 in (59.69 cm)Width: 16.5 in (41.91 cm)
- More Editions & Sizes:23.5 x 16.5", Edition of 2Price: $2,500
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Sante Fe, NM
- Reference Number:1stDibs: LU134210200932
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1993
1stDibs seller since 2015
213 sales on 1stDibs
Typical response time: 12 hours
- ShippingRetrieving quote...Ships From: Sante Fe, NM
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Two years later, I was drunk enough to sing at the St. Pat's party. 2014By Jennifer GreenburgLocated in Sante Fe, NMJennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...Category
2010s Conceptual Black and White Photography
MaterialsArchival Pigment
- Approaching Clouds, Pizzoferato, Abruzzo, ItalyBy Michael KennaLocated in Sante Fe, NMAbruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has ...Category
2010s Contemporary Black and White Photography
MaterialsArchival Pigment
- My co-worker was always jealous of my blonde hair, 2013By Jennifer GreenburgLocated in Sante Fe, NMJennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...Category
2010s Conceptual Black and White Photography
MaterialsArchival Pigment
- Homage to Giacomelli, Scanno, Abruzzo, ItalyBy Michael KennaLocated in Sante Fe, NMAbruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has ...Category
2010s Contemporary Black and White Photography
MaterialsArchival Pigment
- I have never been good at handling unwarranted attention, 2015By Jennifer GreenburgLocated in Sante Fe, NMJennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...Category
2010s Black and White Photography
MaterialsArchival Pigment
- My Funeral, 2013By Jennifer GreenburgLocated in Sante Fe, NMJennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...Category
2010s Conceptual Black and White Photography
MaterialsArchival Pigment
You May Also Like
- Diana Vreeland at home, 550 Park Avenue, New York, 21 July 1979By Jonathan BeckerLocated in New York, NYDiana Vreeland at home, 550 Park Avenue, New York, 21 July 1979 Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Orig...Category
1970s Contemporary Portrait Photography
MaterialsArchival Pigment
- Ai Weiwei in his studio, Beijing, 12 May 2007By Jonathan BeckerLocated in New York, NYAi Weiwei in his studio, Beijing, 12 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Origin Signed and ...Category
Early 2000s Contemporary Portrait Photography
MaterialsArchival Pigment
- Villa Cetinale, Siena Italy, May 2012By Jonathan BeckerLocated in New York, NYVilla Cetinale, Italy, May 2012 A moment at a storied property where centuries of history pile on Photographed by Jonathan Becker Contemporary 44" x 4...Category
2010s Contemporary Black and White Photography
MaterialsArchival Pigment
- David Bowie, Damien Hirst, & Julian Schnabel, New York, 3 May 1996By Jonathan BeckerLocated in New York, NYDavid Bowie, Damien Hirst, and Julian Schnabel at Hirst's Opening, Gagosian Gallery, New York, 3 May 1996 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigmen...Category
1990s Contemporary Portrait Photography
MaterialsArchival Pigment
- Saturday Night Live in Elaine's Kitchen, 1976By Jonathan BeckerLocated in New York, NYElaine's Kitchen - Saturday Night Live • Chevy Chase, Dan Aykroyd, John Belushi & Lorne Michaels, New York, January 1976 Photographed by Jonathan ...Category
1970s Contemporary Portrait Photography
MaterialsArchival Pigment
- Monument Valley (How The West Was Won)By Ian RuhterLocated in New York, NYListing includes free shipping for unframed prints in the U.S. and 14-day return policy. Ian Ruhter Monument Valley (How The West Was Won) 30 x 40 inch archival pigment print Editi...Category
2010s Landscape Photography
MaterialsPhotographic Paper, Archival Pigment
Recently Viewed
View AllMore Ways To Browse
Black And White Textile
Lithuanian Artist
Soviet Era
Church Architecture Photography
Art Plumbing
Black White Photography Soviet
Soviet Textiles
Music Photography
Vintage Prints Signs
Museum Vintage
Michael Black
Estate Silver
Vintage City Photography
Paris Fashion Art
Women Black Artists
Black Women Artists
Italian Contemporary White Black
At The Theater