Lawrence Schiller

1960's Hollywood Photography by Lawrence Schiller 'Barbara Streisand'

1969

'Barbara Streisand, 1969' by American photographer, Lawrence Schiller. Digital pigment, Ed. 10/35. Image: 13.75 x 19 in. / Paper: 16 x 20 in. This bl...

'God's Trombones' by American photographer Frank Stewart, 2009. Printed later. Pigment print, 20 x 30 inches. This photograph features Harlem during the baptism in the street, an annual occurence in East Harlem. For the past three decades, Stewart has served as senior staff photographer at Jazz at Lincoln Center, where Marsalis leads the orchestra and serves as artistic director. His jazz photographs highlight an intimate association with their subjects, that enables him to portray situations off-stage that otherwise would remain unknown to most of us. He works with film and digitally, using no artificial illumination other than stage lighting, and the prints employ subtle tones of black, grey, and white. Viewers are able to connect with the emotional range of the musicians and vocalists depicted and to grasp the deeply understood parallels between Stewart's vivid photographic forms and spaces, and the dramatic sounds and silences of jazz music. Frank Stewart initiated his career in jazz photography traveling with Ahmad Jamal and his group shortly after receiving a degree in photography from The Cooper Union for the Advancement of Science and Art (1975). Stewart's focus on jazz was solidified from 1989-92 when he accompanied the Wynton Marsalis Septet. In the intervening years, Stewart had worked independently in clubs and at jazz events primarily in New York and Chicago. In 1992, he became the lead photographer for Jazz at Lincoln Center, traveling the globe with the Jazz at Lincoln Center Orchestra. Born 1949 in Nashville, Tenn., Stewart was raised in Memphis and Chicago and has spent his entire career based in New York. His practice is centered around African American culture and the black experience throughout the diaspora. His roots in the segregated South, life-long love of music, and studies with Roy...

'Africa, Clock of the Earth' by American photographer Frank Stewart, 1998. Printed later. Pigment print, 20 x 30 inches. This photograph features a group of women in Africa carrying baskets on their heads as they walk. For the past three decades, Stewart has served as senior staff photographer at Jazz at Lincoln Center, where Marsalis leads the orchestra and serves as artistic director. His jazz photographs highlight an intimate association with their subjects, that enables him to portray situations off-stage that otherwise would remain unknown to most of us. He works with film and digitally, using no artificial illumination other than stage lighting, and the prints employ subtle tones of black, grey, and white. Viewers are able to connect with the emotional range of the musicians and vocalists depicted and to grasp the deeply understood parallels between Stewart's vivid photographic forms and spaces, and the dramatic sounds and silences of jazz music. Frank Stewart initiated his career in jazz photography traveling with Ahmad Jamal and his group shortly after receiving a degree in photography from The Cooper Union for the Advancement of Science and Art (1975). Stewart's focus on jazz was solidified from 1989-92 when he accompanied the Wynton Marsalis Septet. In the intervening years, Stewart had worked independently in clubs and at jazz events primarily in New York and Chicago. In 1992, he became the lead photographer for Jazz at Lincoln Center, traveling the globe with the Jazz at Lincoln Center Orchestra. Born 1949 in Nashville, Tenn., Stewart was raised in Memphis and Chicago and has spent his entire career based in New York. His practice is centered around African American culture and the black experience throughout the diaspora. His roots in the segregated South, life-long love of music, and studies with Roy...

'Smoke and the Lovers, Hawkins Grill' by American photographer Frank Stewart, 1992. Printed later. Pigment print, 20 x 30 inches. For the past three decades, Stewart has served as senior staff photographer at Jazz at Lincoln Center, where Marsalis leads the orchestra and serves as artistic director. His jazz photographs highlight an intimate association with their subjects, that enables him to portray situations off-stage that otherwise would remain unknown to most of us. He works with film and digitally, using no artificial illumination other than stage lighting, and the prints employ subtle tones of black, grey, and white. Viewers are able to connect with the emotional range of the musicians and vocalists depicted and to grasp the deeply understood parallels between Stewart's vivid photographic forms and spaces, and the dramatic sounds and silences of jazz music. Frank Stewart initiated his career in jazz photography traveling with Ahmad Jamal and his group shortly after receiving a degree in photography from The Cooper Union for the Advancement of Science and Art (1975). Stewart's focus on jazz was solidified from 1989-92 when he accompanied the Wynton Marsalis Septet. In the intervening years, Stewart had worked independently in clubs and at jazz events primarily in New York and Chicago. In 1992, he became the lead photographer for Jazz at Lincoln Center, traveling the globe with the Jazz at Lincoln Center Orchestra. Born 1949 in Nashville, Tenn., Stewart was raised in Memphis and Chicago and has spent his entire career based in New York. His practice is centered around African American culture and the black experience throughout the diaspora. His roots in the segregated South, life-long love of music, and studies with Roy DeCarava...

'Easter Sunday' by American photographer Frank Stewart, 1976. Printed later. Pigment print, 20 x 30 inches. This photograph features a group of women on Easter Sunday. For the past three decades, Stewart has served as senior staff photographer at Jazz at Lincoln Center, where Marsalis leads the orchestra and serves as artistic director. His jazz photographs highlight an intimate association with their subjects, that enables him to portray situations off-stage that otherwise would remain unknown to most of us. He works with film and digitally, using no artificial illumination other than stage lighting, and the prints employ subtle tones of black, grey, and white. Viewers are able to connect with the emotional range of the musicians and vocalists depicted and to grasp the deeply understood parallels between Stewart's vivid photographic forms and spaces, and the dramatic sounds and silences of jazz music. Frank Stewart initiated his career in jazz photography traveling with Ahmad Jamal and his group shortly after receiving a degree in photography from The Cooper Union for the Advancement of Science and Art (1975). Stewart's focus on jazz was solidified from 1989-92 when he accompanied the Wynton Marsalis Septet. In the intervening years, Stewart had worked independently in clubs and at jazz events primarily in New York and Chicago. In 1992, he became the lead photographer for Jazz at Lincoln Center, traveling the globe with the Jazz at Lincoln Center Orchestra. Born 1949 in Nashville, Tenn., Stewart was raised in Memphis and Chicago and has spent his entire career based in New York. His practice is centered around African American culture and the black experience throughout the diaspora. His roots in the segregated South, life-long love of music, and studies with Roy DeCarava...

'The Bow' by American photographer Frank Stewart, 1997. Pigment print, 30 x 40 inches. This photograph features the group Jazz at Lincoln Center bowing in unison after a concert in Modena, Italy. Wynton Marsalis is one of the central figures in the photo. Unframed. For the past three decades, Stewart has served as senior staff photographer at Jazz at Lincoln Center, where Marsalis leads the orchestra and serves as artistic director. His jazz photographs highlight an intimate association with their subjects, that enables him to portray situations off-stage that otherwise would remain unknown to most of us. He works with film and digitally, using no artificial illumination other than stage lighting, and the prints employ subtle tones of black, grey, and white. Viewers are able to connect with the emotional range of the musicians and vocalists depicted and to grasp the deeply understood parallels between Stewart's vivid photographic forms and spaces, and the dramatic sounds and silences of jazz music. Frank Stewart initiated his career in jazz photography traveling with Ahmad Jamal and his group shortly after receiving a degree in photography from The Cooper Union for the Advancement of Science and Art (1975). Stewart's focus on jazz was solidified from 1989-92 when he accompanied the Wynton Marsalis Septet. In the intervening years, Stewart had worked independently in clubs and at jazz events primarily in New York and Chicago. In 1992, he became the lead photographer for Jazz at Lincoln Center, traveling the globe with the Jazz at Lincoln Center Orchestra. Born 1949 in Nashville, Tenn., Stewart was raised in Memphis and Chicago and has spent his entire career based in New York. His practice is centered around African American culture and the black experience throughout the diaspora. His roots in the segregated South, life-long love of music, and studies with Roy DeCarava...

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...

Signed limited edition print of Siouxsie Sioux taken by Simon Fowler in the UK Available in the following sizes: 12 x 17” - open edition 15 x 22” - Edition 35 24 x 33” - Edition 25

Waylon Jennings, taken at the Armadillo WHQ, Austin TX in 1974 by photographer Scott Newton. 20x28" signed limited edition print. Scott Newton recalls, "In 1974 Waylon was ornery...

Set of two, signed open edition, 8” x 10” archival prints by Terry O'Neill, featuring Terry O’Neill’s embossed studio stamp One print features Bowie with author, William Burroughs, ...