Mikael Levin

Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print

2000

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. (Ame...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. Born ...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. (Ame...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. Born ...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. (Ame...

Black and white Maritime 1970's Seascape Photograph. Martine Franck (2 April 1938 – 16 August 2012) was a Belgian documentary and portrait photographer. She was a member of Magnum Photos for over 32 years. Franck was the second wife of Henri Cartier-Bresson and co-founder and president of the Henri Cartier-Bresson Foundation. Franck studied art history at the University of Madrid and at the Ecole du Louvre in Paris. After struggling through her thesis (on French sculptor Henri Gaudier-Brzeska and the influence of cubism on sculpture), she said she realized she had no particular talent for writing, and turned to photography instead. In 1963, Franck's photography kick started following trips to the Far East, having taken pictures with her cousin’s Leica camera...

Signed, print date, misc. notation in pencil on verso. Series: Suburbia Bill Owens was born and raised in California. After volunteering in the Peace Corps he picked up photography ...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This artwork is offered by ClampArt, located in New York City. “Meatyard searched continually for a non-objective art that would be wordless poetry, spontaneous music without sound. The ‘Motion-Sound’ pictures of his later years brought Meatyard’s passion for music and, paradoxically, the silence of Zen Buddhism together in photography. In creating the series, he focused the camera on a natural scene (or one containing plain rural architecture) and then moved it slightly. The result of this action is an image that suggests sound while abstracting natural forms. The landscapes of the ‘Motion-Sound’ series are in stark contrast to the evocative, more traditional views of the Red River Gorge that Meatyard was executing during the same years.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), p. 122 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

Henry Diltz and Neil Young were walking around his ranch one morning and stopped in one of his little barns to look at some guitars. Neil's little dog, Harte followed. "It looked so ...

Palm trees slowly moving in the breeze. Abstract black and white landscape photograph of palm trees, printed by hand in a traditional darkroom on fiber based gelatin silver paper. Si...

A magical and mysterious black and white landscape photograph taken in the Armenian highlands. In the distance, where the mist and mountains are you see rainfall. Photographed with a medium format Hasselblad camera and a red filter to darken the sky. A limited edition of five prints sized at 25x25 inches, printed by hand in a traditional darkroom on gelatin silver paper. There are only two left in the edition at this size. Framed with wide, antique black stained...

ROBERT STIVERS. Untitled, 2019 (Circus Tent), gelatin silver print, unique variant, edition 1 of 1.