Michael Cooper (b.1941)

Mick Jagger, 1967

Limited Edition print Signed by the photographer Please allow extra production time. Other sizes available.

Signed by Henry Diltz Please allow extra production time.

Joni Mitchell listening to playback of her album "Clouds" Limited edition of 35 prints. Numbered on recto Hand signed on verso by photographer. Graham Nash's Notes: "That's Joni listening to Clouds, which was the album that she was making at the time. She was listening to an acetate of her record prior to the release to make sure everything was right. Even though I was living with Joni, I didn't want her to know why I was taking the image. I'm actually shooting through one of those kitchen table chairs...

Limited Edition of 35 Prints Numbered and signed on verso by photographer Please allow 4 weeks for handling

Film Still, New York, January 1995 Limited Edition Hand Signed and numbered by photographer Print is #1/10

Neil Young driving home to Broken Arrow Ranch, Northern California Limited edition of 35 prints. Numbered on recto Hand signed on verso by photographer. Graham Nash's Notes: ...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. Roxanne Lowit...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...

St. Peter's Square, Rome, Italy, 1958 by Leonard Freed is a black and white documentary photograph of two figures (priests) on a snowy afternoon dressed in black in contrast to the f...

Limited Edition Archival pigment print 25.5 x 31.5 inches Unframed This elegant archival pigment print was created by Shelly Lependorf and Stan Shire as part of their Glyph series. The somewhat abstract nature of the photograph's subject makes it difficult to identify at first, but upon closer inspection, it depicts a highly reflective pond surface with thin, curved branches sticking out of it, is implicit of symbols or handwriting, thus the title. Artists' statement: The foundation for our work is the photographic image with the optimal quality of light. Selecting the interplay of composition, form, rhythm, and line is the focus for our imagery. Integrating these elements in the computer is the next stage in the process of merging our visual and intuitive sensibilities toward a completed vision. Different perceptual effects arise from recording the world in photographs as opposed to interpreting it in paint: Our goal is not to emulate painting. Conceptual work in all mediums has blurred the line between photographers who make art and artists who use photography. The digital medium has established itself in the natural continuum of art history and the ongoing relationship of art with technology. This work forces us to consider a more serene world while reminding us that no contemporary experience is unmediated; technology touches everything. The use of the computer as a tool does not create; it assists creativity resulting in a synthesis of disciplines to be realized as a limited edition. The combination of archival pigment inks on Crane Fine Art paper framed with archival mattes and backboards insures permanence in excess of 175 years. The creative process will always remain in the mind and the soul of the artist. About the artists: Stan Shire is Professor Emeritus and former chair...

The soft, blurred background in this photograph pushes attention to the contrast between the rounded shapes in the human figure and the hard industrial edges of the steel beam. Dark and light contrast beautifully to create the architectural scene. The photograph is matted and framed. Dimensions shown are framed size. Doug Birkenheuer...