Digital Pigment Black and White Photography

13 x 19" lifetime vintage color photograph of Warhol Superstar Jane Forth nude, this is the only copy of this color photograph ever signed by Jack Mitchell....

Series: Girls Night Out Silhouette Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Ed...

Martin Luther King (MLK), 1964 by Leonard Freed is an iconic black and white documentary photograph, a portrait of one of the most influential African American personalities and civi...

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 30" x 40" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs...

Capturing the Jewish diaspora and the Hasidic community in Brooklyn, New York in the 1950s, this is subject matter which American photographer Leonard Freed from Brooklyn widely cov...

'Easter Sunday' by American photographer Frank Stewart, 1976. Printed later. Pigment print, 20 x 30 inches. This photograph features a group of women on Easter Sunday. For the past three decades, Stewart has served as senior staff photographer at Jazz at Lincoln Center, where Marsalis leads the orchestra and serves as artistic director. His jazz photographs highlight an intimate association with their subjects, that enables him to portray situations off-stage that otherwise would remain unknown to most of us. He works with film and digitally, using no artificial illumination other than stage lighting, and the prints employ subtle tones of black, grey, and white. Viewers are able to connect with the emotional range of the musicians and vocalists depicted and to grasp the deeply understood parallels between Stewart's vivid photographic forms and spaces, and the dramatic sounds and silences of jazz music. Frank Stewart initiated his career in jazz photography traveling with Ahmad Jamal and his group shortly after receiving a degree in photography from The Cooper Union for the Advancement of Science and Art (1975). Stewart's focus on jazz was solidified from 1989-92 when he accompanied the Wynton Marsalis Septet. In the intervening years, Stewart had worked independently in clubs and at jazz events primarily in New York and Chicago. In 1992, he became the lead photographer for Jazz at Lincoln Center, traveling the globe with the Jazz at Lincoln Center Orchestra. Born 1949 in Nashville, Tenn., Stewart was raised in Memphis and Chicago and has spent his entire career based in New York. His practice is centered around African American culture and the black experience throughout the diaspora. His roots in the segregated South, life-long love of music, and studies with Roy DeCarava...

'Miles in the Green Room' by American photographer Frank Stewart, 1981. Pigment print, 28 x 40 inches. Edition 5 of 15, Recent Print, signed lower right corner. This photograph features Miles Davis at Avery Fisher Hall during the Miles Davis Comeback Concert. Stewart's jazz photographs highlight an intimate association with their subjects, that enables him to portray situations off-stage that otherwise would remain unknown to most of us. He works with film and digitally, using no artificial illumination other than stage lighting, and the prints employ subtle tones of black, grey, and white. Viewers are able to connect with the emotional range of the musicians and vocalists depicted and to grasp the deeply understood parallels between Stewart's vivid photographic forms and spaces, and the dramatic sounds and silences of jazz music. Frank Stewart initiated his career in jazz photography traveling with Ahmad Jamal and his group shortly after receiving a degree in photography from The Cooper Union for the Advancement of Science and Art (1975). Stewart's focus on jazz was solidified from 1989-92 when he accompanied the Wynton Marsalis...

13 x 19" lifetime vintage archival pigment print of Warhol Superstar Holly Woodlawn in her Greenwich Village apartment, signed by Jack Mitchel...

13 x 19" lifetime vintage archival pigment print of Warhol Superstar Holly Woodlawn in her Greenwich Village apartment, this is the only print...

'Africa, Clock of the Earth' by American photographer Frank Stewart, 1998. Printed later. Pigment print, 20 x 30 inches. This photograph features a group of women in Africa carrying baskets on their heads as they walk. For the past three decades, Stewart has served as senior staff photographer at Jazz at Lincoln Center, where Marsalis leads the orchestra and serves as artistic director. His jazz photographs highlight an intimate association with their subjects, that enables him to portray situations off-stage that otherwise would remain unknown to most of us. He works with film and digitally, using no artificial illumination other than stage lighting, and the prints employ subtle tones of black, grey, and white. Viewers are able to connect with the emotional range of the musicians and vocalists depicted and to grasp the deeply understood parallels between Stewart's vivid photographic forms and spaces, and the dramatic sounds and silences of jazz music. Frank Stewart initiated his career in jazz photography traveling with Ahmad Jamal and his group shortly after receiving a degree in photography from The Cooper Union for the Advancement of Science and Art (1975). Stewart's focus on jazz was solidified from 1989-92 when he accompanied the Wynton Marsalis Septet. In the intervening years, Stewart had worked independently in clubs and at jazz events primarily in New York and Chicago. In 1992, he became the lead photographer for Jazz at Lincoln Center, traveling the globe with the Jazz at Lincoln Center Orchestra. Born 1949 in Nashville, Tenn., Stewart was raised in Memphis and Chicago and has spent his entire career based in New York. His practice is centered around African American culture and the black experience throughout the diaspora. His roots in the segregated South, life-long love of music, and studies with Roy...

Impression fine art sur papier baryté, réalisé par l'artiste Taille de l'image : 30 x 40 cm Tirage signé, numéroté et titré au verso Non encadré, sans passe-partout Photographie tirée du carnet "Petits paysages américains" de Jean-Christophe Béchet (2018, 48 pages, éditions Trans Photographic Press). "Aux Etats-Unis, tout est plus grand, plus fort et plus impressionnant, notamment les paysages ! Les photographies légendaires d’Ansel Adams ont structuré notre mémoire visuelle et aujourd’hui dans chaque lieu touristique, des galeries proposent des images de grand format où les couleurs saturées jouent une symphonie bruyante et kitsch. Tout le panel des artifices de la photographie contemporaine est au service d’une représentation allégorique d’un paradis perdu, d’un eden déconnecté du monde réel. Mes « petits paysages américains », de taille modeste, en noir & blanc argentique, faits au Leica...

Series: Fairytale Silver Gelatin Print All available sizes & editions for each size of this photograph: 15" x 20" 23" x 30" 30" x 40" 45" x 60" 63" x 84" Edition of 3 + 2 Artist Proo...